Isabelle Graw – författare

The first comprehensive study on the work of visionary painter William MonkWilliam Monk is a British-born, New York-based artist known for his enigmatic and vibrant paintings that often investigate the same motif or theme in different permutations. Deeply interested in the idea of creating images that are not a direct transcript of the real world but a product of his mind, Monk creates starkly divisional compositions carrying irregular intensities of detail, line, foreground, and background, pushing his work and the foundational elements of painting to the point where model and subject become two separate entities.

The Value of Critique casts its gaze on the two dominant modes of passing judgment in art—critique and value (or evaluation). The act of critique has long held sway in the world of art theory but has recently been increasingly abandoned in favor of evaluation, which advocates alternate modes of judgment aimed at finding the intrinsic “value” of a given work rather than picking apart its intentions and relative success. This book’s contributors explore the relationship between these two practices, finding that one cannot exist with the other. As soon as a critic decides an object is worthy enough of their interest and time to critique it, they have imbued that object with a certain value. Similarly, theories of value are typically marked by a critical impetus: as much as critique takes part in the construction of evaluations, bestowing something with value can then trigger critiques. Assembling essays from an international array of authors, this book is the first to put value, critique, and artistic labor in conversation with one another, making clear just how closely all three are related.