Häftad, Engelska, 1978
840 kr
Skickas inom 3-6 vardagar
Raymond Durgnat – författare
Visar alla böcker från författaren Raymond Durgnat. Handla med fri frakt och snabb leverans.
9 produkter
9 produkter
- E-bokPDF, Engelska, 2017
498 kr
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Raymond Durgnat''s classic study of British films from the 1940s to the 1960s, first published in 1970, remains one of the most important books ever written on British cinema. In his introduction, Kevin Gough-Yates writes: ''Even now, it astounds by its courage and its audacity; if you think you have an ''original'' approach to a filmor a director''s work and check it against A Mirror for England, you generally discover that Raymond Durgnat had said it already.'' Durgnat himself said about the book that ''the main point was arranging a kind of rendezvous between thinking about movies and thinking, not so much about sociology, as about the experiences that people are having all the time.''Durgnat used Mirror to assert the validity of British cinema against its dismissal by the critics of Cahiers du cinéma and Sight and Sound. His analysis takes in classics such as In Which We Serve (1942), A Matter of Life and Death (1946) andThe Blue Lamp (1949), alongside ''B'' films and popular genres such as Hammer horror. Durgnat makes a cogent and compelling case for the success of British films in reflecting British predicaments, moods and myths, at the same time as providing some disturbing new insights into a national character by whose enigmas and contradictions we continue to be perplexed and fascinated. - E-bokEngelska, 2019
433 kr
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Upon its release in 1960, Alfred Hitchcock''s Psycho divided critical opinion, with several leading film critics condemning Hitchcock''s apparent encouragement of the audience''s identification with the gruesome murder that lies at the heart of the film. Such antipathy did little to harm Psycho''s box-office returns, and it would go on to be acknowledged as one of the greatest film thrillers, with scenes and characters that are among the most iconic in all cinema. In his illuminating study of Psycho, Raymond Durgnat provides a minute analysis of its unfolding narrative, enabling us to consider what happens to the viewer as he or she watches the film, and to think afresh about questions of spectatorship, Hollywood narrative codes, psycho-analysis, editing and shot composition.In his introduction to the new edition, Henry K. Miller presents A Long Hard Look at ''Psycho'' as the culmination of Durgnat''s decades-long campaign to correct what he called film studies'' ''Grand Error''. In the course of expounding Durgnat''s root-and-branch challenge to our inherited shibboleths about Hollywood cinema in general and Hitchcock in particular, Miller also describes the eclectic intellectual tradition to which Durgnat claimed allegiance. This band of amis inconnus, among them William Empson, Edgar Morin and Manny Farber, had at its head Durgnat''s mentor Thorold Dickinson. The book''s story begins in the early 1960s, when Dickinson made the long hard look the basis of his pioneering film course at the Slade School of Fine Art, and Psycho became one of its first objects. - E-bokEngelska, 2019
498 kr
Läs direkt efter köp
Raymond Durgnat''s classic study of British films from the 1940s to the 1960s, first published in 1970, remains one of the most important books ever written on British cinema. In his introduction, Kevin Gough-Yates writes: ''Even now, it astounds by its courage and its audacity; if you think you have an ''original'' approach to a filmor a director''s work and check it against A Mirror for England, you generally discover that Raymond Durgnat had said it already.'' Durgnat himself said about the book that ''the main point was arranging a kind of rendezvous between thinking about movies and thinking, not so much about sociology, as about the experiences that people are having all the time.''Durgnat used Mirror to assert the validity of British cinema against its dismissal by the critics of Cahiers du cinéma and Sight and Sound. His analysis takes in classics such as In Which We Serve (1942), A Matter of Life and Death (1946) and The Blue Lamp (1949), alongside ''B'' films and popular genres such as Hammer horror. Durgnat makes a cogent and compelling case for the success of British films in reflecting British predicaments, moods and myths, at the same time as providing some disturbing new insights into a national character by whose enigmas and contradictions we continue to be perplexed and fascinated. - E-bokEngelska, 2019
186 kr
Läs direkt efter köp
In Dusan Makavejev''s controversial and explicit WR - Mysteries of the Organism (1971), ''WR'' is Wilhelm Reich, the Marxist psychoanalyst who preached sexual enlightenment as a gateway to a better society. Reich is a ''intellectual maverick'' and ''sexual pioneer'', and theorist of ''Orgone energy'' and ''world revolution''. Loosely inspired by Reich''s ''The Function of the Orgasm'' WR stages an encounter between psychotherapy and Marxism, sexual permissiveness and socialism. Juxtaposing hippie America and cold war Yugoslavia, it is a film of ideas and sensations which speaks to the contemporary world. It was banned in Yugoslavia, under pressure from Moscow, as politically offensive. This book explores the film and how its spectators interact with it. - E-bokPDF, Engelska, 2019
193 kr
Läs direkt efter köp
In Dusan Makavejev''s controversial and explicit WR - Mysteries of the Organism (1971), ''WR'' is Wilhelm Reich, the Marxist psychoanalyst who preached sexual enlightenment as a gateway to a better society. Reich is a ''intellectual maverick'' and ''sexual pioneer'', and theorist of ''Orgone energy'' and ''world revolution''. Loosely inspired by Reich''s ''The Function of the Orgasm'' WR stages an encounter between psychotherapy and Marxism, sexual permissiveness and socialism. Juxtaposing hippie America and cold war Yugoslavia, it is a film of ideas and sensations which speaks to the contemporary world. It was banned in Yugoslavia, under pressure from Moscow, as politically offensive. This book explores the film and how its spectators interact with it. - Häftad, Engelska, 2010
399 kr
Skickas inom 5-8 vardagar
Upon its release in 1960, Alfred Hitchcock's Psycho divided critical opinion, with several leading film critics condemning Hitchcock's apparent encouragement of the audience's identification with the gruesome murder that lies at the heart of the film. Such antipathy did little to harm Psycho's box-office returns, and it would go on to be acknowledged as one of the greatest film thrillers, with scenes and characters that are among the most iconic in all cinema. In his illuminating study of Psycho, Raymond Durgnat provides a minute analysis of its unfolding narrative, enabling us to consider what happens to the viewer as he or she watches the film, and to think afresh about questions of spectatorship, Hollywood narrative codes, psycho-analysis, editing and shot composition.In his introduction to the new edition, Henry K. Miller presents A Long Hard Look at 'Psycho' as the culmination of Durgnat's decades-long campaign to correct what he called film studies' 'Grand Error'. In the course of expounding Durgnat's root-and-branch challenge to our inherited shibboleths about Hollywood cinema in general and Hitchcock in particular, Miller also describes the eclectic intellectual tradition to which Durgnat claimed allegiance. This band of amis inconnus, among them William Empson, Edgar Morin and Manny Farber, had at its head Durgnat's mentor Thorold Dickinson. The book's story begins in the early 1960s, when Dickinson made the long hard look the basis of his pioneering film course at the Slade School of Fine Art, and Psycho became one of its first objects. - Häftad, Engelska, 2011
458 kr
Skickas inom 5-8 vardagar
Raymond Durgnat's classic study of British films from the 1940s to the 1960s, first published in 1970, remains one of the most important books ever written on British cinema. In his introduction, Kevin Gough-Yates writes: 'Even now, it astounds by its courage and its audacity; if you think you have an 'original' approach to a filmor a director's work and check it against A Mirror for England, you generally discover that Raymond Durgnat had said it already.' Durgnat himself said about the book that 'the main point was arranging a kind of rendezvous between thinking about movies and thinking, not so much about sociology, as about the experiences that people are having all the time.'Durgnat used Mirror to assert the validity of British cinema against its dismissal by the critics of Cahiers du cinéma and Sight and Sound. His analysis takes in classics such as In Which We Serve (1942), A Matter of Life and Death (1946) and The Blue Lamp (1949), alongside 'B' films and popular genres such as Hammer horror. Durgnat makes a cogent and compelling case for the success of British films in reflecting British predicaments, moods and myths, at the same time as providing some disturbing new insights into a national character by whose enigmas and contradictions we continue to be perplexed and fascinated. - E-bokPDF, Engelska, 2017
433 kr
Läs direkt efter köp
U?pon its release in 1960, Alfred Hitchcock''s Psycho divided critical opinion, with several leading film critics condemning Hitchcock''s apparent encouragement of the audience''s identification with the gruesome murder that lies at the heart of the film. Such antipathy did little to harm Psycho''s box-office returns, and it would go on to be acknowledged as one of the greatest film thrillers, with scenes and characters that are among the most iconic in all cinema. In his illuminating study of Psycho, Raymond Durgnat provides a minute analysis of its unfolding narrative, enabling us to consider what happens to the viewer as he or she watches the film, and to think afresh about questions of spectatorship, Hollywood narrative codes, psycho-analysis, editing and shot composition.In his introduction to the new edition, Henry K. Miller presents A Long Hard Look at ''Psycho'' as the culmination of Durgnat''s decades-long campaign to correct what he called film studies'' ''Grand Error''. In the course of expounding Durgnat''s root-and-branch challenge to our inherited shibboleths about Hollywood cinema in general and Hitchcock in particular, Miller also describes the eclectic intellectual tradition to which Durgnat claimed allegiance. This band of amis inconnus, among them William Empson, Edgar Morin and Manny Farber, had at its head Durgnat''s mentor Thorold Dickinson. The book''s story begins in the early 1960s, when Dickinson made the long hard look the basis of his pioneering film course at the Slade School of Fine Art, and Psycho became one of its first objects.
