Henry K. Miller – författare
Visar alla böcker från författaren . Handla med fri frakt och snabb leverans.
10 produkter
10 produkter
Inbunden, Engelska, 2022
839 kr
Skickas inom 5-8 vardagar
Hitchcock’s previously untold origin story.Alfred Hitchcock called The Lodger "the first true Hitchcock movie," the one that anticipated all the others. And yet the story of how The Lodger came to be made is shrouded in myth, often repeated and much embellished, even by Hitchcock himself. The First True Hitchcock focuses on the twelve-month period that encompassed The Lodger's production in 1926 and release in 1927, presenting a new picture of this pivotal year in Hitchcock's life and in the wider film world. Using fresh archival discoveries, Henry K. Miller situates Hitchcock's formation as a director against the backdrop of a continent shattered by war and confronted with the looming presence of a new superpower, the United States, and its most visible export—film. The previously untold story of The Lodger's making in the London fog—and attempted remaking in the Los Angeles sun—is the story of how Hitchcock became Hitchcock.
Häftad, Engelska, 2022
243 kr
Skickas inom 5-8 vardagar
Hitchcock’s previously untold origin story.Alfred Hitchcock called The Lodger "the first true Hitchcock movie," the one that anticipated all the others. And yet the story of how The Lodger came to be made is shrouded in myth, often repeated and much embellished, even by Hitchcock himself. The First True Hitchcock focuses on the twelve-month period that encompassed The Lodger's production in 1926 and release in 1927, presenting a new picture of this pivotal year in Hitchcock's life and in the wider film world. Using fresh archival discoveries, Henry K. Miller situates Hitchcock's formation as a director against the backdrop of a continent shattered by war and confronted with the looming presence of a new superpower, the United States, and its most visible export—film. The previously untold story of The Lodger's making in the London fog—and attempted remaking in the Los Angeles sun—is the story of how Hitchcock became Hitchcock.
Inbunden, Engelska, 2022
346 kr
Skickas inom 5-8 vardagar
Häftad, Engelska, 2022
188 kr
Skickas inom 5-8 vardagar
E-bok
Engelska, 2019434 kr
Läs direkt efter köp
Upon its release in 1960, Alfred Hitchcock''s Psycho divided critical opinion, with several leading film critics condemning Hitchcock''s apparent encouragement of the audience''s identification with the gruesome murder that lies at the heart of the film. Such antipathy did little to harm Psycho''s box-office returns, and it would go on to be acknowledged as one of the greatest film thrillers, with scenes and characters that are among the most iconic in all cinema. In his illuminating study of Psycho, Raymond Durgnat provides a minute analysis of its unfolding narrative, enabling us to consider what happens to the viewer as he or she watches the film, and to think afresh about questions of spectatorship, Hollywood narrative codes, psycho-analysis, editing and shot composition.In his introduction to the new edition, Henry K. Miller presents A Long Hard Look at ''Psycho'' as the culmination of Durgnat''s decades-long campaign to correct what he called film studies'' ''Grand Error''. In the course of expounding Durgnat''s root-and-branch challenge to our inherited shibboleths about Hollywood cinema in general and Hitchcock in particular, Miller also describes the eclectic intellectual tradition to which Durgnat claimed allegiance. This band of amis inconnus, among them William Empson, Edgar Morin and Manny Farber, had at its head Durgnat''s mentor Thorold Dickinson. The book''s story begins in the early 1960s, when Dickinson made the long hard look the basis of his pioneering film course at the Slade School of Fine Art, and Psycho became one of its first objects.
E-bok
Engelska, 2019578 kr
Läs direkt efter köp
Raymond Durgnat was a maverick voice during the golden age of film criticism. From the French New Wave and the rise of auteurism, through the late 1960s counter-culture, to the rejuvenated Hollywood of the 1970s, his work appeared in dozens of publications in Britain, France and the USA. At once evoking the film culture of his own times and anticipating our digital age in which technology allows everyone to create their own ''moving image-text combos'', Durgnat''s writings touch on crucial questions in film criticism that resonate more than ever today. Bringing together Durgnat''s essential writing for the very first time, this career-spanning collection includes previously unpublished and untranslated work and is introduced and annotated by Henry K. Miller.
E-bok
PDF, Engelska, 2019578 kr
Läs direkt efter köp
Raymond Durgnat was a maverick voice during the golden age of film criticism. From the French New Wave and the rise of auteurism, through the late 1960s counter-culture, to the rejuvenated Hollywood of the 1970s, his work appeared in dozens of publications in Britain, France and the USA. At once evoking the film culture of his own times and anticipating our digital age in which technology allows everyone to create their own ''moving image-text combos'', Durgnat''s writings touch on crucial questions in film criticism that resonate more than ever today. Bringing together Durgnat''s essential writing for the very first time, this career-spanning collection includes previously unpublished and untranslated work and is introduced and annotated by Henry K. Miller.
Häftad, Engelska, 2010
401 kr
Skickas inom 5-8 vardagar
Upon its release in 1960, Alfred Hitchcock's Psycho divided critical opinion, with several leading film critics condemning Hitchcock's apparent encouragement of the audience's identification with the gruesome murder that lies at the heart of the film. Such antipathy did little to harm Psycho's box-office returns, and it would go on to be acknowledged as one of the greatest film thrillers, with scenes and characters that are among the most iconic in all cinema. In his illuminating study of Psycho, Raymond Durgnat provides a minute analysis of its unfolding narrative, enabling us to consider what happens to the viewer as he or she watches the film, and to think afresh about questions of spectatorship, Hollywood narrative codes, psycho-analysis, editing and shot composition.In his introduction to the new edition, Henry K. Miller presents A Long Hard Look at 'Psycho' as the culmination of Durgnat's decades-long campaign to correct what he called film studies' 'Grand Error'. In the course of expounding Durgnat's root-and-branch challenge to our inherited shibboleths about Hollywood cinema in general and Hitchcock in particular, Miller also describes the eclectic intellectual tradition to which Durgnat claimed allegiance. This band of amis inconnus, among them William Empson, Edgar Morin and Manny Farber, had at its head Durgnat's mentor Thorold Dickinson. The book's story begins in the early 1960s, when Dickinson made the long hard look the basis of his pioneering film course at the Slade School of Fine Art, and Psycho became one of its first objects.
Häftad, Engelska, 2014
540 kr
Skickas inom 10-15 vardagar
Raymond Durgnat was a maverick voice during the golden age of film criticism. From the French New Wave and the rise of auteurism, through the late 1960s counter-culture, to the rejuvenated Hollywood of the 1970s, his work appeared in dozens of publications in Britain, France and the USA.At once evoking the film culture of his own times and anticipating our digital age in which technology allows everyone to create their own 'moving image-text combos', Durgnat's writings touch on crucial questions in film criticism that resonate more than ever today.Bringing together Durgnat's essential writing for the very first time, this career-spanning collection includes previously unpublished and untranslated work and is introduced and annotated by Henry K. Miller.
E-bok
PDF, Engelska, 2017419 kr
Läs direkt efter köp
U?pon its release in 1960, Alfred Hitchcock''s Psycho divided critical opinion, with several leading film critics condemning Hitchcock''s apparent encouragement of the audience''s identification with the gruesome murder that lies at the heart of the film. Such antipathy did little to harm Psycho''s box-office returns, and it would go on to be acknowledged as one of the greatest film thrillers, with scenes and characters that are among the most iconic in all cinema. In his illuminating study of Psycho, Raymond Durgnat provides a minute analysis of its unfolding narrative, enabling us to consider what happens to the viewer as he or she watches the film, and to think afresh about questions of spectatorship, Hollywood narrative codes, psycho-analysis, editing and shot composition.In his introduction to the new edition, Henry K. Miller presents A Long Hard Look at ''Psycho'' as the culmination of Durgnat''s decades-long campaign to correct what he called film studies'' ''Grand Error''. In the course of expounding Durgnat''s root-and-branch challenge to our inherited shibboleths about Hollywood cinema in general and Hitchcock in particular, Miller also describes the eclectic intellectual tradition to which Durgnat claimed allegiance. This band of amis inconnus, among them William Empson, Edgar Morin and Manny Farber, had at its head Durgnat''s mentor Thorold Dickinson. The book''s story begins in the early 1960s, when Dickinson made the long hard look the basis of his pioneering film course at the Slade School of Fine Art, and Psycho became one of its first objects.