Isaiah Berlin – författare

'Brilliant. Searching and profound' E.H. Carr, Times Literary Supplement'When reading Isaiah Berlin we breathe an altogether different air' New York Review of Books'Beautifully written' W. H. Auden, New Yorker'Ingenious. Exactly what good critical writing should be' Max Beloff, GuardianThe fox knows many things, but the hedgehog knows one big thing.For Isaiah Berlin, there is a fundamental distinction in mankind: those who are fascinated by the infinite variety of things - foxes - and those who relate everything to a central all-embracing system - hedgehogs. It can be applied to the greatest creative minds: Dante, Ibsen and Proust are hedgehogs, while Shakespeare, Aristotle and Joyce are foxes.Yet when Berlin reaches the case of Tolstoy, he finds a fox by nature, but a hedgehog by conviction; a duality which holds the key to understanding Tolstoy's work, illuminating a paradox of his philosophy of history and showing why he was frequently misunderstood by his contemporaries and critics.With a foreword by Michael IgnatieffA W&N Essential

Isaiah Berlin's intellectual biography of Karl Marx has long been recognized as one of the best concise accounts of the life and thought of the man who had, in Berlin's words, a more "direct, deliberate, and powerful" influence on mankind than any other nineteenth-century thinker. A brilliantly lucid work of synthesis and exposition, the book introduces Marx's ideas and sets them in their context, explains why they were revolutionary in political and intellectual terms, and paints a memorable portrait of Marx's dramatic life and outsized personality. Berlin takes readers through Marx's years of adolescent rebellion and post-university communist agitation, the personal high point of the 1848 revolutions, and his later years of exile, political frustration, and intellectual effort. Critical yet sympathetic, Berlin's account illuminates a life without reproducing a legend. New features of this thoroughly revised edition include references for Berlin's quotations and allusions, Terrell Carver's assessment of the distinctiveness of Berlin's book, and a revised guide to further reading.

‘He becomes everyman’s guide to everything exciting in the history of ideas’ New York Review of BooksIsaiah Berlin was one of the leading thinkers of the twentieth century, and one of the finest writers. The Proper Study Of Mankind selects some of his best essays in which his insights both illuminate the past and offer a key to the burning issues of today.The full (and enormous) range of his work is represented here, from the exposition of his most distinctive doctrine - pluralism - to studies of Machiavelli, Tolstoy, Churchill and Roosevelt. In these pages he encapsulates the principal movements that characterise the modern age: romanticism, historicism, Fascism, relativism, irrationalism and nationalism. His ideas are always tied to the people who conceived them, so that abstractions are brought alive. EDITED BY HENRY HARDY AND ROGER HAUSHEER AND WITH A NEW FOREWORD BY ANDREW MARR

Few, if any, English-language critics have written as perceptively as Isaiah Berlin about Russian thought and culture. Russian Thinkers is his unique meditation on the impact that Russia's outstanding writers and philosophers had on its culture. In addition to Tolstoy's philosophy of history, which he addresses in his most famous essay, 'The Hedgehog and the Fox,' Berlin considers the social and political circumstances that produced such men as Herzen, Bakunin, Turgenev, Belinsky, and others of the Russian intelligentsia, who made up, as Berlin describes, 'the largest single Russian contribution to social change in the world.'

Few, if any, English-language critics have written as perceptively as Isaiah Berlin about Russian thought and culture. Russian Thinkers is his unique meditation on the impact that Russia's outstanding writers and philosophers had on its culture. In addition to Tolstoy's philosophy of history, which he addresses in his most famous essay, 'The Hedgehog and the Fox,' Berlin considers the social and political circumstances that produced such men as Herzen, Bakunin, Turgenev, Belinsky, and others of the Russian intelligentsia, who made up, as Berlin describes, 'the largest single Russian contribution to social change in the world.'

Liberty is a revised and expanded edition of the book that Isaiah Berlin regarded as his most important - Four Essays on Liberty, a standard text of liberalism, constantly in demand and constantly discussed since it was first published in 1969. Writing in Harper's, Irving Howe described it as 'an exhilarating performance - this, one tells oneself, is what the life of the mind can be'.Berlin's editor Henry Hardy has revised the text, incorporating a fifth essay that Berlin himself had wanted to include. He has also added further pieces that bear on the same topic, so that Berlin's principal statements on liberty are at last available together in one volume. Finally, in an extended preface and in appendices drawn from Berlin's unpublished writings he exhibits some of the biographical sources of Berlin's lifelong preoccupation with liberalism. These additions help us to grasp the nature of Berlin's 'inner citadel', as he called it - the core of personal conviction from which some of his most influential writing sprang.

This first volume of letters inaugurates a keenly awaited edition of Berlin's letters. Berlin's life was enormously worth living, both for himself and for us; and fortunately he said a great deal to his friends on paper as well as in person. When this volume opens Berlin is eighteen, a pupil at St Paul's School in London. He becomes an undergraduate at Oxford, then a Fellow at All Souls, where he writes his famous biography of Karl Marx. When that is complete he moves to New College to teach philosophy, and after the outbreak of the Second World War sails to America in somewhat mysterious circumstances with Guy Burgess. He stays in the USA, working for the British Government (apart from visits home and his famous trip to the Soviet Union in 1945-6) until July 1946, when he returns to Oxford, and the volume closes.

A New York Times Notable Book of the Year“For anyone wanting to understand the twists and turns of the history of ideas, this book will be indispensable.”―John Gray, New York Times Book ReviewThe Sense of Reality was the last new collection of essays published by Isaiah Berlin in his lifetime. All informed by Berlin’s lifelong fascination with the history of ideas, these engaging studies range widely: the subjects explored include realism in history; judgment in politics; the history of socialism; the nature and impact of Marxism; the radical cultural revolution instigated by the Romantics; Russian notions of artistic commitment; and the origins and practice of nationalism. The title essay, taking its cue from the impossibility of recreating a bygone epoch, is a superb centerpiece. Now with a new foreword by Timothy Snyder and a new appendix comprising a previously unpublished essay on the great Russian critic Vissarion Belinksy and a previously uncollected lecture on utopianism, The Sense of Reality is a rich and illuminating collection from one of the most seductive writers and thinkers of the twentieth century.

The Roots of Romanticism is the long-awaited text of Isaiah Berlin's most celebrated set of lectures, the Mellon Lectures, delivered in Washington in 1965 and heard since by a much wider audience on BBC radio. For Berli, the Romantics set in train a vast, unparalleled revolution in humanity's view of itself. They destroyed the traditional notion of objective truth in ethicsm with incalculable, all-pervasive results. In his unscripted tour de force Berlin surveys the myriad attempts to define romanticism, distils its essence, traces its development, and shows how its legacy permeates our outlook today.

Although Isaiah Berlin liked to say that he left philosophy for the history of ideas after the Second World War, there is a decided continuity between his more purely philosophical writings, most of which are collected in this volume, and the more historical work for which he is better known. Included here are Berlin's early arguments against logical positivism and later essays which more evidently reflect his life-long interest in political theory, intellectual history and the philosophy of history. In two related pieces he gives his view on the philosopher's task, to uncover the various models - the concepts and categories - that we bring to our experience, and that help to form it. In his own words 'The goal of philosophy is always the same, to assist men to understand themselves and thus operate in the open, and not wildly, in the dark.'

'Over a hundred years ago, the German poet Heine warned the French not to underestimate the power of ideas: philosophical concepts nurtured in the stillness of a professor's study could destroy a civilisation' - Isaiah Berlin, Two Concepts of Liberty, 1958.The nineteen essays collected here show Isaiah Berlin at his most lucid: these short, introductory pieces provide the perfect starting point for the reader new to his work. Their linking theme is the crucial social and political role of ideas, and of their progenitors. The subjects vary widely - from philosophy to education, from Russia to Israel, from Marxism to romanticism - and the appositeness of Heine's warning is exemplified on a broad front. The contents include Berlin's last essay - a retrospective autobiographical survey and the classic statement of his Zionist views. As a whole the book exhibits the full range of his expertise, and demonstrates the enormously engaging individuality, as well as the power, of his own ideas.

Berlin's main theme in these essays is the importance in the history of ideas of dissenters whose thinking still challenges conventional wisdom - among them Machiavelli, Vico, Montesquieu, Herzen and Sorel. With his unusual powers of imaginative re-creation, he brings to life original minds that swam against the current of their times, and in the process offers a powerful defence of variety in our visions of life. Roger Hausheer's introduction surveys Berlin's whole oeuvre, and the full bibliography of his pubication has been updated for this Pimlico edition.

Isaiah Berlin's celebrated radio lectures on six formative anti-liberal thinkers were delivered on the BBC's Third Programme in 1952. They are published here for the first time, fifty years on. Freedom and its Betrayal is one of Isaiah Berlin's earliest and most convincing expositions of his views on human freedom and the history of ideas, views which later found expression in such famous works as 'Two Concepts of Liberty', and were at the heart of his lifelong work on the Enlightenment and its critics. In his lucid examinations of sometimes difficult ideas Berlin demonstrates that a balanced understanding and a resilient defence of human liberty depend on learning both from the errors of freedom's alleged defenders and from the dark insights of its avowed antagonists. This book throws light on the early development of Berlin's ideas, and supplements his already published writings with fuller treatments of Helvétius, Rousseau, Fichte, Hegel and Saint-Simon, with the ultra-conservative traditionalist Maistre bringing up the rear. Freedom and its Betrayal shows Berlin at his liveliest and most torrentially spontaneous, testifying to his talents as a teacher of rare brilliance and impact. Listeners tuned in expectantly each week to the broadcasts and found themselves mesmerised by Berlin's astonishingly fluent extempore style. A leading historian of ideas, who was then a schoolboy, records that the lectures 'excited me so much that I sat, for every talk, on the floor beside the wireless, taking notes'. This excitement is at last recreated here for all to share.

Isaiah Berlin's response to the Soviet Union was central to his identity, both personally and intellectually. Born a Russian subject in Riga in 1909, he spoke Russian as a child and witnessed both revolutions in St. Petersburg in 1917, emigrating to the West in 1921. He first returned to Russia in 1945, when he met the writers Anna Akhmatova and Boris Pasternak. These formative encounters helped shape his later work, especially his defense of political freedom and his studies of pre-Soviet Russian thinkers. Never before collected, Berlin's writings about the USSR include his accounts of his famous meetings with Russian writers shortly after the Second World War; the celebrated 1945 Foreign Office memorandum on the state of the arts under Stalin; his account of Stalin's manipulative 'artificial dialectic'; portraits of Osip Mandel´shtam and Boris Pasternak; his survey of Soviet Russian culture written after a visit in 1956; a postscript stimulated by the events of 1989; and more. This collection includes essays that have never been published before, as well as works that are not widely known because they were published under pseudonyms to protect relatives living in Russia. The contents of this book were discussed at a seminar in Oxford in 2003, held under the auspices of the Brookings Institution. Berlin's editor, Henry Hardy, had prepared the essays for collective publication and here recounts their history. In his foreword, Brookings president Strobe Talbott, an expert on the Soviet Union, relates the essays to Berlin's other work. The Soviet Mind will assume its rightful place among Berlin's works and will prove invaluable for policymakers, students, and those interested in Russian politics, past, present and future.

With a revised foreword by Brookings President Strobe Talbott and a new introduction by Berlin’s editor, Henry Hardy.George Kennan, the architect of US policy toward the Soviet Union, called Isaiah Berlin “the patron saint among the commentators of the Russian scene.” In The Soviet Mind, Berlin proves himself fully worthy of that accolade. Although the essays in this book were originally written to explore the tensions between Soviet communism and Russian culture, the thinking about the Russian mind that emerges is as relevant today under Putin’s post-communist Russia as it was when this book first appeared more than a decade ago.This Brookings Classic brings together Berlin’s writings about the Soviet Union. Among the highlights are accounts of Berlin’s meetings with the Russian writers in the aftermath of the war; a celebrated memorandum he wrote for the British Foreign Office in 1945 about the state of the arts under Stalin; Berlin’s account of Stalin’s manipulative “artificial dialectic”; portraits of Pasternak and poet Osip Mandel'shtam; Berlin’s survey of Russian culture based on a visit in 1956; and a postscript reflecting on the fall of the Berlin Wall and other events in 1989.Henry Hardy prepared the essays for publication; his introductory discussions describe their history. In his foreword, revised for this new edition, Brookings’s Strobe Talbott, a long-time expert on Russia and the Soviet Union, relates the essays to Berlin’s other work.The essays and other pieces in The Soviet Mind—which includes a new essay, “Marxist versus Non-Marxist Ideas in Soviet Policy”, and a summary of a talk on communism—represent Berlin at his most brilliant, and are invaluable for policy-makers, students and anyone interested in Russian politics and thought—past, present and future.

With a revised foreword by Brookings President Strobe Talbott and a new introduction by Berlin’s editor, Henry Hardy.George Kennan, the architect of US policy toward the Soviet Union, called Isaiah Berlin “the patron saint among the commentators of the Russian scene.” In The Soviet Mind, Berlin proves himself fully worthy of that accolade. Although the essays in this book were originally written to explore the tensions between Soviet communism and Russian culture, the thinking about the Russian mind that emerges is as relevant today under Putin’s post-communist Russia as it was when this book first appeared more than a decade ago.This Brookings Classic brings together Berlin’s writings about the Soviet Union. Among the highlights are accounts of Berlin’s meetings with the Russian writers in the aftermath of the war; a celebrated memorandum he wrote for the British Foreign Office in 1945 about the state of the arts under Stalin; Berlin’s account of Stalin’s manipulative “artificial dialectic”; portraits of Pasternak and poet Osip Mandel'shtam; Berlin’s survey of Russian culture based on a visit in 1956; and a postscript reflecting on the fall of the Berlin Wall and other events in 1989.Henry Hardy prepared the essays for publication; his introductory discussions describe their history. In his foreword, revised for this new edition, Brookings’s Strobe Talbott, a long-time expert on Russia and the Soviet Union, relates the essays to Berlin’s other work.The essays and other pieces in The Soviet Mind—which includes a new essay, “Marxist versus Non-Marxist Ideas in Soviet Policy”, and a summary of a talk on communism—represent Berlin at his most brilliant, and are invaluable for policy-makers, students and anyone interested in Russian politics and thought—past, present and future.

Isaiah Berlin's response to the Soviet Union was central to his identity, both personally and intellectually. Born a Russian subject in Riga in 1909, he spoke Russian as a child and witnessed both revolutions in St. Petersburg in 1917, emigrating to the West in 1921. He first returned to Russia in 1945, when he met the writers Anna Akhmatova and Boris Pasternak. These formative encounters helped shape his later work, especially his defense of political freedom and his studies of pre-Soviet Russian thinkers. Never before collected, Berlin's writings about the USSR include his accounts of his famous meetings with Russian writers shortly after the Second World War; the celebrated 1945 Foreign Office memorandum on the state of the arts under Stalin; his account of Stalin's manipulative 'artificial dialectic'; portraits of Osip Mandel´shtam and Boris Pasternak; his survey of Soviet Russian culture written after a visit in 1956; a postscript stimulated by the events of 1989; and more. This collection includes essays that have never been published before, as well as works that are not widely known because they were published under pseudonyms to protect relatives living in Russia. The contents of this book were discussed at a seminar in Oxford in 2003, held under the auspices of the Brookings Institution. Berlin's editor, Henry Hardy, had prepared the essays for collective publication and here recounts their history. In his foreword, Brookings president Strobe Talbott, an expert on the Soviet Union, relates the essays to Berlin's other work. The Soviet Mind will assume its rightful place among Berlin's works and will prove invaluable for policymakers, students, and those interested in Russian politics, past, present and future.