Helen Molesworth - Böcker

During the 1960s, artists from Alan Kaprow and Yoko Ono to Andy Warhol and Richard Serra stopped making "art" as it has been thought of since the Renaissance. They staged performances that mixed everyday life with theater and in yet other, often ironic, ways challenged the system of marketing, display, and aesthetic discourse that ascribes exceptional monetary as well as cultural value to paintings and sculpture. Work Ethic, published in conjunction with an exhibition of the same name organized by The Baltimore Museum of Art, brings together a cross section of such radical endeavors and opens a fresh perspective on their genesis and meaning. Most of the avant-garde interventions considered in Work Ethic entailed performances and other procedures generally interpreted as linking a "dematerialization" of the object with the free play of concepts. By contrast, Helen Molesworth and her collaborators in Work Ethic set such activities in the context of the workplace and contend that they engage issues of management, production, and skill that accompanied the emergence of the information age. The result is a major breakthrough in understanding the structures and ambitions of a wide range of art-making. Work Ethic reproduces all the diverse material—Bruce Nauman videotapes to Roxy Paine’s painting machine—in the Baltimore exhibition and provides insightful discussion of each piece’s history, structure, and significance. Four essays introduce topics, like utopian fantasies of pleasurable work, that are of general relevance to setting the material into a postindustrial context. Throughout this catalogue, there is as well a lively dialogue on the museum’s relationship to art that questions the rules of both the workplace and the art world. The exhibition, "Work Ethic," will be at The Baltimore Museum of Art from October 12, 2003, to January 11, 2004, and at the Des Moines Center for the Arts from May 15 to August 1, 2004.

How did you get the concept for Part Object Part Sculpture? I remain fascinated by the tricky nature of Duchamp’s readymades—objects transformed into art, but not quite. They always retain their original identity or function. This is why many people refer to Fountain in a casual way as “the urinal.” For me this is an acknowledgment that the work is part art, part not—part object, part sculpture. What is new about your interpretation of Duchamp?I insist that we see the readymades produced in the 1960s as quite different from the readymades that were purchased by Duchamp in the teens. They are different objects, with different sets of rules. Hence they behave differently in the gallery and ultimately mean different things. I have also tried to keep Duchamp’s readymades in dialogue with his lifelong interest in eros. These two strains of his thought have been kept separate—wrongly, I think—in the American reception of Duchamp. The artists featured in Part Object Part Sculpture come from different generations, different national traditions. Why do you bring them together in this exhibition and book?I am trying to map a genealogy of postwar sculpture that challenges the Minimalist/Post-Minimalist sequence maintained in most accounts of the period. The exhibition begins in the 1950s and comes up to the present. Also, it has become increasingly difficult to narrate postwar art as predominantly or exclusively American. Artists have been engaging in an enormous transatlantic dialogue. Is there any single work in the catalogue that can be singled out as emblematic of your intervention? No, not at all. It is precisely the constellation of figures like Burri, Duchamp, and Bourgeois, and then Duchamp and Hesse and Johns, and then Duchamp and Kusama and Gober, and then Duchamp and McElheney, that makes the exhibition so potentially interesting. How did you and your collaborators develop the scope and aim of the essays in the book?I asked writers who were working on the artists in the show and have won my admiration for the sensitivity of their writing and the unconventional nature of their thought. I then allowed them to write what they pleased. The outcome is a book to be considered as another site where the counter-genealogy is being built and argued for.

A dynamic new look at the legendary college that was a major incubator of the arts in midcentury AmericaIn 1933, John Rice founded Black Mountain College in North Carolina as an experiment in making artistic experience central to learning. Though it operated for only 24 years, this pioneering school played a significant role in fostering avant-garde art, music, dance, and poetry, and an astonishing number of important artists taught or studied there. Among the instructors were Josef and Anni Albers, John Cage, Merce Cunningham, Buckminster Fuller, Karen Karnes, M. C. Richards, and Willem de Kooning, and students included Ruth Asawa, Robert Rauschenberg, and Cy Twombly.  Leap Before You Look is a singular exploration of this legendary school and of the work of the artists who spent time there. Scholars from a variety of fields contribute original essays about diverse aspects of the College—spanning everything from its farm program to the influence of Bauhaus principles—and about the people and ideas that gave it such a lasting impact. In addition, catalogue entries highlight selected works, including writings, musical compositions, visual arts, and crafts. The book’s fresh approach and rich illustration program convey the atmosphere of creativity and experimentation that was unique to Black Mountain College, and that served as an inspiration to so many. This timely volume will be essential reading for anyone interested in the College and its enduring legacy.Published in association with the Institute of Contemporary Art, BostonExhibition Schedule:The Institute of Contemporary Art, Boston(10/10/15–01/24/16)Hammer Museum, UCLA(02/21/16–05/14/16)Wexner Center for the Arts, Ohio State University(09/17/16–01/01/17)

The first monograph on a rising star who is one of contemporary art's most celebrated paintersLos Angeles-based artist Jonas Wood creates vivid images, where space and everyday life are rendered with compressed perspective in bold graphic hues. This monograph - the first on the artist's work - brings together his most significant paintings and drawings. In doing so, it offers a unique insight into the vast array of his sources, which include family photographs, found imagery, baseball cards, and other people's art, including the ceramics of his wife, the artist Shio Kusaka. With contributions by curator and writer Helen Molesworth, Curator of Modern and Contemporary Art at The Metropolitan Museum of Art in New York Ian Alteveer, and a conversation between Wood and fellow Los Angeles-based artist Mark Grotjahn.

This long-awaited volume celebrates the work of Kerry James Marshall, one of America's greatest living painters. Born before the passage of the Civil Rights Act, in Birmingham, Alabama, and witness to the Watts riots in 1965, Marshall has long been an inspired and imaginative chronicler of the African American experience. Best known for large-scale interiors, landscapes, and portraits featuring powerful black figures, Marshall explores narratives of African American history from slave ships to the present and draws upon his deep knowledge of art history from the Renaissance to twentieth-century abstraction, as well as other sources such as the comic book and the muralist tradition. With luscious color and brushstrokes and highly detailed patterning, his direct and intimate scenes of black middle-class life conjure a wide range of emotions, resulting in powerful paintings that confront the position of African Americans throughout American history.Richly illustrated, this monumental book features essays by noted curators as well as the artist, and more than 100 paintings from throughout the artist's career arranged thematically by subject: history painting; beauty, as expressed through the nude, portraiture, and self-portraiture; landscape; religion; and the politics of black nationalism.

Discover a dazzling deep-dive into the history of the world through a totally new lens, as told by the V&A’s Senior Jewellery Curator. Includes 16 pages of colour photography showcasing some of the world's most spectacular jewellery.'A magnificent compendium of everything one could ever want to know about jewels: their symbolism, physical construction, worth and history.' Spectator‘From Princess Margaret’s pearls to the priciest of diamonds, gemmologist Helen Molesworth has seen them all’ – Daily Mail You Magazine'A sumptuous and sweeping history of humanity’s love affair with jewels.' - Vogue'This is - fittingly - a gem of a book. Rich descriptions, fascinating histories and, at times, just pure, dazzling bling. A joy to read.' - Tracy Borman, author of Elizabeth’s Women, Thomas Cromwell and The Private Lives of the Tudors'-------Travelling through moments in history and layers of soil and sediment, this is world history as you have never seen it before.This is the story of precious gems, from emeralds and rubies, to sapphires and pearls. Explore their history and geology, as well as their famous owners, from Elizabeth 1 to Elizabeth Taylor, Marie Antoinette to Marilyn Monroe, Coco Chanel to Beyonce.Discover the fragile emerald watch that survived cross-continental journeys and centuries under the floorboards of a London house.Journey back through the generations of women who wore pearls as a signifier of femininity and marvel at the role these glistening objects have played in changing depictions of feminism.Learn of the Burmese warriors who believed so strongly in the connection between rubies and lifeblood that they embedded them into their skin before battle to protect them from harm.In this sumptuous and sweeping history of humanity's love affair with jewels, the V&A’s Senior Jewellery Curator, Helen Molesworth, takes you behind the curtain of museums and auction houses, showcasing some of history's most incredible and iconic jewels and the deeply human stories that lie behind them.-------Beautifully written and superbly interesting, Helen Molesworth tells a compelling, global story of gems - their unending allure and continuing impact on human history. - Tristram Hunt, Director of the V&A, author of The Radical Potter'Reading Precious is like opening history's treasure chest, to discover a trove of fascinating information.' - Jane Robinson, author of Trailblazer, Hearts and Minds, and Bluestockings‘What shines through here in Molesworth’s deep love of her subject and the tactile joy of wearing such gems’ – Mail on Sunday

Discover a dazzling deep-dive into the history of the world through a totally new lens, as told by the V&A’s Senior Jewellery Curator. Includes 16 pages of colour photography showcasing some of the world's most spectacular jewellery.'A magnificent compendium of everything one could ever want to know about jewels: their symbolism, physical construction, worth and history.' – Spectator'A sumptuous and sweeping history of humanity’s love affair with jewels.' - Vogue‘From Princess Margaret’s pearls to the priciest of diamonds, gemmologist Helen Molesworth has seen them all’ – Daily Mail You Magazine'All the jewelry and gem history you’ve ever wondered about’ – Forbes‘What shines through here in Molesworth’s deep love of her subject and the tactile joy of wearing such gems’ – Mail on Sunday'This is - fittingly - a gem of a book. Rich descriptions, fascinating histories and, at times, just pure, dazzling bling. A joy to read.' - Tracy Borman, author of Elizabeth’s Women, Thomas Cromwell and The Private Lives of the Tudors'-------Travelling through moments in history and layers of soil and sediment, this is world history as you have never seen it before.This is the story of precious gems, from emeralds and rubies, to sapphires and pearls. Explore their history and geology, as well as their famous owners, from Elizabeth 1 to Elizabeth Taylor, Marie Antoinette to Marilyn Monroe, Coco Chanel to Beyonce.Discover the fragile emerald watch that survived cross-continental journeys and centuries under the floorboards of a London house.Journey back through the generations of women who wore pearls as a signifier of femininity and marvel at the role these glistening objects have played in changing depictions of feminism.Learn of the Burmese warriors who believed so strongly in the connection between rubies and lifeblood that they embedded them into their skin before battle to protect them from harm.In this sumptuous and sweeping history of humanity's love affair with jewels, the V&A’s Senior Jewellery Curator, Helen Molesworth, takes you behind the curtain of museums and auction houses, showcasing some of history's most incredible and iconic jewels and the deeply human stories that lie behind them.-------'Beautifully written and superbly interesting, Helen Molesworth tells a compelling, global story of gems - their unending allure and continuing impact on human history. - Tristram Hunt, Director of the V&A, author of The Radical Potter'Reading Precious is like opening history's treasure chest, to discover a trove of fascinating information.' - Jane Robinson, author of Trailblazer, Hearts and Minds, and Bluestockings

Providing a crucial record of the painter Noah Davis’s extraordinary oeuvre, this monograph tells the story of a brilliant artist and cultural force through the eyes of his friends and collaborators. Despite his exceedingly premature death at the age of 32, Noah Davis created emotionally charged work that places him firmly in the canon of great American painting. Stirring, elusive, and attuned to the history of painting, his compositions infuse scenes from everyday life with a magical realist atmosphere and contain traces of his abiding interest in artists such as Marlene Dumas, Kerry James Marshall, Fairfield Porter, Mark Rothko, and Luc Tuymans. This catalogue is published on the occasion of the 2020 exhibition at David Zwirner, New York, which travels to the Underground Museum in Los Angeles, a space that Davis founded with his wife, artist Karon Davis. In her introduction, catalogue essay, and interviews with important figures in Davis’s life, curator Helen Molesworth shows how the artist’s generosity and sense of responsibility galvanized a uniquely supportive artistic community, culture, and vision. Through color illustrations and archival photographs, the book captures the intimate yet expansive spirit of a studio visit with the artist.

Known for her intricate and distinct artistic language, Asawa produced numerous sculptures, drawings, and prints that are built on simple, repeated gestures that accumulate into complex compositions. Her works on paper and “continuous” looped-wire sculptures suggest a field of fluctuating positive and negative forms, a means of reshaping how we perceive the world. Personal motifs reappear throughout in the most comprehensive look at the artist’s oeuvre to date––ceramic casts of faces of her family, friends, and neighbors; the carved front door Asawa and her family made for their home; and drawings of her children, grandchildren, and husband sleeping––all providing an expansive look into the artist’s life.A document of the breathtaking and surprising exhibition Ruth Asawa: All Is Possible, organized by Helen Molesworth, this book records and expands upon the show, offering new insight from writers and curators with a selection of sixty-four works from Asawa’s spectacular oeuvre. With an introduction by Molesworth, this book features focused texts from Makeda Best, Taylor Davis, Ruth Erickson, Briony Fer, Jennifer L. Roberts, and John Yau.

The first monograph on the internationally celebrated Nigerian American painter who blends her personal history and the African diasporic identity in layered compositions“Critics have often (and rightly) marveled at the care and finesse with which Akunyili Crosby assembles vast multiplicities of time and place into singular sites of visual contestation.” —FriezeNjideka Akunyili Crosby’s work unites multiple places and temporalities, reflecting both personal and universal dimensions of contemporary life and, in particular, the intricacies of the African diasporic identity. This first monograph on Akunyili Crosby brings together nearly fifty paintings, made from 2010 to 2023, that chart her methodical practice of layering painted representations of people, locales, and aspects of her own experiences with transferred images sourced from her personal collection, Nigerian publications, and other outlets. Akunyili Crosby reveals and revisits distinct realms, from lush gardens to domestic, interior worlds related to motherhood, family, marriage, the body, and personal identity. New texts from Jareh Das, Helen Molesworth, Jason Rosenfeld, and Drew Thompson focus on a range of themes in Akunyili Crosby’s work, including her visual language and material practice, her mixing of Western and Nigerian imagery and forms, and her use of photography in portraiture and figuration.

Few jewellers are as celebrated as Cartier, even fewer have as many instantly recognizable designs - some of which, such as the Tank watch, Love bracelet and Trinity ring, have become iconic. Glamorous, witty, beautiful and beloved of stars such as Grace Kelly, over 150 dazzling Cartier pieces are featured here. This book presents jewels from superlative collections, including the V&A and the Royal Collection, as well as Cartier's own private collection and it celebrates the history of the company The Prince of Wales, later King Edward VII, called the 'Jeweller of Kings and the King of Jewellers'.

Long awaited, the first survey of the work of one of America's foremost contemporary fine art photographersFor almost 40 years, Catherine Opie has been documenting with psychological acuity the cultural and geographic identity of contemporary America. This unique artist monograph presents a compelling visual narrative of Opie's work since the early 1980s, pairing images across bodies of work to form a full picture of her artistic vision. With more than 300 beautiful illustrations and made in close collaboration with Opie, the book marks a turning point in the consideration of this artist's work to date.

Long awaited, the first survey of the work of one of America's foremost contemporary fine art photographersFor almost 40 years, Catherine Opie has been documenting with psychological acuity the cultural and geographic identity of contemporary America. This unique artist monograph presents a compelling visual narrative of Opie's work since the early 1980s, pairing images across bodies of work to form a full picture of her artistic vision. With more than 300 beautiful illustrations and made in close collaboration with Opie, the book marks a turning point in the consideration of this artist's work to date.

'Molesworth remains a rare breed: a curator who can actually write.' - Art in AmericaAn illustrated reader featuring a collection of essays from trailblazing curator and writer Helen Molesworth – the first book of her collected writingsOver the past three decades, Helen Molesworth’s singular voice and lively curatorial vision has established her as one of the most dynamic and influential voices in the art world. This generously illustrated reader – the first ever collection of her writings – presents 24 essays from the past 30 years, gathered from exhibition catalogs and art publications such as Artforum, Documents, frieze, and October. The volume opens with a new essay that lays out Molesworth’s belief in art’s unique capacity for merging knowledge and feeling. It also includes new critical and reflective commentary on her past writing, an innovative approach that will position Open Questions as an indispensable volume for viewing and thinking about contemporary art for generations to come.

Conceptual artist Josiah McElheny's work in glass explores the relationship between art, history and narrative. This catalogue chronicles his most ambitious project to date and offers a comprehensive overview of the conception and creation of his sculptural work. Also documents his first-ever film.

Sadie Benning is not only among the country's most respected and influential video artists, she also broke cultural ground as a founding member of the multimedia feminist band Le Tigre. Suspended Animation, the first monograph on the artist and the catalogue of her first U.S. museum exhibition, introduces Benning's paintings and Play Pause, an ambitious new two-channel video installation. Benning's videos, which she began to make in the late 1980s with a Fisher-Price Pixelvision 2000 "toy camera," are known for their explorations of loneliness, alienation, gender ambiguity and her own developing lesbian identity. Benning's recent paintings--flat, illustrative, exuberant--are playful, imaginary portraits that address similar themes. Play Pause, created entirely from hundreds of Benning's drawings, offers a rhythmic and affectionate view of contemporary life in a city's streets, parks and gay bars. Includes written contributions by Eileen Myles and Aleksandar Hemon, and a conversation with the New York painter Amy Sillman.