J. Bignell – författare

Jonathan Bignell presents a wide-ranging analysis of the television phenomenon of the early twenty-first century: Reality TV, exploring its cultural and political meanings, explaining the genesis of the form and its relationship to contemporary television production, and considering how it connects with, and breaks away from, factual and fictional conventions in television. Relationships with surveillance, celebrity and media culture are examined, leading to an appraisal of the directions that television culture is taking in the new century. His highly-readable style is accessible to readers at all levels of Culture and Media studies.

A collection of essays which debates the past, present and future of British television drama. Writers, producers and television executives reflect on the changing face of TV drama, and academics present case studies on critical approaches, general topics and specific programmes.

Featuring leading scholars of British television drama and noted writers and producers from the television industry, this new edition of British Television Drama evaluates past and present TV fiction since the 1960s, and considers its likely future.

Featuring leading scholars of British television drama and noted writers and producers from the television industry, this new edition of British Television Drama evaluates past and present TV fiction since the 1960s, and considers its likely future.

Featuring leading scholars of British television drama and noted writers and producers from the television industry, this new edition of British Television Drama evaluates past and present TV fiction since the 1960s, and considers its likely future.

Jonathan Bignell presents a wide-ranging analysis of the television phenomenon of the early twenty-first century: Reality TV, exploring its cultural and political meanings, explaining the genesis of the form and its relationship to contemporary television production, and considering how it connects with, and breaks away from, factual and fictional conventions in television. Relationships with surveillance, celebrity and media culture are examined, leading to an appraisal of the directions that television culture is taking in the new century. His highly-readable style is accessible to readers at all levels of Culture and Media studies.