Ian Hamilton – författare

Edited by Alan Jenkins, this authoritative Collected Poems contains all of the poetry that Ian Hamilton chose to publish, together with a small number of uncollected and unpublished poems; it also supplies an illuminating introduction, and succinctly helpful apparatus. The result is an edition whose thoroughness and tact are themselves a moving tribute, restoring to view one of the most distinctive bodies of work in twentieth-century English poetry.

Born in London in 1552, Edmund Spenser was educated at Cambridge University, but lived most of his life in Ireland. As a poet, he enjoyed much fame during his lifetime. This collection represents not only "The Faerie Queene", but his love sonnets, wedding sonnets, and pastoral eclogues.

This Companion is both an alphabetically arranged reference work and, in its sum, a history, a map of modern poetry in English. From the last decade of the century, it offers a survey of the terrain, from 1900 to the present, and from Britain and America to New Zealand, Pakistan, Singapore, Trinidad, Zimbabwe - anywhere, if fact, where poets write in English. It charts the shift from `poetry' to `poetries' - from primarily British and American traditions to a rich diversity of younger poetic identities elsewhere. The only comprehensive work of its kind, it covers not just individuals - some 1,500 of them - but also magazines, movements, concepts, and critical terms. Edited and introduced by Ian Hamilton, himself a notable poet, The Companion to Twentieth-Century Poetry in English has the distinction of including among its contributors many other celebrated poet-critics, often in intriguing author/subject combinations. Encounter, for example, Seamus Heaney writing on Robert Lowell, Dan Jacobson on Thomas Hardy, Jon Stallworthy on Rupert Brooke, Carol Rumens on Edith Sitwell, Andrew Motion on Edward Thomas, and Anne Stevenson on Sylvia Plath. These and other writers offer lively and opinionated critical assessments as well as biographical and bibliographical information. And, as one soon discovers, twentieth-century poets have lived far from humdrum lives. Twenty-seven here had nervous breakdowns, nineteen served time in jail, fourteen died in battle, three were murdered, one executed. One played hockey for his country. There were fifteen suicides, and one poet who staged his own death only to reappear, still writing poetry, under a new name.

This impressive volume provides over 1,500 thoroughly revised and updated entries on modern poets active from 1910 to the present day. An extensive guide to the lives of influential poets writing in English, in Britain and around the world, this companion helps to illuminate the influences, inspirations, and movements that have shaped the lives and works of our best-loved poets.First published in 1994 as the Oxford Companion to Twentieth Century Poetry in English and compiled by a team of 230 experts, including famous poets such as Blake Morrison and Andrew Motion, this edition also includes new biographical entries on more contemporary poets such as Don Paterson, Anne Carson, John Kinsella, and Leslie Marmon Silko. It also contains insightful entries by well-known peers, such as Seamus Heaney on Robert Lowell and Anne Stevenson on Sylvia Plath. The A-Z biographies are complemented by new appendices including coverage of poetry groups and movements and lists of anthologies and important poetry prizes and prize-winners. In addition, many entries include details of in-depth supplementary material available online on the dedicated companion website. This superb reference work is the ideal companion for students of English Literature, Language, and Creative Writing, as well as for anyone with an interest in modern poetry.

This impressive volume provides over 1,500 thoroughly revised and updated entries on modern poets active from 1910 to the present day. An extensive guide to the lives of influential poets writing in English, in Britain and around the world, this companion helps to illuminate the influences, inspirations, and movements that have shaped the lives and works of these important authors.First published in 1994 as the Oxford Companion to Twentieth Century Poetry in English and compiled by a team of 230 experts, including famous poets such as Carol Rumens and Andrew Motion, this edition also includes new biographical entries on more contemporary poets such as Don Paterson, Anne Carson, John Kinsella, and Leslie Marmon Silko. It also contains insightful entries by well-known peers, such as Seamus Heaney on Robert Lowell and Anne Stevenson on Sylvia Plath. The A-Z biographies are complemented by new appendices including coverage of poetry events and movements and lists of anthologies and important poetry prizes and prize-winners. In addition, many entries include details of in-depth supplementary material available online on the dedicated companion website. This superb reference work is the ideal companion for students of English Literature, Language, and Creative Writing, as well as for anyone with an interest in modern poetry.

A professional man of letters - critic, editor, biographer - though never a professional poet, Ian Hamilton (1938-2001) referred to his poems as 'miraculous lyrical arrivals', and he bided their time with exemplary patience and humility. His widely praised first collection, The Visit, published by Faber in 1970, was incorporated into Fifty Poems in 1988, itself expanded to Sixty Poems in 1998. In a preface to the former collection, he wrote: 'Fifty poems in twenty-five years: not much to show for half a lifetime, you might think. And in certain moods, I would agree.' Readers of Hamilton's condensed and immaculate oeuvre have felt otherwise: the poems of his youth and middle years (there was to be no opportunity for a late flowering) acquired talismanic significance for his contemporaries, and their combination of terseness and emotional intensity continues to set an example to younger poets. Edited by Alan Jenkins, this authoritative Collected Poems contains all of the poetry that Ian Hamilton chose to publish, together with a small number of uncollected and unpublished poems; it also supplies an illuminating introduction, and succinctly helpful apparatus. The result is an edition whose thoroughness and tact are themselves a moving tribute, restoring to view one of the most disinctive bodies of work in twentieth-century English poetry.

Ian Hamilton wrote two books on J. D. Salinger. Only one, this one, was published. The first, called J. D. Salinger: A Writing Life, despite undergoing many changes to accommodate Salinger was still victim of a legal ban. Salinger objected to the use of his letters, in the end to any use of them. The first book had to be shelved. With great enterprise and determination however, Ian Hamilton set to and wrote this book which is more, much more, than an emasculated version of the first.For someone whose guarding of his privacy became so fanatical it is perhaps surprising how much Ian Hamilton was able to disinter about his earlier life. Until Salinger retreated completely into his bolt-hole outside Cornish in New Hampshire many aspects of his life, though it required assiduousness on the biographer's part, could be pieced together. A surprising portrait emerges; although there were early signs of renunciation, there were moments when his behaviour could almost be described as gregarious. The trail Hamilton follows is fascinating, and the story almost has the lineaments of a detective mystery with the denouement suitably being played out in Court.'As highly readable and as literate an account of Salinger's work from a biographical perspective as we are likely to receive' The Listener'A sophisticated exploration of Salinger's life and writing and a sustained debate about the nature of literary biography, its ethical legitimacy, its aesthetic relevance to a serious reading of a writer's books' Jonathan Raban, Observer'Hamilton's book is as devious, as compelling, and in a covert way, as violent, as a story by Chandler' Victoria Glendinning, The Times

Ian Hamilton wrote two books on J. D. Salinger. Only one, this one, was published. The first, called J. D. Salinger: A Writing Life, despite undergoing many changes to accommodate Salinger was still victim of a legal ban. Salinger objected to the use of his letters, in the end to any use of them. The first book had to be shelved. With great enterprise and determination however, Ian Hamilton set to and wrote this book which is more, much more, than an emasculated version of the first.For someone whose guarding of his privacy became so fanatical it is perhaps surprising how much Ian Hamilton was able to disinter about his earlier life. Until Salinger retreated completely into his bolt-hole outside Cornish in New Hampshire many aspects of his life, though it required assiduousness on the biographer's part, could be pieced together. A surprising portrait emerges; although there were early signs of renunciation, there were moments when his behaviour could almost be described as gregarious. The trail Hamilton follows is fascinating, and the story almost has the lineaments of a detective mystery with the denouement suitably being played out in Court.'As highly readable and as literate an account of Salinger's work from a biographical perspective as we are likely to receive' The Listener'A sophisticated exploration of Salinger's life and writing and a sustained debate about the nature of literary biography, its ethical legitimacy, its aesthetic relevance to a serious reading of a writer's books' Jonathan Raban, Observer'Hamilton's book is as devious, as compelling, and in a covert way, as violent, as a story by Chandler' Victoria Glendinning, The Times

'This is a fan's eye-view of Paul Gascoigne - and fans, as we know, are expert at reassembling dashed hopes...'In 1987 Ian Hamilton - acclaimed poet, biographer and Tottenham fan - was smitten from afar by the impish skills of Newcastle United's Paul Gascoigne. When 'Gazza' duly signed for Spurs, Hamilton was sure that he and English football had found their new hero. But Gascoigne was destined to be brought low by tragic flaws, and Hamilton was ideally positioned to tell the tale in this, a peerless piece of football literature.'By the final whistle Hamilton has sketched a compelling figure: reckless, cocky, twitchy, hyperactive and half bonkers... but with flashes of implausible grace that connect with the dreams of his audience.' Independent

'This is a fan's eye-view of Paul Gascoigne - and fans, as we know, are expert at reassembling dashed hopes...'In 1987 Ian Hamilton - acclaimed poet, biographer and Tottenham fan - was smitten from afar by the impish skills of Newcastle United's Paul Gascoigne. When 'Gazza' duly signed for Spurs, Hamilton was sure that he and English football had found their new hero. But Gascoigne was destined to be brought low by tragic flaws, and Hamilton was ideally positioned to tell the tale in this, a peerless piece of football literature.'By the final whistle Hamilton has sketched a compelling figure: reckless, cocky, twitchy, hyperactive and half bonkers... but with flashes of implausible grace that connect with the dreams of his audience.' Independent

Literary biography is an endlessly fascinating form, not least because of the fierce controversies that attend the question of how much of a writer's real life ought to be related to readers. Ian Hamilton, a first-rate biographer who encountering his share of adversity in writing the life of J.D. Salinger, is the perfect chronicler of such controversies in this brilliant study, first published in 1992, which charts the course of literary biography from Donne and Shakespeare to Plath and Larkin.'Such a compelling read.' Antonia Fraser, Times'Lively and informative, powerfully and humorously written.' Anthony Burgess, Observer'Surely the funniest book ever written on the doom-laden issue of posthumous literary fame.' Jonathan Keates, Independent

Literary biography is an endlessly fascinating form, not least because of the fierce controversies that attend the question of how much of a writer's real life ought to be related to readers. Ian Hamilton, a first-rate biographer who encountering his share of adversity in writing the life of J.D. Salinger, is the perfect chronicler of such controversies in this brilliant study, first published in 1992, which charts the course of literary biography from Donne and Shakespeare to Plath and Larkin.'Such a compelling read.' Antonia Fraser, Times'Lively and informative, powerfully and humorously written.' Anthony Burgess, Observer'Surely the funniest book ever written on the doom-laden issue of posthumous literary fame.' Jonathan Keates, Independent

Born in 1917 into an aristocratic Boston family Robert Lowell was not yet thirty when his first major collection of poems, Lord Weary's Castle, won the Pulitzer Prize. With Life Studies, his third book, he found the intense, highly personal voice that made him the foremost American poet of his generation. He held strong, complex and very public political views. His private life was turbulent, marred by manic depression and troubled marriages. But in this superb biography (first published in 1982) the poet Ian Hamilton illuminates both the life and the work of Lowell with sympathetic understanding and consummate narrative skill. 'Our one consolation for Ian Hamilton's early death is that his work seems to have lived on with undiminished force... The critical prose, in particular, still sets a standard that nobody else comes near.' Clive James

Born in 1917 into an aristocratic Boston family Robert Lowell was not yet thirty when his first major collection of poems, Lord Weary's Castle, won the Pulitzer Prize. With Life Studies, his third book, he found the intense, highly personal voice that made him the foremost American poet of his generation. He held strong, complex and very public political views. His private life was turbulent, marred by manic depression and troubled marriages. But in this superb biography (first published in 1982) the poet Ian Hamilton illuminates both the life and the work of Lowell with sympathetic understanding and consummate narrative skill. 'Our one consolation for Ian Hamilton's early death is that his work seems to have lived on with undiminished force... The critical prose, in particular, still sets a standard that nobody else comes near.' Clive James

Legend has it that Hollywood lures gifted writers into its service with sunshine and money, only to treat them as glorified typists and plot-mechanics, peripheral to the main business of moviemaking. This is what Ian Hamilton describes as 'the writer-in-chains saga that emerges from any study of Hollywood during its so-called golden years - the period I have marked as running from 1915-1951.' But in this superb account of what befell the likes of Faulkner, Fitzgerald, Chandler and Huxley by working for the Dream Factory, Hamilton argues that these writers 'were in the movies by choice: they earned far more money than their colleagues who did not write for films, and in several cases they applied themselves conscientiously to the not-unimportant task at hand. And they had a lot of laughs...''Fascinating and enjoyable.' New Statesman'Abounds in marvelous stories, apocryphal, fabulous, funny and even true.' ObserverFaber Finds is devoted to restoring to readers a wealth of lost or neglected classics and authors of distinction. The range embraces fiction, non-fiction, the arts and children's books. For a full list of available titles visit www.faberfinds.co.uk. To join the dialogue with fellow book-lovers please see our blog, www.faberfindsblog.co.uk.

Legend has it that Hollywood lures gifted writers into its service with sunshine and money, only to treat them as glorified typists and plot-mechanics, peripheral to the main business of moviemaking. This is what Ian Hamilton describes as 'the writer-in-chains saga that emerges from any study of Hollywood during its so-called golden years - the period I have marked as running from 1915-1951.' But in this superb account of what befell the likes of Faulkner, Fitzgerald, Chandler and Huxley by working for the Dream Factory, Hamilton argues that these writers 'were in the movies by choice: they earned far more money than their colleagues who did not write for films, and in several cases they applied themselves conscientiously to the not-unimportant task at hand. And they had a lot of laughs...''Fascinating and enjoyable.' New Statesman'Abounds in marvelous stories, apocryphal, fabulous, funny and even true.' ObserverFaber Finds is devoted to restoring to readers a wealth of lost or neglected classics and authors of distinction. The range embraces fiction, non-fiction, the arts and children's books. For a full list of available titles visit www.faberfinds.co.uk. To join the dialogue with fellow book-lovers please see our blog, www.faberfindsblog.co.uk.

'There have been large magazines with tiny circulations and there have been diminutive sheets which have reached thousands of readers. But all 'little magazines' have been small in one or another of these ways, and usually in both... And yet most of them have had arrestingly large-scale ambitions...'From Ian Hamilton (1938-2001), himself the founder of the Review and New Review, comes this matchless survey (first published in 1976) of the literary magazine from 1912-1950: concentrating on those periodicals that enjoyed dominant editorial personalities (the likes of Pound, Eliot, Cyril Connolly) and which, ultimately, proved central to their cultural epoch.'Our one consolation for Ian Hamilton's early death is that his work seems to have lived on with undiminished force. He helped to shape our generation and at this rate may well do the same for the next as well.' Clive James

'There have been large magazines with tiny circulations and there have been diminutive sheets which have reached thousands of readers. But all 'little magazines' have been small in one or another of these ways, and usually in both... And yet most of them have had arrestingly large-scale ambitions...'From Ian Hamilton (1938-2001), himself the founder of the Review and New Review, comes this matchless survey (first published in 1976) of the literary magazine from 1912-1950: concentrating on those periodicals that enjoyed dominant editorial personalities (the likes of Pound, Eliot, Cyril Connolly) and which, ultimately, proved central to their cultural epoch.'Our one consolation for Ian Hamilton's early death is that his work seems to have lived on with undiminished force. He helped to shape our generation and at this rate may well do the same for the next as well.' Clive James

Ian Hamilton's last book, published posthumously in 2002, is a typically brilliant revisiting of the concept of Samuel Johnson's classic Lives of the English Poets, wherein Hamilton considers 45 deceased poets of the twentieth century, offering his personal estimation of what claims they will have on posterity and 'against oblivion.' Examples of each poet's verse accompany Hamilton's text, making the book both a provocative primer and a kind of critical anthology. 'The affective power of this book... lies in its understatement and its understanding of what we might care about. From a century of Manifestoes and Movements, Hamilton works as a corrective for the local and particular... his idea of poetry, of what made greatness in poetry, emerges intact from each measured sentence. His criticism always pointed you towards all that he could find that was true in a piece of writing.' Tim Adams, Observer

Ian Hamilton's last book, published posthumously in 2002, is a typically brilliant revisiting of the concept of Samuel Johnson's classic Lives of the English Poets, wherein Hamilton considers 45 deceased poets of the twentieth century, offering his personal estimation of what claims they will have on posterity and 'against oblivion.' Examples of each poet's verse accompany Hamilton's text, making the book both a provocative primer and a kind of critical anthology. 'The affective power of this book... lies in its understatement and its understanding of what we might care about. From a century of Manifestoes and Movements, Hamilton works as a corrective for the local and particular... his idea of poetry, of what made greatness in poetry, emerges intact from each measured sentence. His criticism always pointed you towards all that he could find that was true in a piece of writing.' Tim Adams, Observer

This is a collection of elegies, or songs of loss. Elegies are occasioned by the deaths of particular loved ones, but also encompass general themes, such as the purpose of life and the purpose of artistic dedication. The book includes works by John Milton, Matthew Arnold, Shelley, Tennyson and Keats.

'An excellent book ... sharp and sympathetic' - Sunday Times'Why doesn't Matthew Arnold enjoy a higher reputation today? He wrote some of the most beautiful poetry of the Victorian period ... yet he distrusted his own poetic genius and effectively stifled it after its early blossoming, devoting his maturity instead to writing worthy but unexciting prose criticism. The reasons why he did this, and the extraordinary tension in the poetry he did write between outbursts of passion and fierce repression, are excellently handled in Ian Hamilton's critical biography.' - Adam RobertsAs a youth, Matthew Arnold was an impassioned lyric poet, deeply at odds with his times. In his later years, he turned himself to more "purposeful" prose composition and became a social prophet and literary critic. This biography addresses some of the mysteries surrounding Arnold's life, and attempts to animate certain key moments, or turning points, in Arnold's passage from the poetic life to the prose of his later years.