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218 kr
Skickas inom 5-8 vardagar
This poem-by-poem guide to Lorca’s Romancero gitano was prompted by the need for some form of guidance to the overwhelming amount of critical material published on the book, the relative neglect or misunderstanding of certain poems and a concern to counter a recent tendency to eccentric interpretation.Herbert Ramsden’s comprehensive collection of commentaries will be useful both for students and teachers and for the Lorca specialist. With each poem the author offers a brief introduction to relevant background material, a comprehensive commentary, a brief indication of interpretations notably different from his own and a select critical bibliography. In a more general bibliography, the author lists a number of translations of Romancero gitano into English and a selection of commentary-based studies. The great diversity and allusive richness of Lorca’s poetic masterpiece demands more space than a compact student edition allows, and all serious students of Romancero gitano will want to use Herbert Ramsden’s Eighteen commentaries alongside his simultaneously-published edition of the text.
224 kr
Skickas inom 7-10 vardagar
Lorca is one of the outstanding poets of Spanish literature, and apart perhaps from his trilogy of stage tragedies, "Romancero gitano" is his most celebrated work: innovative, sophisticated, difficult and uniquely popular. Partly, no doubt, it is the appeal of his gypsies, childlike and magical, oppressed by the world around; partly too, the work's elemental concerns: machismo, honor, sex, betrayal, revenge, bloodshed, death; partly also, the many echoes of Andalusian popular culture: horsemen and smugglers, fiestas and local saints, legends and superstitions, ballads and deep song. By its dramatic dynamism, its subtle stylisation and its mythical stature, Romancero gitano is one of the most appealing books of poetry in Spanish literature--but it is also one of the most difficult. In his introduction to this edition for English-speaking students, Ramsden considers briefly Lorca's "Double break with the past" and then concentrates on the "Romancero gitano" itself, with emphasis on the interplay of immediate appeal and wider resonances. An annotated select bibliography and select glossary are provided with explanatory end notes offering practical guidance, both linguistic and interpretative.