Igiaba Scego – författare

Adua är en högaktuell roman som sätter migration, rasism, tillhörighet och identitetsfrågor på sin spets. I denna gripande berättelse får vi följa tre personer som lämnar Somalia för Italien under tre olika historiska perioder: den italienska kolonialismen, Somalia på 1970-talet och nutiden, då Medelhavet har förvandlats till en grav under öppen himmel. Zoppe lockas till Rom för att arbeta som tolk under 30-talet och blir ett verktyg i Mussolinis imperiebyggnad Italienska Östafrika. På 70-talet flyr hans dotter Adua den socialistiska diktaturen i Somalia till Rom med drömmar om att bli filmstjärna, en ny Marylin Monroe. Men villkoren för en svart kvinna i den tidens italienska filmindustri är hårda och efter illa betalda roller i mjukporrfilmer som bryter ner hennes själ och kropp fastnar hon i Rom och åldras i ensamhet och självförakt. I en kombination av barmhärtighet och behov av närhet och uppskattning gifter hon sig med Titanic, en mycket ung somalier som kommit illegalt i gummibåt över Medelhavet.

Once a young girl in Somalia who wanted to be in films and escape the domineering grasp of her father, Adua is now an "Old Lira," a woman who immigrated to Italy during the first wave in the 1970's. With the end of the Somalian civil war, Adua begins to seriously consider returning to the country of her birth. Sitting at the foot of the elephant statue that holds up the obelisk in Santa Maria square in Rome, she recounts her story, attempting to make sense of the past forty years and what the future might hold. When she first arrived in Rome and her film dreams ended in failure and shame, she knew she could not return to totalitarian Somalia and the vice-like purview of her father. Once a translator for the Italian colonial regime, her father's past in Italy and the rest of his life in Somalia were characterized by attempts to live fully under the punishing hand of regimes, while Adua was left to reckon with the after-effects of his choices.Adua is the unforgettable story of a father and daughter grappling with the implications of colonialism, immigration and racism that have bisected both of their lives.

It was the middle of the nineteenth century when Lafanu Brown audaciously decided to become an artist. In the wake of the American Civil War, life was especially tough for Black women, but she didn’t let that stop her. The daughter of a Native American woman and an African-Haitian man, Lafanu had the rare opportunity to study, travel, and follow her dreams, thanks to her indomitable spirit, but not without facing intolerance and violence. Igiaba Scego has crafted a powerful exploration of what it means to be “other,” to be a woman, and particularly a Black woman, in a foreign country, yesterday and today.