Idit Alphandary – författare

Arguing that the politics of democracy is inseparable from a notion of dialogue that emerges from conflicting and often traumatic memories, Democracy, Dialogue, Memory examines the importance of dialogue for the achievement of understanding in civil society rather than consensus, so that democratic participation and inclusion can be strengthened. With attention to the importance for marginalized communities of the ability to disclose fundamental ethnic, religious, gendered, racial, or personal and affective characteristics born of trauma, and so cease to represent "otherness," this book brings together studies from Europe, Israel and the United States of literary and visual attempts to expand dialogue with "the other," particularly where democracies are prone to vacillating between the desire to endorse otherness, and political dread of the other. A critique of the practices of forced inclusion and forced consensual negotiation, that seeks to advance dialogue as a crucial safeguard against the twin dangers of exclusion and enforced assimilation, Democracy, Dialogue, Memory will appeal to scholars with interests in political theory, political sociology, collective and contested memory and civil society at the same time as allowing scholars from the humanities and the arts to examine seminal chapters that pivot on psychoanalytical approaches to literature, film and philosophy at the borderline of political thinking.

Arguing that the politics of democracy is inseparable from a notion of dialogue that emerges from conflicting and often traumatic memories, Democracy, Dialogue, Memory examines the importance of dialogue for the achievement of understanding in civil society rather than consensus, so that democratic participation and inclusion can be strengthened. With attention to the importance for marginalized communities of the ability to disclose fundamental ethnic, religious, gendered, racial, or personal and affective characteristics born of trauma, and so cease to represent "otherness," this book brings together studies from Europe, Israel and the United States of literary and visual attempts to expand dialogue with "the other," particularly where democracies are prone to vacillating between the desire to endorse otherness, and political dread of the other. A critique of the practices of forced inclusion and forced consensual negotiation, that seeks to advance dialogue as a crucial safeguard against the twin dangers of exclusion and enforced assimilation, Democracy, Dialogue, Memory will appeal to scholars with interests in political theory, political sociology, collective and contested memory and civil society at the same time as allowing scholars from the humanities and the arts to examine seminal chapters that pivot on psychoanalytical approaches to literature, film and philosophy at the borderline of political thinking.

The author''s starting point is the interweaving of forgiveness and resentment in the works of Jewish writers after the Holocaust, most especially Hannah Arendt and Jean Améry, to make sense of the catastrophe and to point to a way forward for both victims and perpetrators. The insights of these two writers and of several Jewish novelists and poets, including Bruno Schulz, Paul Celan, and Aharon Appelfeld, are used to develop accounts of forgiveness and resentment in other cases of mass atrocity around the world. The author offers a critical rereading of primary sources that aim to separate resentment from nonviolent resistance, and forgiveness from reconciliation. Forgiveness and resentment are not, as they might first appear, mutually exclusive. Together with Arendt, Améry, and Walter Benjamin, it is argued that it is through the interaction between them that victims of mass atrocity become agents of personal and cultural change. Together, forgiveness and resentment interrupt the present, reframe the past, and shape the future. They can reduce the chasm that separates memory and trust by fashioning new connections between identity and alterity, which can open paths to truly ethical coexistence for victims and perpetrators, and their descendants.

The author''s starting point is the interweaving of forgiveness and resentment in the works of Jewish writers after the Holocaust, most especially Hannah Arendt and Jean Améry, to make sense of the catastrophe and to point to a way forward for both victims and perpetrators. The insights of these two writers and of several Jewish novelists and poets, including Bruno Schulz, Paul Celan, and Aharon Appelfeld, are used to develop accounts of forgiveness and resentment in other cases of mass atrocity around the world. The author offers a critical rereading of primary sources that aim to separate resentment from nonviolent resistance, and forgiveness from reconciliation. Forgiveness and resentment are not, as they might first appear, mutually exclusive. Together with Arendt, Améry, and Walter Benjamin, it is argued that it is through the interaction between them that victims of mass atrocity become agents of personal and cultural change. Together, forgiveness and resentment interrupt the present, reframe the past, and shape the future. They can reduce the chasm that separates memory and trust by fashioning new connections between identity and alterity, which can open paths to truly ethical coexistence for victims and perpetrators, and their descendants.