Ian Rutherford – författare

The paean, or sacred hymn to Apollo, had a central place in the song-dance culture of classical Greece. The most celebrated examples of the genre in antiquity were Pindar's paeans, which became known to scholars in this century thanks to the discovery of papyrus fragments, some published as recently as 1989. Long overdue, this book offers the first comprehensive re-evaluation of the poems. It includes a text and translation of all the paeans of Pindar, newly classified, with a supplement comprising fragments from poems of uncertain genres. Dr Rutherford accompanies each fragment with an interpretation dealing with issues of religion, performance, and genre. A two-part comprehensive introduction looks at general aspects of the genre, including early history, functions, performance, form, eidographic determinacy, use in Greek tragedy, and paeanic ambiguity - as well as offering an overview of the Pindaric paeans and their Hellenistic edition.

The purpose of this study is to explore the relationship between literature and stylistic theory in the Antonine Age. The literature is the prose literature of the Second Sophistic and the stylistic theory is the so-called idea-theory set out in the Peri Ideon of Hermogenes of Tarsus, as well as two anonymous works: the Peri Politikou Logou and the Peri Aphelous Logou.The author discusses the relationship between idea-theory and sophistic declamation, the relative value attributed to prose and poetry, attitudes towards Xenophon and Demosthenes, and the reputation of Aelius Aristides. He concludes that the links between literary theory and literary practice are greater than previously imagined.A translation of the anonymous Peri Aphelous Logou (`On Plain Language') is included as an appendix. This has not previously been translated although it is the major source for the reception of Xenoephon in this period.

No area of ancient Greek literature has been more studied over the last few decades than "lyric poetry", which conventionally includes poetry sung by choruses or soloists accompanied by the lyre or aulos (flute). Besides its literary significance, lyric poetry is also a major resource for understanding the culture and history of Archaic Greece, especially the seventh and sixth centuries BC. This volume brings together eighteen of the best and most influential essays to be published on lyric poetry over the last four decades, three of which are here translated into English for the first time. Authored by experts on Greek lyric poetry from the UK, Europe, and the USA - including Gregory Nagy, Claude Calame, and Malcolm Davies, among several others - the papers cover a wide range of general themes, ranging from studies of genre and the poetic persona to performance and interpretation, and also offer illuminating case studies of individual poets, from Alcman and Alkaios to Sappho and Simonides. Collated here in a single volume and prefaced by a thorough and up-to-date synoptic introduction by the volume editor, himself a recognised authority on the subject, the plurality of critical voices and perspectives offers both scholars and students an accessible yet comprehensive and insightful overview of the field.

This book presents a range of case-studies of pilgrimage in Graeco-Roman antiquity, drawing on a wide variety of evidence. It rejects the usual reluctance to accept the category of pilgrimage in pagan polytheism and affirms the significance of sacred mobility not only as an important factor in understanding ancient religion and its topographies but also as vitally ancestral to later Christian practice.

This book presents a range of case-studies of pilgrimage in Graeco-Roman antiquity, drawing on a wide variety of evidence. It rejects the usual reluctance to accept the category of pilgrimage in pagan polytheism and affirms the significance of sacred mobility not only as an important factor in understanding ancient religion and its topographies but also as vitally ancestral to later Christian practice.

Our knowledge of ancient Greece has been transformed in the last century by an increased understanding of the cultures of the Ancient Near East. This is particularly true of ancient religion. This book looks at the relationship between the religious systems of Ancient Greece and the Hittites, who controlled Turkey in the Late Bronze Age (1400-1200 BC). The cuneiform texts preserved in the Hittite archives provide a particularly rich source for religious practice, detailing festivals, purification rituals, oracle-consultations, prayers, and myths of the Hittite state, as well as documenting the religious practice of neighbouring Anatolian states in which the Hittites took an interest. Hittite religion is thus more comprehensively documented than any other ancient religious tradition in the Near East, even Egypt. The Hittites are also known to have been in contact with Mycenaean Greece, known to them as Ahhiyawa. The book first sets out the evidence and provides a methodological paradigm for using comparative data. It then explores cases where there may have been contact or influence, such as in the case of scapegoat rituals or the Kumarbi-Cycle. Finally, it considers key aspects of religious practices shared by both systems, such as the pantheon, rituals of war, festivals, and animal sacrifice. The aim of such a comparison is to discover clues that may further our understanding of the deep history of religious practices and, when used in conjunction with historical data, illuminate the differences between cultures and reveal what is distinctive about each of them.

Contact and interaction between Greek and Egyptian culture can be traced in different forms over more than a millennium: from the sixth century BC, when Greeks visited Egypt for the sake of tourism or trade, through to the Hellenistic period, when Egypt was ruled by the Macedonian-Greek Ptolemaic dynasty who encouraged a mixed Greek and Egyptian culture, and even more intensely in the Roman Empire, when Egypt came to be increasingly seen as a place of wonder and a source of magic and mystery. This volume addresses the historical interaction between the ancient Greek and Egyptian civilizations in these periods, focusing in particular on literature and textual culture. Comprising fourteen chapters written by experts in the field, each contribution examines such cultural interaction in some form, whether influence between the two cultures, or the emergence of bicultural and mixed phenomena within Egypt. A number of the chapters draw on newly discovered Egyptian texts, such as the Book of Thoth and the Book of the Temple, and among the wide range of topics covered are religion (such as prophecy, hymns, and magic), philosophy, historiography, romance, and translation.

This volume brings together studies on Greek animal sacrifice by foremost experts in Greek language, literature and material culture. Readers will benefit from the synthesis of new evidence and approaches with a re-evaluation of twentieth-century theories on sacrifice. The chapters range across the whole of antiquity and go beyond the Greek world to consider possible influences in Hittite Anatolia and Egypt, while an introduction to the burgeoning science of osteo-archaeology is provided. The twentieth-century emphasis on sacrifice as part of the Classical Greek polis system is challenged through consideration of various ancient perspectives on sacrifice as distinct from specific political or even Greek contexts. Many previously unexplored topics are covered, particularly the type of animals sacrificed and the spectrum of sacrificial ritual, from libations to lasting memorials of the ritual in art.

Although recent scholarship has focused on the city-state as the context for the production of Greek poetry, for poets and performers travel was more the norm than the exception. This book traces this central aspect of ancient culture from its roots in the near Eastern societies which preceded the Greeks, through the way in which early semi-mythical figures such as Orpheus were imagined, the poets who travelled to the brilliant courts of archaic tyrants, and on into the fluid mobility of imperial and late antique culture. The emphasis is both on why poets travelled, and on how local communities used the skills of these outsiders for their own purposes. Wandering poets are also set within the wider context of ancient networks of exchange, patronage and affiliation between communities and are seen as one particularly powerful manifestation of a feature of ancient life which is too often overlooked.

For at least a thousand years Greek cities took part in religious activities outside their territory by sending sacred delegates to represent them. The delegates are usually called theōroi, literally 'observers', and a delegation made up of theōroi, or the action of taking part in one, is called theōriā. This is the first comprehensive study of theōroi and theōriā. It examines a number of key functions of theōroi and explains who served in this role and what their activities are likely to have been, both on the journey and at the sanctuary. Other chapters discuss the diplomatic functions of theōroi, and what their activities tell us about the origins of the notion of Greek identity and about religious networks. Chapters are also devoted to the reception of the notion of theōriā in Greek philosophy and literature. The book will be essential for all scholars and advanced students of ancient religion.

Although recent scholarship has focused on the city-state as the context for the production of Greek poetry, for poets and performers travel was more the norm than the exception. This book traces this central aspect of ancient culture from its roots in the near Eastern societies which preceded the Greeks, through the way in which early semi-mythical figures such as Orpheus were imagined, the poets who travelled to the brilliant courts of archaic tyrants, and on into the fluid mobility of imperial and late antique culture. The emphasis is both on why poets travelled, and on how local communities used the skills of these outsiders for their own purposes. Wandering poets are also set within the wider context of ancient networks of exchange, patronage and affiliation between communities and are seen as one particularly powerful manifestation of a feature of ancient life which is too often overlooked.

For at least a thousand years Greek cities took part in religious activities outside their territory by sending sacred delegates to represent them. The delegates are usually called theōroi, literally 'observers', and a delegation made up of theōroi, or the action of taking part in one, is called theōriā. This is the first comprehensive study of theōroi and theōriā. It examines a number of key functions of theōroi and explains who served in this role and what their activities are likely to have been, both on the journey and at the sanctuary. Other chapters discuss the diplomatic functions of theōroi, and what their activities tell us about the origins of the notion of Greek identity and about religious networks. Chapters are also devoted to the reception of the notion of theōriā in Greek philosophy and literature. The book will be essential for all scholars and advanced students of ancient religion.

This volume brings together studies on Greek animal sacrifice by foremost experts in Greek language, literature and material culture. Readers will benefit from the synthesis of new evidence and approaches with a re-evaluation of twentieth-century theories on sacrifice. The chapters range across the whole of antiquity and go beyond the Greek world to consider possible influences in Hittite Anatolia and Egypt, while an introduction to the burgeoning science of osteo-archaeology is provided. The twentieth-century emphasis on sacrifice as part of the Classical Greek polis system is challenged through consideration of various ancient perspectives on sacrifice as distinct from specific political or even Greek contexts. Many previously unexplored topics are covered, particularly the type of animals sacrificed and the spectrum of sacrificial ritual, from libations to lasting memorials of the ritual in art.