Edmund Spenser – författare

The Faerie Queene was the first epic in English and one of the most influential poems in the language for later poets from Milton to Tennyson. Dedicating his work to Elizabeth I, Spenser brilliantly united medieval romance and renaissance epic to expound the glory of the Virgin Queen. The poem recounts the quests of knights including Sir Guyon, Knight of Constance, who resists temptation, and Artegall, Knight of Justice, whose story alludes to the execution of Mary Queen of Scots. Composed as an overt moral and political allegory, The Faerie Queene, with its dramatic episodes of chivalry, pageantry and courtly love, is also a supreme work of atmosphere, colour and sensuous description.

The Faerie Queene was the first epic in English and one of the most influential poems in the language for later poets from Milton to Tennyson. Dedicating his work to Elizabeth I, Spenser brilliantly united medieval romance and renaissance epic to expound the glory of the Virgin Queen. The poem recounts the quests of knights including Sir Guyon, Knight of Constance, who resists temptation, and Artegall, Knight of Justice, whose story alludes to the execution of Mary Queen of Scots. Composed as an overt moral and political allegory, The Faerie Queene, with its dramatic episodes of chivalry, pageantry and courtly love, is also a supreme work of atmosphere, colour and sensuous description.

Although he is most famous for The Faerie Queene, this volume demonstrates that for these poems alone Spenser should still be ranked as one of England's foremost poets.Spenser's shorter poems reveal his generic and stylistic versatility, his remarkable linguistic skill and his mastery of complex metrical forms.The range of this volume allows him to emerge fully in the varied and conflicting personae he adopted, as satirist and eulogist, elegist and lover, polemicist and prophet.The volume includes The Shepeardes Calender, Complaints, and A Theatre for Wordlings.

Edmund Spenser, Selected Letters and Other Papers provides the first published text of the diplomatic and personal papers written, copied, and handled by Spenser during his years of secretarial service and colonial planting in Ireland, 1580-1589. These manuscript letters and papers represent a rich resource for the study of Spenser''s poetry and prose - particularly his allegorical epic The Faerie Queene (1590, 1596) and his study of Irish culture and government, A view of the present state of Ireland (1596) - giving unparalleled insight into the day-to-day administration of the New English government in Ireland, in both Dublin and Munster, during a time of constant war, diplomacy, social engineering, espionage, and plantation. In a generous introduction, Burlinson and Zurcher situate Spenser''s Irish secretarial experience in its political and military contexts, survey the conditions and constraints of early modern secretaryship, and draw out the importance of the letters to the studies of Spenser''s verse and prose. The selection (constituting about half of Spenser''s known surviving papers) is fully annotated throughout with both textual and interpretative notes, which explain the dense and complex historical reference of the documents, and point readers toward further reading in both manuscript and printed sources. The volume also includes illustrations from several of Spenser''s manuscripts, as well as an extensive set of appendices including biographical essays on Spenser''s associates, a chronology, maps, and other materials.

A scholarly edition of poems by Edmund Spenser. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

Edmund Spenser, Selected Letters and Other Papers provides the first published text of the diplomatic and personal papers written, copied, and handled by Spenser during his years of secretarial service and colonial planting in Ireland, 1580-1589. These manuscript letters and papers represent a rich resource for the study of Spenser's poetry and prose - particularly his allegorical epic The Faerie Queene (1590, 1596) and his study of Irish culture and government, A view of the present state of Ireland (1596) - giving unparalleled insight into the day-to-day administration of the New English government in Ireland, in both Dublin and Munster, during a time of constant war, diplomacy, social engineering, espionage, and plantation. In a generous introduction, Burlinson and Zurcher situate Spenser's Irish secretarial experience in its political and military contexts, survey the conditions and constraints of early modern secretaryship, and draw out the importance of the letters to the studies of Spenser's verse and prose. The selection (constituting about half of Spenser's known surviving papers) is fully annotated throughout with both textual and interpretative notes, which explain the dense and complex historical reference of the documents, and point readers toward further reading in both manuscript and printed sources. The volume also includes illustrations from several of Spenser's manuscripts, as well as an extensive set of appendices including biographical essays on Spenser's associates, a chronology, maps, and other materials.

A scholarly edition of The Faerie Queene by Edmund Spenser. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

A scholarly edition of The Faerie Queene by Edmund Spenser. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

This is the first comprehensive edition of Spenser’s shorter poems since the Variorum Minor Poems published in the 1940s.  In the interval our understanding of Renaissance culture of Spenser’s work has changed greatly.  The new Shorter Poems has a double purpose: to provide a modern edition responding to the changes in our knowledge of Spenser over the past four decades and to create a text that can be used in graduate and undergraduate courses.In this edition, substantial introductions to each of the poems discuss their generic and historical backgrounds, responding to the concerns raised by recent scholarship.  The newly edited texts of the poems generally retain original spelling and punctuation.  Extensive notes gloss archaic and obscure words and include up-to-date information on historical, mythological, and iconographic material.  The book includes a chronology of Spenser’s life and a list of critical works for further reading.William Oram is associate professor of English at Smith College.  Einar Bjorvand is lecturer at the Institute of English Studies, University of Oslo.  Ronald Bond is professor of English at the University of Calgary.  Thomas Cain is professor of English at MacMaster University.  Alexander Dunlop is assistant professor of English at Auburn University.  Richard Schell is associate professor of English at Laurentian University.

This revised and enlarged Fourth Edition expands and improves on the strengths of the previous three editions. All selections are based on early and established texts, fully glossed, and carefully annotated. An Editor's Note follows each section.This new edition addresses the shifts in scholarly and critical interests in Spenser studies since 1993 as well as access provided by new technology. Notes reflect the information that Spenser’s best readers would have at their fingertips without spoiling the pleasure of reading Spenser for the first time. Mother Hubberds Tale from the 1591 Complaints is newly included. The Ruines of Rome, Spenser’s translation of Joachim Du Bellay’s Antiquitez, is also added to give readers the chance to see Spenser at work as a translator and to give the English perspective on Rome. Sixteen critical essays have been added to supplement fourteen earlier commentaries. Among the perspectives new to the Fourth Edition are those of C. S Lewis, Martha Craig, Gordon Teskey, Jeff Dolven, David Wilson-Okamura, and Jennifer Summit.In keeping with the last edition, critical pieces on the House of Busyrane, Spenser's pastoral, Muiopotmos, and Amoretti are grouped together to facilitate classroom discussion. New selections from Jane Grogan, Andrew D. Hadfield, Colin Burrow, Lynn Staley, Lauren Silberman, and A. E. B. Coldiron join the readings on House of Busyrane, and “Amoretti” grows with selections by A. Leigh DeNeef and Helena Mennie Shire.A Chronology of Spenser's life and an extensive Bibliography are also included.

This student edition is based on the first published text and offers an authoritative introduction, discussing the View's reception, relating it to Spenser's corpus as a whole, and summarising recent scholarship.

Born in London in 1552, Edmund Spenser was educated at Cambridge University, but lived most of his life in Ireland. As a poet, he enjoyed much fame during his lifetime. This collection represents not only "The Faerie Queene", but his love sonnets, wedding sonnets, and pastoral eclogues.

This multi-volume collection includes Spenser's novels, minor poems, and prose.

Originally published between 1932 and 1945, the eleven-volume Works of Edmund Spenser collects The Faerie Queene along with Spenser's minor poems, prose works, and Alexander C. Judson's The Life of Edmund Spenser.

Originally published between 1932 and 1945, the eleven-volume Works of Edmund Spenser collects The Faerie Queene along with Spenser's minor poems, prose works, and Alexander C. Judson's The Life of Edmund Spenser.

Originally published between 1932 and 1945, the eleven-volume Works of Edmund Spenser collects The Faerie Queene along with Spenser's minor poems, prose works, and Alexander C. Judson's The Life of Edmund Spenser.

Originally published between 1932 and 1945, the eleven-volume Works of Edmund Spenser collects The Faerie Queene along with Spenser's minor poems, prose works, and Alexander C. Judson's The Life of Edmund Spenser.

Originally published between 1932 and 1945, the eleven-volume Works of Edmund Spenser collects The Faerie Queene along with Spenser's minor poems, prose works, and Alexander C. Judson's The Life of Edmund Spenser.

Originally published between 1932 and 1945, the eleven-volume Works of Edmund Spenser collects The Faerie Queene along with Spenser's minor poems, prose works, and Alexander C. Judson's The Life of Edmund Spenser.

Originally published between 1932 and 1945, the eleven-volume Works of Edmund Spenser collects The Faerie Queene along with Spenser's minor poems, prose works, and Alexander C. Judson's The Life of Edmund Spenser.

Originally published between 1932 and 1945, the eleven-volume Works of Edmund Spenser collects The Faerie Queene along with Spenser's minor poems, prose works, and Alexander C. Judson's The Life of Edmund Spenser.

Originally published between 1932 and 1945, the eleven-volume Works of Edmund Spenser collects The Faerie Queene along with Spenser's minor poems, prose works, and Alexander C. Judson's The Life of Edmund Spenser.

Book Five of The Faerie Queene is Spenser's Legend of Justice. It tells of the knight Artegall's efforts to rid Faerie Land of tyranny and injustice, aided by his sidekick Talus and the timely intervention of his betrothed, the woman warrior Britomart. As allegory, Book Five figures forth ideal concepts of justice and explores how justice may be applied in a real world complicated by social inequality, female rule, political guile, and excessive violence. At the same time, as historical allegory, it retells a number of the most important events of early modern England, in particular the controversies surrounding the colonization of Ireland. An integral part of the larger poem, Book Five also stands on its own as one of the most challenging meditations on justice in English literature.

Framed in Spenser's distinctive, opulent stanza and in some of the trappings of epic, Book One of Spenser's The Faerie Queene consists of a chivalric romance that has been made to a typical recipe--fierce warres and faithfull loves--but that has been Christianized in both overt and subtle ways. The physical and moral wanderings of the Redcrosse Knight dramatize his effort to find the proper proportion of human to divine contributions to salvation--a key issue between Protestants and Catholics. Fantastic elements like alien humans, humanoids, and monsters and their respective dwelling places are vividly described.

From its opening scenes--in which the hero refrains from fighting a duel, then discovers that his horse has been stolen--Book Two of The Faerie Queene redefines the nature of heroism and of chivalry. Its hero is Sir Guyon, the knight of Temperance, whose challenges frequently take the form of temptations. Accompanied by a holy Palmer in place of a squire, Guyon struggles to subdue himself as well as his enemies. His adventures lead up to a climactic encounter with the arch-temptress Acrasia in her Bower of Bliss, which provides the occasion for some of Spenser's most sensuous verse. With its mixture of chivalric romance, history, and moral allegory, Book Two succeeds in presenting an exuberant exploration of the virtue of self-restraint.

These paired Arthurian legends suggest that erotic desire and the desire for companionship undergird national politics. The maiden Britomart, Queen Elizabeth's fictional ancestor, dons armor to search for a man whom she has seen in a crystal ball. While on this quest, she seeks to understand how one can be chaste while pursuing a sexual goal, in love with a man while passionately attached to a woman, a warrior princess yet a wife. As Spenser's most sensitively developed character, Britomart is capable of heroic deeds but also of teenage self-pity. Her experience is anatomized in the stories of other characters, where versions of love and friendship include physical gratification, torture, mutual aid, competition, spiritual ecstasy, self-sacrifice, genial teasing, jealousy, abduction, wise government, sedition, and the valiant defense of a pig shed.