J H Bernard – författare

First of 2 volumes, see [14.] The edition is based on two eleventh-century manuscripts: Dublin, Trinity College, MS 1441 [formerly E.4.2]; and one then in Dublin, Franciscan Friary, Merchant's Quay. This latter MS[Dillon A2] is now in the Franciscan Library, Killiney, County Dublin, whither it was transferred in 1946. The collections to which the MSS bear witness are antiquarian rather than liturgical compilations and probably owe their existence to the drive to safeguard cultural monuments in the aftermath of the Norse invasions. Trinity College 1441 is datable to the 11th Century, but the texts, in Irish and Latin, appear to date from the 5th to the 8th centuries. The edition is presented with extensive notes and a glossary. See Kenney n. 574; CLLA 177; BCLL, nn. 542-564, 578-591.

Second of 2 volumes, see [13]. This volume contains a translation and very full notes. The first edition is based on two eleventh-century manuscripts: Dublin, Trinity College, MS 1441 [formerly E.4.2]; and one then in Dublin, Franciscan Friary, Merchant's Quay. This latter MS[Dillon A2] is now in the Franciscan Library, Killiney, County Dublin, whither it was transferred in 1946. The collections to which the MSS bear witness are antiquarian rather than liturgical compilations and probably owe their existence to the drive to safeguard cultural monuments in the aftermath of the Norse invasions. Trinity College 1441 is datable to the 11th Century, but the texts, in Irish and Latin, appear to date from the 5th to the 8th centuries. The edition is presented with extensive notes and a glossary. See Kenney n. 574; CLLA 177; BCLL, nn. 542-564, 578-591.

The Critique of Judgment, also translated as the Critique of the Power of Judgment and more commonly referred to as the third Critique, is a philosophical work by Immanuel Kant. Critique of Judgment completes the Critical project begun in the Critique of Pure Reason and the Critique of Practical Reason (the first and second Critiques, respectively). The book is divided into two main sections: the Critique of Aesthetic Judgment and the Critique of Teleological Judgment, and also includes a large overview of the entirety of Kant''s Critical system, arranged in its final form. The end result of Kant''s Critical Project is that there are certain fundamental antinomies in human Reason, most particularly that there is a complete inability to favor on the one hand the argument that all behavior and thought is determined by external causes, and on the other that there is an actual "spontaneous" causal principle at work in human behavior. Immanuel Kant (1724-1804) was a German philosopher, who, according to the Stanford Encyclopedia of Philosophy is "the central figure of modern philosophy." Kant argued that fundamental concepts of the human mind structure human experience, that reason is the source of morality, that aesthetics arises from a faculty of disinterested judgment, that space and time are forms of our understanding, and that the world as it is "in-itself" is unknowable. Kant took himself to have effected a Copernican revolution in philosophy, akin to Copernicus'' reversal of the age-old belief that the sun revolved around the earth.

Immanuel Kant''s ''The Critique of Judgment'' is a masterful work that delves into the realm of aesthetics and teleology. In this philosophical treatise, Kant examines the nature of beauty and the role of our judgment in determining aesthetic value. He introduces the concept of the ''judgment of taste'' and explores the relationship between the subjective experience of beauty and the universality of our aesthetic judgments. Kant''s writing is characterized by its precision and clarity, making complex philosophical ideas accessible to readers. This book is a cornerstone in Kant''s critical philosophy, bridging the gap between his earlier works on metaphysics and ethics. The ''Critique of Judgment'' is essential reading for anyone interested in the intersection of aesthetics and philosophy. Kant''s insights continue to influence thinkers in the fields of art, literature, and beyond.