"Oh, my God! to think of that kind-hearted, lovely young woman, who brings happiness with her wherever she goes, bringing terror to me! Terror when her pitying eyes look at me; terror when her kind voice speaks to me; terror when her tender hand touches mind!"Porthgenna Tower on the remote western Cornish coast. Moments before her death, Mrs Treverton dictates a secret to her maid, never to be passed to her husband as she had instructed. Fifteen years later, when Mrs Treverton''s daughter, Rosamond, returns to Porthgenna with her blind husband, Leonard, she is intrigued by the strange and seemingly disturbed Mrs Jazeph''s warning not to enter the Myrtle Room in the ruined north wing. Strong-minded and ingenious, Rosamond''s determined detective workuncovers shocking and unsettling truths beyond all expectation.A mystery of unrelenting suspense and psychologically penetrating characters, The Dead Secret explores the relationship between a fallen woman, her illegitimate daughter, and buried secrets in a superb blend of romance and Gothic drama. Wilkie Collins''s fifth novel, The Dead Secret anticipates the themes of his next novel, The Woman in White in its treatment of mental illness, disguise and deception, and the dispossession of lost identity. Yet a series of comicfigures offsets the tension, from the dyspeptic Mr Phippen to the perpetually smiling governess, Miss Sturch. Displaying the talent and energy which made Collins the most popular novelist of the 1860s, The Dead Secret represents a crucial phase in Collins''s rise as a mystery writer, and was his first full-length novel writtenspecifically for serialization.ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

"Oh, my God! to think of that kind-hearted, lovely young woman, who brings happiness with her wherever she goes, bringing terror to me! Terror when her pitying eyes look at me; terror when her kind voice speaks to me; terror when her tender hand touches mind!" Porthgenna Tower on the remote western Cornish coast. Moments before her death, Mrs Treverton dictates a secret to her maid, never to be passed to her husband as she had instructed. Fifteen years later, when Mrs Treverton's daughter, Rosamond, returns to Porthgenna with her blind husband, Leonard, she is intrigued by the strange and seemingly disturbed Mrs Jazeph's warning not to enter the Myrtle Room in the ruined north wing. Strong-minded and ingenious, Rosamond's determined detective work uncovers shocking and unsettling truths beyond all expectation. A mystery of unrelenting suspense and psychologically penetrating characters, The Dead Secret explores the relationship between a fallen woman, her illegitimate daughter, and buried secrets in a superb blend of romance and Gothic drama. Wilkie Collins's fifth novel, The Dead Secret anticipates the themes of his next novel, The Woman in White in its treatment of mental illness, disguise and deception, and the dispossession of lost identity. Yet a series of comic figures offsets the tension, from the dyspeptic Mr Phippen to the perpetually smiling governess, Miss Sturch. Displaying the talent and energy which made Collins the most popular novelist of the 1860s, The Dead Secret represents a crucial phase in Collins's rise as a mystery writer, and was his first full-length novel written specifically for serialization. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Known as the "Prince of Bummers," Leonard Cohen is a multi-talented poet, singer-songwriter, novelist, and Zen Buddhist whose career has spanned more than forty years and inspired countless other artists. In this critically acclaimed biography originally published in 1996 by Pantheon Books, Ira Nadel draws on extensive interviews with Cohen, as well as excerpts from his unpublished letters, journals, notebooks, songs, and other writings, to offer a full portrait of this enigmatic man and his artistic career. A new concluding chapter brings Cohen's story up-to-date, including the release of the albums Dear Heather, Ten New Songs, The Essential Leonard Cohen, and Blue Alert, as well as the publication of Book of Longing and the screening of the documentary film Leonard Cohen, I'm Your Man.

Reissued with a new afterwordLeonard Cohen is back! With a #1 bestselling poetry collection, The Book of Longing, flying off bookshelves; Lian Lunson’s acclaimed documentary, Leonard Cohen: I’m Your Man, in theatres this summer (the DVD will release this fall); and the superb soundtrack in music stores everywhere, Leonard Cohen proves he is Canada’s most enduring icon. Now, in the newly reissued Various Positions, Ira Nadel peels back the many layers to reveal the man and explain the fascinating relationship between Leonard Cohen’s life and his art. This book is a remarkable and rarelook at Leonard Cohen, up close and personal.For nearly forty years, Leonard Cohen has endured the ups and downs of an international career that has alternately identified him as the "Prince of Bummers" and Canada''s most respected poet and performer. Now, author Ira Nadel brings us closer to understanding these conflicting descriptions and allows us to enter Cohen''s private world. He peels back the many layers to reveal the man and explain the fascinating relationship between Cohen''s life and his art.This is a remarkable and rare look at Leonard Cohen, up close and personal.From the Trade Paperback edition.

This Companion contains fifteen chapters by leading international scholars, who together reflect diverse but complementary approaches to the study of Ezra Pound''s poetry and prose. They consider the poetics, foreign influences, economics, politics and publication history of Pound''s entire corpus, and reveal his importance in developing some of the key movements in twentieth-century poetry. The book also situates Pound''s work in the context of Modernism, illustrating his influence on contemporaries like T. S. Eliot and James Joyce. Taken together, the chapters offer a sustained examination of one of the most versatile, influential and certainly controversial poets of the modern period.

This Companion contains fifteen chapters by leading international scholars, who together reflect diverse but complementary approaches to the study of Ezra Pound's poetry and prose. They consider the poetics, foreign influences, economics, politics and publication history of Pound's entire corpus, and reveal his importance in developing some of the key movements in twentieth-century poetry. The book also situates Pound's work in the context of Modernism, illustrating his influence on contemporaries like T. S. Eliot and James Joyce. Taken together, the chapters offer a sustained examination of one of the most versatile, influential and certainly controversial poets of the modern period.

Long at the centre of the modernist project, from editing Eliot's The Waste Land to publishing Joyce, Pound has also been a provocateur and instigator of new movements, while initiating a new poetics. This is the first volume to summarize and analyze the multiple contexts of Pound's work, underlining the magnitude of his contribution and drawing on new archival, textual and theoretical studies. Pound's political and economic ideas also receive attention. With its concentration on the contexts of history, sociology, aesthetics and politics, the volume will provide a portrait of Pound's unusually international reach: an American-born, modern poet absorbing the cultures of England, France, Italy and China. These essays situate Pound in the social and material realities of his time and will be invaluable for students and scholars of Pound and modernism.

Ezra Pound is one of the most visible and influential poets of the twentieth century. He is also one of the most complex, his poetry containing historical and mythical allusions, experiments of form and style and often controversial political views. Yet Pound's life and work continue to fascinate. This Introduction, first published in 2005, is designed to help students reading Pound for the first time. Pound scholar Ira B. Nadel provides a guide to the rich webs of allusion and stylistic borrowings and innovations in Pound's writing. He offers a clear overview of Pound's life, works, contexts and reception history and his multidimensional career as a poet, translator, critic, editor, anthologist and impresario, a career that placed him at the heart of literary modernism. This invaluable and accessible introduction explains the huge contribution Pound made to the development of modernism in the early twentieth century.

This Companion contains fifteen chapters by leading international scholars, who together reflect diverse but complementary approaches to the study of Ezra Pound's poetry and prose. They consider the poetics, foreign influences, economics, politics and publication history of Pound's entire corpus, and reveal his importance in developing some of the key movements in twentieth-century poetry. The book also situates Pound's work in the context of Modernism, illustrating his influence on contemporaries like T. S. Eliot and James Joyce. Taken together, the chapters offer a sustained examination of one of the most versatile, influential and certainly controversial poets of the modern period.

Ezra Pound is one of the most visible and influential poets of the twentieth century. He is also one of the most complex, his poetry containing historical and mythical allusions, experiments of form and style and often controversial political views. Yet Pound's life and work continue to fascinate. This Introduction, first published in 2005, is designed to help students reading Pound for the first time. Pound scholar Ira B. Nadel provides a guide to the rich webs of allusion and stylistic borrowings and innovations in Pound's writing. He offers a clear overview of Pound's life, works, contexts and reception history and his multidimensional career as a poet, translator, critic, editor, anthologist and impresario, a career that placed him at the heart of literary modernism. This invaluable and accessible introduction explains the huge contribution Pound made to the development of modernism in the early twentieth century.

Written 150 years ago, never published, and presumed lost for nearly a century, Wilkie Collins's earliest novel now appears in print for the first time. Iolani is a sensational romance--a tale of terror and suspense, bravery and betrayal, set against the lush backdrop of Tahiti. The book's complicated history is worthy of a writer famous for intricate plots hinging on long-kept secrets. Collins wrote the book as a young man in the early 1840s, twenty years before The Moonstone and The Woman in White made his name among Victorian novelists. He failed to find a publisher for the work, shelved the manuscript for years, and eventually gave it to an acquaintance. It disappeared into the hands of private collectors and remained there--acquiring mythical status as a lost novel--from the turn of the century until its sudden appearance on the rare book market in New York in 1991. This first edition appears with the permission of the new owners, who keep the mystery alive by remaining anonymous. The novel is set in Tahiti prior to European contact. It tells the story of the diabolical high priest, Iolani , and the heroic young woman, Idua, who bears his child.Determined to defy the Tahitian custom of killing firstborn children, Idua and her friend Aimata flee with the baby and take refuge among Iolani's enemies. The vengeful priest pursues them, setting into motion a plot that features civil war, sorcery, sacrificial rites, wild madmen, treachery, and love. Collins explores themes that he would return to again and again in his career: oppression by sinister, patriarchal figures; the bravery of forceful, unorthodox women; the psychology of the criminal mind; the hypocrisy of moralists; and Victorian ideas of the exotic. As Ira Nadel shows in his introduction, the novel casts new light on Collins's development as a writer and on the creation of his later masterpieces. A sample page from the manuscript appears as the frontispiece to this edition. The publication of Iolani is a major literary event: a century and half late, Wilkie Collins makes his literary debut. Originally published in 1999. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press.These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Written 150 years ago, never published, and presumed lost for nearly a century, Wilkie Collins's earliest novel now appears in print for the first time. Iolani is a sensational romance--a tale of terror and suspense, bravery and betrayal, set against the lush backdrop of Tahiti. The book's complicated history is worthy of a writer famous for intricate plots hinging on long-kept secrets. Collins wrote the book as a young man in the early 1840s, twenty years before The Moonstone and The Woman in White made his name among Victorian novelists. He failed to find a publisher for the work, shelved the manuscript for years, and eventually gave it to an acquaintance. It disappeared into the hands of private collectors and remained there--acquiring mythical status as a lost novel--from the turn of the century until its sudden appearance on the rare book market in New York in 1991. This first edition appears with the permission of the new owners, who keep the mystery alive by remaining anonymous. The novel is set in Tahiti prior to European contact. It tells the story of the diabolical high priest, Iolani , and the heroic young woman, Idua, who bears his child.Determined to defy the Tahitian custom of killing firstborn children, Idua and her friend Aimata flee with the baby and take refuge among Iolani's enemies. The vengeful priest pursues them, setting into motion a plot that features civil war, sorcery, sacrificial rites, wild madmen, treachery, and love. Collins explores themes that he would return to again and again in his career: oppression by sinister, patriarchal figures; the bravery of forceful, unorthodox women; the psychology of the criminal mind; the hypocrisy of moralists; and Victorian ideas of the exotic. As Ira Nadel shows in his introduction, the novel casts new light on Collins's development as a writer and on the creation of his later masterpieces. A sample page from the manuscript appears as the frontispiece to this edition. The publication of Iolani is a major literary event: a century and half late, Wilkie Collins makes his literary debut. Originally published in 1999. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press.These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Long at the centre of the modernist project, from editing Eliot's The Waste Land to publishing Joyce, Pound has also been a provocateur and instigator of new movements, while initiating a new poetics. This is the first volume to summarize and analyze the multiple contexts of Pound's work, underlining the magnitude of his contribution and drawing on new archival, textual and theoretical studies. Pound's political and economic ideas also receive attention. With its concentration on the contexts of history, sociology, aesthetics and politics, the volume will provide a portrait of Pound's unusually international reach: an American-born, modern poet absorbing the cultures of England, France, Italy and China. These essays situate Pound in the social and material realities of his time and will be invaluable for students and scholars of Pound and modernism.

This Companion contains fifteen chapters by leading international scholars, who together reflect diverse but complementary approaches to the study of Ezra Pound''s poetry and prose. They consider the poetics, foreign influences, economics, politics and publication history of Pound''s entire corpus, and reveal his importance in developing some of the key movements in twentieth-century poetry. The book also situates Pound''s work in the context of Modernism, illustrating his influence on contemporaries like T. S. Eliot and James Joyce. Taken together, the chapters offer a sustained examination of one of the most versatile, influential and certainly controversial poets of the modern period.

Written 150 years ago, never published, and presumed lost for nearly a century, Wilkie Collins's earliest novel now appears in print for the first time. Iolani is a sensational romance--a tale of terror and suspense, bravery and betrayal, set against the lush backdrop of Tahiti. The book's complicated history is worthy of a writer famous for intricate plots hinging on long-kept secrets. Collins wrote the book as a young man in the early 1840s, twenty years before The Moonstone and The Woman in White made his name among Victorian novelists. He failed to find a publisher for the work, shelved the manuscript for years, and eventually gave it to an acquaintance. It disappeared into the hands of private collectors and remained there--acquiring mythical status as a lost novel--from the turn of the century until its sudden appearance on the rare book market in New York in 1991. This first edition appears with the permission of the new owners, who keep the mystery alive by remaining anonymous.The novel is set in Tahiti prior to European contact. It tells the story of the diabolical high priest, Iolani , and the heroic young woman, Idua, who bears his child. Determined to defy the Tahitian custom of killing firstborn children, Idua and her friend Aimata flee with the baby and take refuge among Iolani's enemies. The vengeful priest pursues them, setting into motion a plot that features civil war, sorcery, sacrificial rites, wild madmen, treachery, and love. Collins explores themes that he would return to again and again in his career: oppression by sinister, patriarchal figures; the bravery of forceful, unorthodox women; the psychology of the criminal mind; the hypocrisy of moralists; and Victorian ideas of the exotic. As Ira Nadel shows in his introduction, the novel casts new light on Collins's development as a writer and on the creation of his later masterpieces. A sample page from the manuscript appears as the frontispiece to this edition. The publication of Iolani is a major literary event: a century and half late, Wilkie Collins makes his literary debut.Originally published in 1999.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Trees in the City provides an introduction to the process of humanizing the cityscape and guide to planting trees in city conditions. This book focuses on four basic concepts. First, trees play an essential role in human''s urban life. Second, people must become aware of the environmental, esthetic, social, and political importance of trees. Third, trees need to be integrated with the pattern and function of urban activity. Finally, the design, placement, and maintenance of trees on city streets are the responsibility of everyone in the community. The topics discussed include a short history of trees in the city; environmental and esthetic relation of trees, human, and the city; tree choices and features; and designing a city street—models, problems, and matrixes. This publication is beneficial to landscape architects and individuals interested in tree planting in urban areas.

Known for his maxim "make it new," Ezra Pound played a principal role in shaping the modernist movement as a poet, translator, and literary critic. Yet readers grapple with his poetry's complex structures and layered allusions and his known fascism, anti-Semitism, and misogyny. This volume offers strategies for guiding students toward the rewards of Pound's works while embracing the challenges they pose.The first section, "Materials," catalogs the print and digital editions of Pound's works, evaluates numerous secondary sources, and provides a history of Pound's critical contexts. The essays in the second section, "Approaches," address Pound's aesthetics, persona, beliefs about economics, fascination with Asian culture, classical source materials, contributions to literary movements, and poetic techniques.

"Oh, my God! to think of that kind-hearted, lovely young woman, who brings happiness with her wherever she goes, bringing terror to me! Terror when her pitying eyes look at me; terror when her kind voice speaks to me; terror when her tender hand touches mind!"Porthgenna Tower on the remote western Cornish coast. Moments before her death, Mrs Treverton dictates a secret to her maid, never to be passed to her husband as she had instructed. Fifteen years later, when Mrs Treverton''s daughter, Rosamond, returns to Porthgenna with her blind husband, Leonard, she is intrigued by the strange and seemingly disturbed Mrs Jazeph''s warning not to enter the Myrtle Room in the ruined north wing. Strong-minded and ingenious, Rosamond''s determined detective workuncovers shocking and unsettling truths beyond all expectation.A mystery of unrelenting suspense and psychologically penetrating characters, The Dead Secret explores the relationship between a fallen woman, her illegitimate daughter, and buried secrets in a superb blend of romance and Gothic drama. Wilkie Collins''s fifth novel, The Dead Secret anticipates the themes of his next novel, The Woman in White in its treatment of mental illness, disguise and deception, and the dispossession of lost identity. Yet a series of comicfigures offsets the tension, from the dyspeptic Mr Phippen to the perpetually smiling governess, Miss Sturch. Displaying the talent and energy which made Collins the most popular novelist of the 1860s, The Dead Secret represents a crucial phase in Collins''s rise as a mystery writer, and was his first full-length novel writtenspecifically for serialization.ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

"Oh, my God! to think of that kind-hearted, lovely young woman, who brings happiness with her wherever she goes, bringing terror to me! Terror when her pitying eyes look at me; terror when her kind voice speaks to me; terror when her tender hand touches mind!" Porthgenna Tower on the remote western Cornish coast. Moments before her death, Mrs Treverton dictates a secret to her maid, never to be passed to her husband as she had instructed. Fifteen years later, when Mrs Treverton's daughter, Rosamond, returns to Porthgenna with her blind husband, Leonard, she is intrigued by the strange and seemingly disturbed Mrs Jazeph's warning not to enter the Myrtle Room in the ruined north wing. Strong-minded and ingenious, Rosamond's determined detective work uncovers shocking and unsettling truths beyond all expectation. A mystery of unrelenting suspense and psychologically penetrating characters, The Dead Secret explores the relationship between a fallen woman, her illegitimate daughter, and buried secrets in a superb blend of romance and Gothic drama. Wilkie Collins's fifth novel, The Dead Secret anticipates the themes of his next novel, The Woman in White in its treatment of mental illness, disguise and deception, and the dispossession of lost identity. Yet a series of comic figures offsets the tension, from the dyspeptic Mr Phippen to the perpetually smiling governess, Miss Sturch. Displaying the talent and energy which made Collins the most popular novelist of the 1860s, The Dead Secret represents a crucial phase in Collins's rise as a mystery writer, and was his first full-length novel written specifically for serialization. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Known as the "Prince of Bummers," Leonard Cohen is a multi-talented poet, singer-songwriter, novelist, and Zen Buddhist whose career has spanned more than forty years and inspired countless other artists. In this critically acclaimed biography originally published in 1996 by Pantheon Books, Ira Nadel draws on extensive interviews with Cohen, as well as excerpts from his unpublished letters, journals, notebooks, songs, and other writings, to offer a full portrait of this enigmatic man and his artistic career. A new concluding chapter brings Cohen's story up-to-date, including the release of the albums Dear Heather, Ten New Songs, The Essential Leonard Cohen, and Blue Alert, as well as the publication of Book of Longing and the screening of the documentary film Leonard Cohen, I'm Your Man.

Reissued with a new afterwordLeonard Cohen is back! With a #1 bestselling poetry collection, The Book of Longing, flying off bookshelves; Lian Lunson’s acclaimed documentary, Leonard Cohen: I’m Your Man, in theatres this summer (the DVD will release this fall); and the superb soundtrack in music stores everywhere, Leonard Cohen proves he is Canada’s most enduring icon. Now, in the newly reissued Various Positions, Ira Nadel peels back the many layers to reveal the man and explain the fascinating relationship between Leonard Cohen’s life and his art. This book is a remarkable and rarelook at Leonard Cohen, up close and personal.For nearly forty years, Leonard Cohen has endured the ups and downs of an international career that has alternately identified him as the "Prince of Bummers" and Canada''s most respected poet and performer. Now, author Ira Nadel brings us closer to understanding these conflicting descriptions and allows us to enter Cohen''s private world. He peels back the many layers to reveal the man and explain the fascinating relationship between Cohen''s life and his art.This is a remarkable and rare look at Leonard Cohen, up close and personal.From the Trade Paperback edition.

This Companion contains fifteen chapters by leading international scholars, who together reflect diverse but complementary approaches to the study of Ezra Pound''s poetry and prose. They consider the poetics, foreign influences, economics, politics and publication history of Pound''s entire corpus, and reveal his importance in developing some of the key movements in twentieth-century poetry. The book also situates Pound''s work in the context of Modernism, illustrating his influence on contemporaries like T. S. Eliot and James Joyce. Taken together, the chapters offer a sustained examination of one of the most versatile, influential and certainly controversial poets of the modern period.

This Companion contains fifteen chapters by leading international scholars, who together reflect diverse but complementary approaches to the study of Ezra Pound's poetry and prose. They consider the poetics, foreign influences, economics, politics and publication history of Pound's entire corpus, and reveal his importance in developing some of the key movements in twentieth-century poetry. The book also situates Pound's work in the context of Modernism, illustrating his influence on contemporaries like T. S. Eliot and James Joyce. Taken together, the chapters offer a sustained examination of one of the most versatile, influential and certainly controversial poets of the modern period.

Long at the centre of the modernist project, from editing Eliot's The Waste Land to publishing Joyce, Pound has also been a provocateur and instigator of new movements, while initiating a new poetics. This is the first volume to summarize and analyze the multiple contexts of Pound's work, underlining the magnitude of his contribution and drawing on new archival, textual and theoretical studies. Pound's political and economic ideas also receive attention. With its concentration on the contexts of history, sociology, aesthetics and politics, the volume will provide a portrait of Pound's unusually international reach: an American-born, modern poet absorbing the cultures of England, France, Italy and China. These essays situate Pound in the social and material realities of his time and will be invaluable for students and scholars of Pound and modernism.

Ezra Pound is one of the most visible and influential poets of the twentieth century. He is also one of the most complex, his poetry containing historical and mythical allusions, experiments of form and style and often controversial political views. Yet Pound's life and work continue to fascinate. This Introduction, first published in 2005, is designed to help students reading Pound for the first time. Pound scholar Ira B. Nadel provides a guide to the rich webs of allusion and stylistic borrowings and innovations in Pound's writing. He offers a clear overview of Pound's life, works, contexts and reception history and his multidimensional career as a poet, translator, critic, editor, anthologist and impresario, a career that placed him at the heart of literary modernism. This invaluable and accessible introduction explains the huge contribution Pound made to the development of modernism in the early twentieth century.

This Companion contains fifteen chapters by leading international scholars, who together reflect diverse but complementary approaches to the study of Ezra Pound's poetry and prose. They consider the poetics, foreign influences, economics, politics and publication history of Pound's entire corpus, and reveal his importance in developing some of the key movements in twentieth-century poetry. The book also situates Pound's work in the context of Modernism, illustrating his influence on contemporaries like T. S. Eliot and James Joyce. Taken together, the chapters offer a sustained examination of one of the most versatile, influential and certainly controversial poets of the modern period.

Ezra Pound is one of the most visible and influential poets of the twentieth century. He is also one of the most complex, his poetry containing historical and mythical allusions, experiments of form and style and often controversial political views. Yet Pound's life and work continue to fascinate. This Introduction, first published in 2005, is designed to help students reading Pound for the first time. Pound scholar Ira B. Nadel provides a guide to the rich webs of allusion and stylistic borrowings and innovations in Pound's writing. He offers a clear overview of Pound's life, works, contexts and reception history and his multidimensional career as a poet, translator, critic, editor, anthologist and impresario, a career that placed him at the heart of literary modernism. This invaluable and accessible introduction explains the huge contribution Pound made to the development of modernism in the early twentieth century.

Written 150 years ago, never published, and presumed lost for nearly a century, Wilkie Collins's earliest novel now appears in print for the first time. Iolani is a sensational romance--a tale of terror and suspense, bravery and betrayal, set against the lush backdrop of Tahiti. The book's complicated history is worthy of a writer famous for intricate plots hinging on long-kept secrets. Collins wrote the book as a young man in the early 1840s, twenty years before The Moonstone and The Woman in White made his name among Victorian novelists. He failed to find a publisher for the work, shelved the manuscript for years, and eventually gave it to an acquaintance. It disappeared into the hands of private collectors and remained there--acquiring mythical status as a lost novel--from the turn of the century until its sudden appearance on the rare book market in New York in 1991. This first edition appears with the permission of the new owners, who keep the mystery alive by remaining anonymous. The novel is set in Tahiti prior to European contact. It tells the story of the diabolical high priest, Iolani , and the heroic young woman, Idua, who bears his child.Determined to defy the Tahitian custom of killing firstborn children, Idua and her friend Aimata flee with the baby and take refuge among Iolani's enemies. The vengeful priest pursues them, setting into motion a plot that features civil war, sorcery, sacrificial rites, wild madmen, treachery, and love. Collins explores themes that he would return to again and again in his career: oppression by sinister, patriarchal figures; the bravery of forceful, unorthodox women; the psychology of the criminal mind; the hypocrisy of moralists; and Victorian ideas of the exotic. As Ira Nadel shows in his introduction, the novel casts new light on Collins's development as a writer and on the creation of his later masterpieces. A sample page from the manuscript appears as the frontispiece to this edition. The publication of Iolani is a major literary event: a century and half late, Wilkie Collins makes his literary debut. Originally published in 1999. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press.These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Written 150 years ago, never published, and presumed lost for nearly a century, Wilkie Collins's earliest novel now appears in print for the first time. Iolani is a sensational romance--a tale of terror and suspense, bravery and betrayal, set against the lush backdrop of Tahiti. The book's complicated history is worthy of a writer famous for intricate plots hinging on long-kept secrets. Collins wrote the book as a young man in the early 1840s, twenty years before The Moonstone and The Woman in White made his name among Victorian novelists. He failed to find a publisher for the work, shelved the manuscript for years, and eventually gave it to an acquaintance. It disappeared into the hands of private collectors and remained there--acquiring mythical status as a lost novel--from the turn of the century until its sudden appearance on the rare book market in New York in 1991. This first edition appears with the permission of the new owners, who keep the mystery alive by remaining anonymous. The novel is set in Tahiti prior to European contact. It tells the story of the diabolical high priest, Iolani , and the heroic young woman, Idua, who bears his child.Determined to defy the Tahitian custom of killing firstborn children, Idua and her friend Aimata flee with the baby and take refuge among Iolani's enemies. The vengeful priest pursues them, setting into motion a plot that features civil war, sorcery, sacrificial rites, wild madmen, treachery, and love. Collins explores themes that he would return to again and again in his career: oppression by sinister, patriarchal figures; the bravery of forceful, unorthodox women; the psychology of the criminal mind; the hypocrisy of moralists; and Victorian ideas of the exotic. As Ira Nadel shows in his introduction, the novel casts new light on Collins's development as a writer and on the creation of his later masterpieces. A sample page from the manuscript appears as the frontispiece to this edition. The publication of Iolani is a major literary event: a century and half late, Wilkie Collins makes his literary debut. Originally published in 1999. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press.These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Long at the centre of the modernist project, from editing Eliot's The Waste Land to publishing Joyce, Pound has also been a provocateur and instigator of new movements, while initiating a new poetics. This is the first volume to summarize and analyze the multiple contexts of Pound's work, underlining the magnitude of his contribution and drawing on new archival, textual and theoretical studies. Pound's political and economic ideas also receive attention. With its concentration on the contexts of history, sociology, aesthetics and politics, the volume will provide a portrait of Pound's unusually international reach: an American-born, modern poet absorbing the cultures of England, France, Italy and China. These essays situate Pound in the social and material realities of his time and will be invaluable for students and scholars of Pound and modernism.

This Companion contains fifteen chapters by leading international scholars, who together reflect diverse but complementary approaches to the study of Ezra Pound''s poetry and prose. They consider the poetics, foreign influences, economics, politics and publication history of Pound''s entire corpus, and reveal his importance in developing some of the key movements in twentieth-century poetry. The book also situates Pound''s work in the context of Modernism, illustrating his influence on contemporaries like T. S. Eliot and James Joyce. Taken together, the chapters offer a sustained examination of one of the most versatile, influential and certainly controversial poets of the modern period.

Written 150 years ago, never published, and presumed lost for nearly a century, Wilkie Collins's earliest novel now appears in print for the first time. Iolani is a sensational romance--a tale of terror and suspense, bravery and betrayal, set against the lush backdrop of Tahiti. The book's complicated history is worthy of a writer famous for intricate plots hinging on long-kept secrets. Collins wrote the book as a young man in the early 1840s, twenty years before The Moonstone and The Woman in White made his name among Victorian novelists. He failed to find a publisher for the work, shelved the manuscript for years, and eventually gave it to an acquaintance. It disappeared into the hands of private collectors and remained there--acquiring mythical status as a lost novel--from the turn of the century until its sudden appearance on the rare book market in New York in 1991. This first edition appears with the permission of the new owners, who keep the mystery alive by remaining anonymous.The novel is set in Tahiti prior to European contact. It tells the story of the diabolical high priest, Iolani , and the heroic young woman, Idua, who bears his child. Determined to defy the Tahitian custom of killing firstborn children, Idua and her friend Aimata flee with the baby and take refuge among Iolani's enemies. The vengeful priest pursues them, setting into motion a plot that features civil war, sorcery, sacrificial rites, wild madmen, treachery, and love. Collins explores themes that he would return to again and again in his career: oppression by sinister, patriarchal figures; the bravery of forceful, unorthodox women; the psychology of the criminal mind; the hypocrisy of moralists; and Victorian ideas of the exotic. As Ira Nadel shows in his introduction, the novel casts new light on Collins's development as a writer and on the creation of his later masterpieces. A sample page from the manuscript appears as the frontispiece to this edition. The publication of Iolani is a major literary event: a century and half late, Wilkie Collins makes his literary debut.Originally published in 1999.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Trees in the City provides an introduction to the process of humanizing the cityscape and guide to planting trees in city conditions. This book focuses on four basic concepts. First, trees play an essential role in human''s urban life. Second, people must become aware of the environmental, esthetic, social, and political importance of trees. Third, trees need to be integrated with the pattern and function of urban activity. Finally, the design, placement, and maintenance of trees on city streets are the responsibility of everyone in the community. The topics discussed include a short history of trees in the city; environmental and esthetic relation of trees, human, and the city; tree choices and features; and designing a city street—models, problems, and matrixes. This publication is beneficial to landscape architects and individuals interested in tree planting in urban areas.

Known for his maxim "make it new," Ezra Pound played a principal role in shaping the modernist movement as a poet, translator, and literary critic. Yet readers grapple with his poetry's complex structures and layered allusions and his known fascism, anti-Semitism, and misogyny. This volume offers strategies for guiding students toward the rewards of Pound's works while embracing the challenges they pose.The first section, "Materials," catalogs the print and digital editions of Pound's works, evaluates numerous secondary sources, and provides a history of Pound's critical contexts. The essays in the second section, "Approaches," address Pound's aesthetics, persona, beliefs about economics, fascination with Asian culture, classical source materials, contributions to literary movements, and poetic techniques.