Ian Haywood – författare

First published in 1999. For the first time since their appearance in Chartist newspapers these two major radical narratives are reprinted in a single volume. The Political Pilgrim’s Progress combines Utopian politics with Bunyanesque satire to tell the story of the journey of Radical and his family from the City of Plunder to the City of Reform. Sunshine and Shadow is the only serialized novel to have been published in the Northern Star. It brings together fictional biography and historical chronicle to form the first truly working-class novel.

Both texts offer a unique insight into the literary achievements of the Chartist movement, and will be a valuable and entertaining source for scholars of radical politics. The texts are fully annotated, and the editor also provides an introduction to each story and a bibliography of recent scholarship.

First published in 1999. For the first time since their appearance in Chartist newspapers these two major radical narratives are reprinted in a single volume. The Political Pilgrim’s Progress combines Utopian politics with Bunyanesque satire to tell the story of the journey of Radical and his family from the City of Plunder to the City of Reform. Sunshine and Shadow is the only serialized novel to have been published in the Northern Star. It brings together fictional biography and historical chronicle to form the first truly working-class novel.

Both texts offer a unique insight into the literary achievements of the Chartist movement, and will be a valuable and entertaining source for scholars of radical politics. The texts are fully annotated, and the editor also provides an introduction to each story and a bibliography of recent scholarship.

First published in 2001. When the Chartist leader Ernest Jones emerged from prison in 1850, he was determined to capture the public’s attention with a controversial and topical novel. The result of his endeavours was the remarkable Woman’s Wrongs, a series of five tales exploring women’s oppression at every level of society from the working class to the aristocracy. Each story presents a graphic, often harrowing account of the social, economic and emotional victimization of women, and taken together the tales comprise a devastating indictment of Victorian patriarchal attitudes and sexual inequalities.

In his substantial Introduction, Ian Haywood places the novel in the context of Jones’s career as a Chartist author and editor, and in the wider context of the ‘woman question’. Some of the topics covered by the Introduction include: the radical press and popular enlightenment, Jones’s rivalry with George W. M. Reynolds, and the needlewoman as radical icon. This title will be of interest to students of history.

First published in 2001. When the Chartist leader Ernest Jones emerged from prison in 1850, he was determined to capture the public’s attention with a controversial and topical novel. The result of his endeavours was the remarkable Woman’s Wrongs, a series of five tales exploring women’s oppression at every level of society from the working class to the aristocracy. Each story presents a graphic, often harrowing account of the social, economic and emotional victimization of women, and taken together the tales comprise a devastating indictment of Victorian patriarchal attitudes and sexual inequalities.

In his substantial Introduction, Ian Haywood places the novel in the context of Jones’s career as a Chartist author and editor, and in the wider context of the ‘woman question’. Some of the topics covered by the Introduction include: the radical press and popular enlightenment, Jones’s rivalry with George W. M. Reynolds, and the needlewoman as radical icon. This title will be of interest to students of history.

First published in 1995. Chartism inspired a prodigious literary output, based on its own newspapers and journals. However, while some Chartist political writings have been reprinted, the aesthetic texts of the movement have largely been neglected. This selection of short stories and extracts from longer fiction aims to remedy this situation and covers a diversity of authors, genres and themes.

Ian Haywood has written a cogent and wide-ranging review of the Chartist movement and its literature as an introduction to this collection of little-known and revealing stories. The diction is divided into the following areas: the condition of England, Ireland, revolution, women and Chartism itself. This title will be of interest to students of history.

First published in 1995. Chartism inspired a prodigious literary output, based on its own newspapers and journals. However, while some Chartist political writings have been reprinted, the aesthetic texts of the movement have largely been neglected. This selection of short stories and extracts from longer fiction aims to remedy this situation and covers a diversity of authors, genres and themes.

Ian Haywood has written a cogent and wide-ranging review of the Chartist movement and its literature as an introduction to this collection of little-known and revealing stories. The diction is divided into the following areas: the condition of England, Ireland, revolution, women and Chartism itself. This title will be of interest to students of history.

This book serves as a retrieval and reevaluation of a rich haul of comic caricatures from the turbulent years between the Reform Bill crisis of the early 1830s and the rise and fall of Chartism in the 1840s. With a telling selection of illustrations, this book deploys the techniques of close reading and political contextualization to demonstrate the aesthetic and ideological clout of a neglected tranche of satirical prints and periodicals dismissed as ineffectual by historians or distasteful by contemporaries. The prime exhibits are the work of Robert Seymour and C.J. Grant giving acerbic comic edge to the case for reform against class and state oppression and the excesses of the monarchical regime under the young Queen Victoria.