Israel Zangwill – författare

The first in a new series of classic detective stories from the vaults of HarperCollins is the world’s first locked-room mystery, a seemingly impossible crime story as powerful as any that have copied the scenario since.“The Detective Story Club”, launched by Collins in 1929, was a clearing house for the best and most ingenious crime stories of the age, chosen by a select committee of experts. Now, almost 90 years later, these books are the classics of the Golden Age, republished at last with the same popular cover designs that appealed to their original readers.Originally published as The Big Bow Mystery in 1891, and re-published by the Detective Club to coincide with a new film version called `The Perfect Crime’, Israel Zangwill’s novel invented the concept of the `locked room mystery’ and influenced almost every crime writer thereafter.`A man is murdered for no apparent reason. He has no enemies and there seemed to be no motive for anyone murdering him. No clues remained and the instrument with which the murder was committed could not be traced. The door of the room in which the body was discovered was locked and bolted on the inside, both windows were latched, and there was no trace of any intruder. The greatest detectives in the land were puzzled. Here indeed was the perfect crime, the work of a master mind. Can you solve the problem which baffled Scotland Yard for so long, until at last the missing link in the chain of evidence was revealed?’This new edition includes a brand new introduction by the Golden Age crime expert, Dr John Curran, author of `Agatha Christie’s Secret Notebooks’.

The first in a new series of classic detective stories from the vaults of HarperCollins is the world’s first locked-room mystery, a seemingly impossible crime story as powerful as any that have copied the scenario since.“The Detective Story Club”, launched by Collins in 1929, was a clearing house for the best and most ingenious crime stories of the age, chosen by a select committee of experts. Now, almost 90 years later, these books are the classics of the Golden Age, republished at last with the same popular cover designs that appealed to their original readers.Originally published as The Big Bow Mystery in 1891, and re-published by the Detective Club to coincide with a new film version called ‘The Perfect Crime’, Israel Zangwill’s novel invented the concept of the ‘locked room mystery’ and influenced almost every crime writer thereafter.‘A man is murdered for no apparent reason. He has no enemies and there seemed to be no motive for anyone murdering him. No clues remained and the instrument with which the murder was committed could not be traced. The door of the room in which the body was discovered was locked and bolted on the inside, both windows were latched, and there was no trace of any intruder. The greatest detectives in the land were puzzled. Here indeed was the perfect crime, the work of a master mind. Can you solve the problem which baffled Scotland Yard for so long, until at last the missing link in the chain of evidence was revealed?’This new edition includes a brand new introduction by the Golden Age crime expert, Dr John Curran, author of ‘Agatha Christie’s Secret Notebooks’.

In its first appearance in 1892, Israel Zangwill's ""Children of the Ghetto"" created a sensation in both England and America, becoming the first Anglo-Jewish bestseller and establishing Zangwill as the literary voice of Anglo-Jewry. A novel set in late-19th-century London, ""Children of the Ghetto"" gave an inside look into an immigrant community that was almost as mysterious to the more established middle-class Jews of Britain as to the non-Jewish population, providing an analysis of a generation caught between the ghetto and modern British life. ""Children of the Ghetto"" remains a landmark work of modern Jewish fiction as well as an essential late Victorian text. As the first Jewish East End novel, the book ignited an important 20th-century genre. In a period that saw the development of the working-class novel and the novel of spiritual malaise, ""Children of the Ghetto"" encompassed both. The novel conveys details of life in the ghetto and explores a spiritual crisis among young Jews at a time when a questioning of beliefs appeared in Christian novels as well. Zangwill's realistic portrayal intrigued middle-class Jews and elicited nostalgia in those who started out in the East End. Although a novel about British Jews, ""Children of the Ghetto"" also found success in the US as the first work of fiction published by the Jewish Publication Society of America. This volume brings back to print the 1895 edition of ""Children of the Ghetto"", the latest American version known to have been corrected by the author. Meri-Jane Rochelson places the novel in proper context by providing a biographical, historical and critical introduction; a bibliography of primary and secondary sources, and notes on the text, making this accessible to both Jewish and non-Jewish readers.

In his historic play ""The Melting Pot"", Israel Zangwill (1864-1926) introduced into our discourse a potent metaphor that for nearly a hundred years has served as a key definition of the United States. The play, enthusiastically espoused by President Theodore Roosevelt, to whom it was dedicated, offered a grand vision of America as a dynamic process of ethnic and racial amalgamation. By his own admission, ""The Melting Pot"" grew out of Zangwill's intense involvement in issues of Jewish immigration and resettlement and was grounded in his interpretation of Jewish history. Zangwill, Anglo Jewry's most renowned writer, began writing seriously for the stage in the late 1890s. At the time, the negative stereotype of the so-called Stage Jew was still deeply entrenched in the theatrical mainstream, so much so that Jewish playwrights writing for the English-language stage avoided altogether the portrayal of Jewish life. Zangwill shattered this silence in 1899 with the American premiere of ""Children of the Ghetto"" - his first full-length drama, and the first English-language play devoted in its entirety to the depiction of Jewish life in an authentic and positive fashion. The play's groundbreaking production drew tremendous attention and generated heated debates, but since the script was never published, the memory of the passions it generated dimmed, and its whereabouts eventually became unknown. After more than a century, theater historian Edna Nahshon has discovered the original manuscript of this milestone text, as well as that of another unpublished Zangwill play, ""The King of Schnorrers"", and the original version of ""The Melting Pot"". Nahshon brings these three works together in print for the first time in ""From the Ghetto to the Melting Pot"". Though written and produced over a period of twenty-five years and not conceived as a trilogy, the three plays are united in this volume by virtue of their shared Jewish subject matter. Read in historical sequence, they take us on a two-hundred-year journey that begins in eighteenth-century London, with its intra-jewish tensions farcically depicted in ""The King of Schnorrers"", then proceeds to the nineteenth-century London Ghetto struggling at a crossroads between tradition and modernity, as portrayed in ""Children of the Ghetto"", and finally reaches the shores of twentieth-century America, where the survivor of a Russian pogrom advocates intermarriage and delivers a messianic gospel of tolerance and racial fusion in ""The Melting Pot"". Edna Nahshon's in-depth introduction to this volume includes a biography of Israel Zangwill that especially pertains to these works and situates them within the Anglo-American theater of the time. The essays preceding each play provide rich and hitherto unknown information on the scripts, their stage productions, and their popular and critical reception. While some issues addressed in ""From the Ghetto to the Melting Pot"" are uniquely Jewish, others are universal and typical of the negotiation of self-presentation by ethnic and minority groups, particularly within the American experience.