Hugh Magennis – författare

This book explores ideas of community and the relationship of individuals to communities widely evident in Old English poetry. It pays particular attention to the context in which major poetic manuscripts of the late Anglo-Saxon period were received, a time when concerns about community appear to have been of special urgency. The book identifies key features of the audience or readership of Old English poetry in this period, and relates the interests of these groups of people to themes reflected in the poetic texts. Magennis analyses a wide range of poems and examines the imagery on which they draw, concentrating particularly on depictions of hall (including feasting and drinking), stronghold, city and landscape. In a poetry in which communal structures are typically associated with male ideals of warriorship and fellowship, the position and treatment of women is also shown to merit close consideration.

This book presents the two Old English versions of the colourful legend of the virgin martyr, St Margaret of Antioch, who became one of the most widely celebrated of medieval saints and the patron saint of childbirth. The two extant vernacular lives are published together, edited with a facing translation and commentary and introduced by extensive coverage of background sources, the state of the manuscripts, their language and the growth of the cult of St Margaret in Anglo-Saxon England. In addition there are printed fragments of a third version of the life and a Latin text from an Anglo-Saxon manuscript. The approach allows the reader to trace the early reception history of the texts and the way they developed over time, showing their significance as products of late Anglo-Saxon culture.

This book presents the two Old English versions of the colourful legend of the virgin martyr, St Margaret of Antioch, who became one of the most widely celebrated of medieval saints and the patron saint of childbirth. The two extant vernacular lives are published together, edited with a facing translation and commentary and introduced by extensive coverage of background sources, the state of the manuscripts, their language and the growth of the cult of St Margaret in Anglo-Saxon England. In addition there are printed fragments of a third version of the life and a Latin text from an Anglo-Saxon manuscript. The approach allows the reader to trace the early reception history of the texts and the way they developed over time, showing their significance as products of late Anglo-Saxon culture.

This book explores ideas of community and the relationship of individuals to communities widely evident in Old English poetry. It pays particular attention to the context in which major poetic manuscripts of the late Anglo-Saxon period were received, a time when concerns about community appear to have been of special urgency. The book identifies key features of the audience or readership of Old English poetry in this period, and relates the interests of these groups of people to themes reflected in the poetic texts. Magennis analyses a wide range of poems and examines the imagery on which they draw, concentrating particularly on depictions of hall (including feasting and drinking), stronghold, city and landscape. In a poetry in which communal structures are typically associated with male ideals of warriorship and fellowship, the position and treatment of women is also shown to merit close consideration.

An approachable and stimulating introduction to Anglo-Saxon literature, this book provides indispensable guidance for students on this important and rewarding area of literary studies. The chapters are clearly organized by topic and significant attention is paid to key individual works, including Beowulf, The Seafarer and writings by Bede. All textual quotations are translated into Modern English, with the original language texts carefully explained. The Introduction synthesizes and develops dominant approaches to Anglo-Saxon literature today, integrating Old English and Latin traditions, and placing the literature in larger historical and theoretical contexts. The structure, style and layout are attractive and user-friendly, including illustrative figures and textboxes, and Magennis provides guidance on resources for studying Anglo-Saxon literature, informing the reader of opportunities for investigating the subject further. Overall, the book enables a thorough understanding and appreciation of artful and eloquent works from a distant past, which still speak powerfully to people today.

An approachable and stimulating introduction to Anglo-Saxon literature, this book provides indispensable guidance for students on this important and rewarding area of literary studies. The chapters are clearly organized by topic and significant attention is paid to key individual works, including Beowulf, The Seafarer and writings by Bede. All textual quotations are translated into Modern English, with the original language texts carefully explained. The Introduction synthesizes and develops dominant approaches to Anglo-Saxon literature today, integrating Old English and Latin traditions, and placing the literature in larger historical and theoretical contexts. The structure, style and layout are attractive and user-friendly, including illustrative figures and textboxes, and Magennis provides guidance on resources for studying Anglo-Saxon literature, informing the reader of opportunities for investigating the subject further. Overall, the book enables a thorough understanding and appreciation of artful and eloquent works from a distant past, which still speak powerfully to people today.

This edited collection explores how knowledge was preserved and reinvented in the Middle Ages. Rather than focusing on a historical period or specific cultural and historical events, it eschews traditional categories of periodisation and discipline, establishing connections and cross-sections between different departments of knowledge. The essays cover the period from the eighth to the fifteenth centuries, examining the history of science (computus, prognostication), the history of art, literature, theology (homilies, prayers, hagiography, contemplative texts), music, historiography and geography. Aspects of knowledge is aimed at an academic readership, including advanced undergraduate and postgraduate students, as well as specialists in medieval literature, history of science, history of knowledge, geography, theology, music, philosophy, intellectual history, history of language and material culture.

Mary of Egypt, a penitent prostitute and figure of female autonomy and authority, is a disconcerting and unconventional saint, especially in an Anglo-Saxon context. She is not the kind of model of idealized female virtue normally favoured by leading churchmen in Anglo-Saxon England, and yet her life occurs in the manuscript of Ælfric's Lives of Saints, probably the most influential vernacular collection of saints' lives of its period. The story of Mary has been unduly neglected by students and teachers of Old English, but, with its gripping and intense narrative, it raises exciting issues in the study of medieval literature and culture, issues concerning gender, spirituality, cultural history and other current preoccupations. This edition makes the Old English Life conveniently and authoritatively available to today's readers. The text is presented in an uncluttered manner with facing-page modern English translation and is accompanied by a detailed introduction and concise commentary and a full glossary. A text and facing-page translation of the Latin source used by the Old English writer are also given.

An examination of English verse translations of Beowulf, including Seamus Heaney's version alongside other influential renditions.A senior scholar writing here at the height of his powers and bringing experience and insight to an important topic... the second chapter is one of the best short, general introductions to the artistry of the poem I have read...A dizzying and engaging narrative. Dr Chris Jones, Senior Lecturer in English Poetry, Department of English, University of St AndrewsTranslations of the Old English poem Beowulf proliferate, and their number continues to grow. Focusing on the particularly rich period since 1950, this book presents a critical account of translations in English verse, setting them in the contexts both of the larger story of the recovery and reception of the poem and of perceptions of it over the past two hundred years, and of key issues in translation theory. Attention is also paid to prose translation and to the creative adaptations of the poem that have been produced in a variety of media, not least film.The author looks in particular at four translations of arguably the most literary and historical importance: those by Edwin Morgan [1952], Burton Raffel [1963], Michael Alexander [1973] and SeamusHeaney [1999]. But, from an earlier period, he also gives a full account of William Morris's strange 1898 version.Hugh Magennis is Professor of Old English Literature at Queen's University Belfast.