'Read, read, read, read, my unlearned reader! read...'Sterne's great comic novel is the fictional autobiography of Tristram Shandy, a hero who fails even to get born in the first two volumes. It contains some of the best-known and best-loved characters in English literature, including Uncle Toby, Corporal Trim, Parson Yorick, Dr Slop and the Widow Wadman. Beginning with Tristram's conception, the novel recounts his progress in 'this scurvy and disasterous world of ours', including his misnaming during baptism and his accidental circumcision by a falling sash-window at the age of five; unsurprisingly, Tristram declares that he has been 'the continual sport of what the world calls Fortune'. Tristram Shandy also offers the narrator's 'opinions', at once facetious and highly serious, on books and learning in an age of rapidly expanding print culture, and on the changing understanding of the roles of writers and readers alike.This revised edition retains the first edition text incorporating Sterne's later changes, and adds two original Hogarth illustrations and a wealth of contextualizing information. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Laurence Sterne was in his mid-forties when the publication of Tristram Shandy catapulted him from obscurity into unprecedented literary fame. The story of how a provincial clergyman became the most fashionable writer of his day is extraordinary, and all the more remarkable for having been engineered by its subject. 'I wrote not to be fed, but to be famous', Laurence Sterne declared of his comic masterpiece, and in order to achieve his ambiton he became an assiduous networked, as astute a self-publicist as any modern author could hope to be. Shocked critics of Tristram Shandy denounced his bawdy novel as a scandal to the cloth but Sterne revelled in the celebrity his age's obsession with novelty and fashion allowed him. He at last found compensation for a life characterized by alternating moods of gaiety and gloom. Unhappily married to a woman who suffered a nervous breakdown and at one time believed herself to be the Queen of Bohemia, Sterne became notorious for his sexual and sentimental liaisons with other women. His second book, A Sentimental Journey, transmuted his experiences into literary expressions of moral feeling.Dependent for so much of his life on patrons, it was the patronage of the reading public that was to secure his livelihood. Tristram Shandy remains one of the most innovative and influential novels in world literature, and Ian Campbell Ross makes full use of important new materials to examine Sterne's life and career and the cult of the celebrity author.

Eugenia, Baroness M¨nster, wife of a German princeling who wishes to be rid of her, crosses the ocean with her brother Felix to seek out their American relatives. Their voyage is prompted, apparently, by natural affection; but the Baroness has also come to seek her fortune. The advent of these visitors is viewed by the Wentworths, in the suburbs of Boston, with wonder and some apprehension. The brilliant Eugenia fascinates her impressionable cousins and their more worldly neighbour, but she is baffled by these people, 'to whom fibbing was not pleasing'. Meanwhile Felix, painter of trifling sketches, eases them all in and out of various amorous complications, with 'no fear of not being, in the end, agreeable'. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This newly edited critical edition of an enduringly popular tale, one of the most widely reprinted and illustrated works of fiction in English, offers readers an authoritative text along with extensive and helpful annotation. Following the lives of the vicar and his family, and the various calamities which befall them, The Vicar of Wakefield was one of the most popular and beloved works of eighteenth-century fiction. A lively introduction details the reception of Goldsmith's tale, from comments by Frances Burney and Goethe, through Sir Walter Scott, Washington Irving and Henry James, to critics of the twentieth and twenty-first centuries. The volume also includes appendices comprising a wealth of contextual information, enhancing the work for contemporary readers. For scholars of Goldsmith and new readers alike, this edition will prove the authoritative version of a tale that moved generations of readers to laughter and to tears.

'Read, read, read, read, my unlearned reader! read...'Sterne's great comic novel is the fictional autobiography of Tristram Shandy, a hero who fails even to get born in the first two volumes. It contains some of the best-known and best-loved characters in English literature, including Uncle Toby, Corporal Trim, Parson Yorick, Dr Slop and the Widow Wadman. Beginning with Tristram's conception, the novel recounts his progress in 'this scurvy and disasterous world of ours', including his misnaming during baptism and his accidental circumcision by a falling sash-window at the age of five; unsurprisingly, Tristram declares that he has been 'the continual sport of what the world calls Fortune'. Tristram Shandy also offers the narrator's 'opinions', at once facetious and highly serious, on books and learning in an age of rapidly expanding print culture, and on the changing understanding of the roles of writers and readers alike.This revised edition retains the first edition text incorporating Sterne's later changes, and adds two original Hogarth illustrations and a wealth of contextualizing information. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Laurence Sterne was in his mid-forties when the publication of Tristram Shandy catapulted him from obscurity into unprecedented literary fame. The story of how a provincial clergyman became the most fashionable writer of his day is extraordinary, and all the more remarkable for having been engineered by its subject. 'I wrote not to be fed, but to be famous', Laurence Sterne declared of his comic masterpiece, and in order to achieve his ambiton he became an assiduous networked, as astute a self-publicist as any modern author could hope to be. Shocked critics of Tristram Shandy denounced his bawdy novel as a scandal to the cloth but Sterne revelled in the celebrity his age's obsession with novelty and fashion allowed him. He at last found compensation for a life characterized by alternating moods of gaiety and gloom. Unhappily married to a woman who suffered a nervous breakdown and at one time believed herself to be the Queen of Bohemia, Sterne became notorious for his sexual and sentimental liaisons with other women. His second book, A Sentimental Journey, transmuted his experiences into literary expressions of moral feeling.Dependent for so much of his life on patrons, it was the patronage of the reading public that was to secure his livelihood. Tristram Shandy remains one of the most innovative and influential novels in world literature, and Ian Campbell Ross makes full use of important new materials to examine Sterne's life and career and the cult of the celebrity author.

Eugenia, Baroness M¨nster, wife of a German princeling who wishes to be rid of her, crosses the ocean with her brother Felix to seek out their American relatives. Their voyage is prompted, apparently, by natural affection; but the Baroness has also come to seek her fortune. The advent of these visitors is viewed by the Wentworths, in the suburbs of Boston, with wonder and some apprehension. The brilliant Eugenia fascinates her impressionable cousins and their more worldly neighbour, but she is baffled by these people, 'to whom fibbing was not pleasing'. Meanwhile Felix, painter of trifling sketches, eases them all in and out of various amorous complications, with 'no fear of not being, in the end, agreeable'. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This newly edited critical edition of an enduringly popular tale, one of the most widely reprinted and illustrated works of fiction in English, offers readers an authoritative text along with extensive and helpful annotation. Following the lives of the vicar and his family, and the various calamities which befall them, The Vicar of Wakefield was one of the most popular and beloved works of eighteenth-century fiction. A lively introduction details the reception of Goldsmith's tale, from comments by Frances Burney and Goethe, through Sir Walter Scott, Washington Irving and Henry James, to critics of the twentieth and twenty-first centuries. The volume also includes appendices comprising a wealth of contextual information, enhancing the work for contemporary readers. For scholars of Goldsmith and new readers alike, this edition will prove the authoritative version of a tale that moved generations of readers to laughter and to tears.