Heidi Yeandle – författare

This book unearths Carter’s deconstruction of the male-dominated discipline of Western thought. Revealing the extensive philosophical research that underpins Carter’s intertextual work, this book offers new readings of her fiction in relation to a range of philosophical texts and ideas. By re-examining Carter’s writing with reference to the archived collection of her notes that has recently become available at the British Library, Angela Carter and Western Philosophy puts forward new interpretations of Carter’s writing practices. With chapters examining her allusions to Plato, Hobbes and Rousseau, Descartes, Locke and Hume, Wittgenstein and Ryle, as well as Kant and Sade, this book illuminates Carter’s engagement with different areas of Western thought, and discusses how this shapes her portrayal of reality, identity, civilisation, and morality. Angela Carter and Western Philosophy will be of interest to researchers, lecturers, and students working on contemporary women’swriting, philosophy and literature, and intertextual literary practices.

This book unearths Carter’s deconstruction of the male-dominated discipline of Western thought. Revealing the extensive philosophical research that underpins Carter’s intertextual work, this book offers new readings of her fiction in relation to a range of philosophical texts and ideas. By re-examining Carter’s writing with reference to the archived collection of her notes that has recently become available at the British Library, Angela Carter and Western Philosophy puts forward new interpretations of Carter’s writing practices. With chapters examining her allusions to Plato, Hobbes and Rousseau, Descartes, Locke and Hume, Wittgenstein and Ryle, as well as Kant and Sade, this book illuminates Carter’s engagement with different areas of Western thought, and discusses how this shapes her portrayal of reality, identity, civilisation, and morality. Angela Carter and Western Philosophy will be of interest to researchers, lecturers, and students working on contemporary women’swriting, philosophy and literature, and intertextual literary practices.

This book unearths Carter’s deconstruction of the male-dominated discipline of Western thought. Revealing the extensive philosophical research that underpins Carter’s intertextual work, this book offers new readings of her fiction in relation to a range of philosophical texts and ideas. By re-examining Carter’s writing with reference to the archived collection of her notes that has recently become available at the British Library, Angela Carter and Western Philosophy puts forward new interpretations of Carter’s writing practices. With chapters examining her allusions to Plato, Hobbes and Rousseau, Descartes, Locke and Hume, Wittgenstein and Ryle, as well as Kant and Sade, this book illuminates Carter’s engagement with different areas of Western thought, and discusses how this shapes her portrayal of reality, identity, civilisation, and morality. Angela Carter and Western Philosophy will be of interest to researchers, lecturers, and students working on contemporary women’swriting, philosophy and literature, and intertextual literary practices.

This book examines the connections and conversations between women writers from the twentieth century and the twenty-first century. The essays consider the ways in which twenty-first-century women writers look back and respond to their predecessors within the field of contemporary women’s writing. The book looks back to the foundations of contemporary women’s writing and also considers how this category may be defined in future decades. We ask how writers and readers have interpreted ‘the contemporary’, a moving target and an often-contentious term, especially in light of feminist theory and criticism of the late twentieth century. Writing about the relationships between women’s writings is an always-vital, ongoing political project with a rich history. These essays argue that establishing and defining the contemporary is, for women writers, another ongoing political project to which this collection of essays aims, in part, to contribute.

This book examines the connections and conversations between women writers from the twentieth century and the twenty-first century. The essays consider the ways in which twenty-first-century women writers look back and respond to their predecessors within the field of contemporary women’s writing. The book looks back to the foundations of contemporary women’s writing and also considers how this category may be defined in future decades. We ask how writers and readers have interpreted ‘the contemporary’, a moving target and an often-contentious term, especially in light of feminist theory and criticism of the late twentieth century. Writing about the relationships between women’s writings is an always-vital, ongoing political project with a rich history. These essays argue that establishing and defining the contemporary is, for women writers, another ongoing political project to which this collection of essays aims, in part, to contribute.