Ian R Lamond - Böcker

This unique volume examines death from a socio-cultural events perspective. Drawing on the empirical and conceptual work produced by an international body of researchers, it is the first publication to look at death, dying, memorialization, and their mediation, from an events orientation. By placing the contribution of these scholars together, this book provides a unique opportunity to instigate an international, critical discussion, around the connectivities associated with death and events. Chapters consider connections to death and events on many levels, including individual, local, communally based, construals of the event landscape; the relationship between death and events into larger socio-cultural frames of reference. Chapteres also consider how death and events are manifest through diverse platforms of mediation, with a discussion of the media presentation of end of life events, and the articulation of death online. Case studies from a wide-ranging selection of countries, from Moscow to Bangladesh to Cambodia, are examined throughout. This will be of great interest to upper-level students and researchers in event studies as well as a variety of other disciplines such as sociology and cultural studies.

This unique volume examines death from a socio-cultural events perspective. Drawing on the empirical and conceptual work produced by an international body of researchers, it is the first publication to look at death, dying, memorialization, and their mediation, from an events orientation. By placing the contribution of these scholars together, this book provides a unique opportunity to instigate an international, critical discussion, around the connectivities associated with death and events. Chapters consider connections to death and events on many levels, including individual, local, communally based, construals of the event landscape; the relationship between death and events into larger socio-cultural frames of reference. Chapteres also consider how death and events are manifest through diverse platforms of mediation, with a discussion of the media presentation of end of life events, and the articulation of death online. Case studies from a wide-ranging selection of countries, from Moscow to Bangladesh to Cambodia, are examined throughout. This will be of great interest to upper-level students and researchers in event studies as well as a variety of other disciplines such as sociology and cultural studies.

Within events management, events are commonly categorised within two axes, size and content. Along the size axis events range between the small scale and local, through major events, which garner greater media interest, to internationally significant hallmark and mega events such as the Edinburgh Festival and the Tour de France. Content is frequently divided into three forms – culture, sport or business. However, such frameworks overlook and depoliticise a significant variety of events, those more accurately construed as protest.This book brings together new research and theories from around the world and across sociology, leisure studies, politics and cultural studies to develop a new critical pedagogy and critical theory of events. It is the first research monograph that deals explicitly with the concept of critical event studies (CES), the idea that it is impossible to explore and understand events without understanding the wider social, cultural and political contexts. It addresses questions such as can the occupation and reclamation of specific spaces by activists be understood as events within its framework? And is the activity of activists in these spaces a leisure activity? If those, and other similar activities, can be read as events and leisure, what does admitting them into the scope of events management and leisure studies mean for our understanding of them and how the study of events management is to be conceptualised? This title will be of interest to undergraduate and postgraduate students on events management and related courses and scholars interested in understanding the ways in which events are constructed by the social, the cultural and the political.

Innovative and the first of its kind, this informative and multidisciplinary book explores the socio-cultural significance inherent in event infrastructures.While mainstream event management literature addresses event infrastructures mainly through its operational relevance, this carefully compiled edited volume takes infrastructures as an analytical point in respect to its social, political, economic and cultural potential of the study of events. Borrowing from the ongoing social scientific debates on the geography, sociology and anthropology of infrastructures, critical questions are posed in relation to the event contexts. With references to events in Argentina, Malawi, Spain and the UK, among others, the volume combines an international perspective with a highly relevant subject for contemporary event management education.By bringing together theoretical as well as empirical readings on the question of event infrastructures from a critical point of view, the debates are relevant to practitioners and researchers as well as undergraduate and postgraduate students in the field of events, leisure, tourism, anthropology, sociology, geography and urban planning – among others.

Innovative and the first of its kind, this informative and multidisciplinary book explores the socio-cultural significance inherent in event infrastructures.While mainstream event management literature addresses event infrastructures mainly through its operational relevance, this carefully compiled edited volume takes infrastructures as an analytical point in respect to its social, political, economic and cultural potential of the study of events. Borrowing from the ongoing social scientific debates on the geography, sociology and anthropology of infrastructures, critical questions are posed in relation to the event contexts. With references to events in Argentina, Malawi, Spain and the UK, among others, the volume combines an international perspective with a highly relevant subject for contemporary event management education.By bringing together theoretical as well as empirical readings on the question of event infrastructures from a critical point of view, the debates are relevant to practitioners and researchers as well as undergraduate and postgraduate students in the field of events, leisure, tourism, anthropology, sociology, geography and urban planning – among others.

This insightful volume critically explores activist events in their scale and their capacity to attract media attention through a critical event studies lens, offering new perspectives on protests and social movement.This book conceives events of dissent as the public manifestation of counter-narratives that articulate advocacy for policy change. It focuses on the material and virtual manifestation of protest events and the media response to them, associated with three active social movements – Reclaim These Streets, Extinction Rebellion, and Black Lives Matter. In doing so, the text sheds light on how different political orientations within the media articulate the representation of events of dissent manifest by these groups, and how this results in significantly different opinion-forming statements on the issues behind those movements, as well as how this reflects mediated assessment of the responses of politicians, the public, and emergency service responses to protest events. Furthermore, it will explore the role of the Internet in the organisation of protest events and their part in the formation of networks of resistance, enabling the roll out of events with a global reach – demonstrated, more recently, by protests across many European cities against the war in Ukraine.This timely and significant book will appeal to scholars of and those interested in events tourism, protest, political communication, and media, amongst others.

This insightful volume critically explores activist events in their scale and their capacity to attract media attention through a critical event studies lens, offering new perspectives on protests and social movement.This book conceives events of dissent as the public manifestation of counter-narratives that articulate advocacy for policy change. It focuses on the material and virtual manifestation of protest events and the media response to them, associated with three active social movements – Reclaim These Streets, Extinction Rebellion, and Black Lives Matter. In doing so, the text sheds light on how different political orientations within the media articulate the representation of events of dissent manifest by these groups, and how this results in significantly different opinion-forming statements on the issues behind those movements, as well as how this reflects mediated assessment of the responses of politicians, the public, and emergency service responses to protest events. Furthermore, it will explore the role of the Internet in the organisation of protest events and their part in the formation of networks of resistance, enabling the roll out of events with a global reach – demonstrated, more recently, by protests across many European cities against the war in Ukraine.This timely and significant book will appeal to scholars of and those interested in events tourism, protest, political communication, and media, amongst others.

This international collection of evocative autoethnographic essays explores loss, grief, and death through the lived experiences of professionals and individuals intimately connected to end-of-life events.The book offers powerful and evocative reflections on how one's encounters with death and dying impact and frame how we approach and accommodate an understanding of loss and grief. The collection draws together critical autoethnographic narratives from several geographical regions and, significantly, communities of practice associated with loss, grief, and the end of life. Key themes include encountering loss, grief, and death through witnessing; the experience of the presence of absence felt as part of loss across diverse spheres (including public, digital, and imaginary spaces); autoethnography as therapy; the inheritance of the ‘memory of death’, through conversation. Each of the four sections in the volume is followed by a brief response by the editors to help the reader comprehend and contextualise the emotional processes of compiling the volume, alongside a sectional qualitative and quantitative content analysis of the chapters.This is a significant resource for anyone undertaking research, particularly those working in anthropology, critical event studies, death studies, psychology, clinical psychology, and sociology.

This international collection of evocative autoethnographic essays explores loss, grief, and death through the lived experiences of professionals and individuals intimately connected to end-of-life events.The book offers powerful and evocative reflections on how one's encounters with death and dying impact and frame how we approach and accommodate an understanding of loss and grief. The collection draws together critical autoethnographic narratives from several geographical regions and, significantly, communities of practice associated with loss, grief, and the end of life. Key themes include encountering loss, grief, and death through witnessing; the experience of the presence of absence felt as part of loss across diverse spheres (including public, digital, and imaginary spaces); autoethnography as therapy; the inheritance of the ‘memory of death’, through conversation. Each of the four sections in the volume is followed by a brief response by the editors to help the reader comprehend and contextualise the emotional processes of compiling the volume, alongside a sectional qualitative and quantitative content analysis of the chapters.This is a significant resource for anyone undertaking research, particularly those working in anthropology, critical event studies, death studies, psychology, clinical psychology, and sociology.

Critical Event Studies is a growing field, not just within event management and event studies, but across the traditional and digital social sciences. Each chapter uses one or more case examples to present and discuss different methodological approaches applicable to research within critical event studies.

Within events management, events are commonly categorised within two axes, size and content. Along the size axis events range between the small scale and local, through major events, which garner greater media interest, to internationally significant hallmark and mega events such as the Edinburgh Festival and the Tour de France. Content is frequently divided into three forms – culture, sport or business. However, such frameworks overlook and depoliticise a significant variety of events, those more accurately construed as protest.This book brings together new research and theories from around the world and across sociology, leisure studies, politics and cultural studies to develop a new critical pedagogy and critical theory of events. It is the first research monograph that deals explicitly with the concept of critical event studies (CES), the idea that it is impossible to explore and understand events without understanding the wider social, cultural and political contexts. It addresses questions such as can the occupation and reclamation of specific spaces by activists be understood as events within its framework? And is the activity of activists in these spaces a leisure activity? If those, and other similar activities, can be read as events and leisure, what does admitting them into the scope of events management and leisure studies mean for our understanding of them and how the study of events management is to be conceptualised? This title will be of interest to undergraduate and postgraduate students on events management and related courses and scholars interested in understanding the ways in which events are constructed by the social, the cultural and the political.

Can activism be considered a leisure activity? Can the Occupy movement, local campaigns for change and lone acts of personal resistance be understood as events? Within the field of Events Management the content of events is generally analyzed within three categories—culture, sport or business. Such a typology can be helpful as a heuristic for interpretation and analysis within a commercial paradigm. However, this framework overlooks and depoliticizes a significant variety of events, those more accurately construed as protest. Protests as Events is the first book to explore activism as a leisure activity and protests as events; using a fresh interpretation of event to develop a new critical politics of events and leisure. Bringing together a range of cutting edge research from around the world, it explores a variety of protests through the lens of events studies and leisure in order to understand how the study of events management might be conceptualized in the protest space.

Can activism be considered a leisure activity? Can the Occupy movement, local campaigns for change and lone acts of personal resistance be understood as events? Within the field of Events Management the content of events is generally analyzed within three categories—culture, sport or business. Such a typology can be helpful as a heuristic for interpretation and analysis within a commercial paradigm. However, this framework overlooks and depoliticizes a significant variety of events, those more accurately construed as protest. Protests as Events is the first book to explore activism as a leisure activity and protests as events; using a fresh interpretation of event to develop a new critical politics of events and leisure. Bringing together a range of cutting edge research from around the world, it explores a variety of protests through the lens of events studies and leisure in order to understand how the study of events management might be conceptualized in the protest space.

This book explores and challenges the concept and experience of liminality as applied to critical perspectives in the study of events.

This book explores and challenges the concept and experience of liminality as applied to critical perspectives in the study of events.

This volume is the first to draw together theoretical reflection, empirical research, and critical reflection on practice occurring at the juncture of critical approaches in leisure studies and event studies within diverse explorations of deviance.

This volume is the first to draw together theoretical reflection, empirical research, and critical reflection on practice occurring at the juncture of critical approaches in leisure studies and event studies within diverse explorations of deviance.

This edited collection offers a distinctive contribution to death studies by foregrounding analytical autoethnographic narratives from researchers and practitioners actively engaged in the field. Unlike works centred on personal bereavement, it explores the emotional and psychological residue left by prolonged scholarly encounters with death, dying, and end-of-life phenomena. The project’s uniqueness lies in its multidisciplinary scope, international authorship, and integration of creative artifacts alongside textual analysis. It challenges conventional notions of subjectivity in qualitative research, reframing it as a vital, dialogic presence rather than bias. Contributors reflect on their own affective responses—grief, memory, sensory experience—while researching death spaces, death work, and the inheritance of death through ritual and conversation. The collection addresses a gap in scholarship by examining how researchers and practitioners are shaped by their fieldwork, offering therapeutic and introspective insights. Its organization around key thematic areas, and its cultural diversity, make it a valuable resource for scholars across disciplines, most notably death studies and (auto)ethnographic research, and anyone seeking to understand the complex interplay of emotion, memory, and research.

This book brings together the established field of political communication and the emerging field of critical event studies to develop new questions and approaches. Finally, the authors consider what it means to be living in a period of democratic spectacle, where political events have become evental politics.