Hugh Epstein – författare

Joseph Conrad's Nostromo (1904) is widely considered his modernist masterpiece. The first of his major political novels, it depicts the effects of repeated revolution in a fictional South American state under the growing influence of the United States of America. It is an enduring portrait of global economics and politics during the late nineteenth and early twentieth centuries. This first comprehensive and authoritative critical edition offers an introduction clarifying the novel's origins and sources, while explanatory notes detail literary and historical references. An accompanying essay lays out the history of composition and publication, detailing interventions made by Conrad's editors. Also included are appendices of Conrad's source material; glossaries of nautical and foreign terms; a map; and reproductions of early drafts. By returning to (and respecting) Conrad's own early manuscript and typescript forms, this edition presents the novel and its preface in a form more authoritative than any so far.

Joseph Conrad''s Nostromo (1904) is widely considered his modernist masterpiece. The first of his major political novels, it depicts the effects of repeated revolution in a fictional South American state under the growing influence of the United States of America. It is an enduring portrait of global economics and politics during the late nineteenth and early twentieth centuries. This first comprehensive and authoritative critical edition offers an introduction clarifying the novel''s origins and sources, while explanatory notes detail literary and historical references. An accompanying essay lays out the history of composition and publication, detailing interventions made by Conrad''s editors. Also included are appendices of Conrad''s source material; glossaries of nautical and foreign terms; a map; and reproductions of early drafts. By returning to (and respecting) Conrad''s own early manuscript and typescript forms, this edition presents the novel and its preface in a form more authoritative than any so far.

Explores ‘scenic realism’ in the major novels of Thomas Hardy and Joseph ConradOffers the first book-length study of connections between these two major authors bringing new approaches to bear on often-taught worksProvides an understanding of impressionist styles of writing that is drawn from contemporary empirical scienceTells a progressive chronological story of both authors’ use of the senses in their fictionArgues for a distinctive place for Hardy and Conrad in late-Victorian fiction which challenges the narrative of a modernist rupture with Victorian realismSupported by wide reading in nineteenth-century science and letters, and comprehensive knowledge of twentieth century criticism of the two novelistsThis book reads the highly descriptive impressionist writings of Hardy and Conrad together in the light of a shared attention to sight and sound. With a focus on nature and the environment, Hugh Epstein analyses thirteen of these powerful works in the historical company of contemporary discussions in Victorian science. He takes them beyond their ‘Victorian’ and ‘Modernist’ labels to show how vivid and urgent these novels are for the modern reader.