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'Bluebeard,' the tale of a sadistic husband who murders his wives and locks away their bodies, has inspired hundreds of adaptations since it first appeared in 1697. In Bluebeard Gothic, Heta Pyrhönen argues that Charlotte Brontë's 1847 classic Jane Eyre can be seen as one such adaptation, and that although critics have been slow to realize the connection, authors rewriting Brontë's novel have either intuitively or intentionally seized on it.Pyrhönen begins by establishing that the story of Jane Eyre is intermingled with the 'Bluebeard' tale, as young Jane moves between households, each dominated by its own Bluebeard figure. She then considers rewritings of Jane Eyre, such as Jean Rhys' Wide Sargasso Sea (1966) and Diane Setterfield's The Thirteenth Tale (2006), to examine how novelists have interpreted the status and meaning of 'Bluebeard' in Brontë's novel. Using psychoanalysis as the primary model of textual analysis, Bluebeard Gothic focuses on the conjunction of religion, sacrifice, and scapegoating to provide an original interpretation of a canonical and frequently-studied text.
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How does the act of reading shape an individual? In this stimulating book, fiction authors and literary scholars reflect on their memories of reading to explore that question, from their childhood and adolescent years into adulthood and beyond. Instead of focusing on reading as an act of escapism, or mere literacy, these writings celebrate reading as a lifelong, joyful experience that intertwines past and present. By revealing our diverse reading histories, the collection fosters awareness of the profound impact of reading on a person’s development and offers readers insights that will enrich their own literary experiences.Introduction by Sander L. Gilman and Heta Pyrhönen, with essays by Natalya Bekhta, Peter Brooks, Philip Davis, Linda and Michael Hutcheon, Sander L. Gilman, Daniel Mendelsohn, Laura Otis, Laura Oulanne, Heta Pyrhönen, Michael Rosen, Salman Rushdie, Cristina Sandu, Pajtim Statovci and Maria Tatar.