J. Hall – författare

This volume of twelve essays aims to comprehensively represent the abundance and variety of both Heaney's writing and scholarship on Heaney's writing. Attention is given not only to his poetry but also to his translations and his prose. The essays foreground his internationalism and the complementary international interest in his writing.

This volume of twelve essays aims to comprehensively represent the abundance and variety of both Heaney''s writing and scholarship on Heaney''s writing. Attention is given not only to his poetry but also to his translations and his prose. The essays foreground his internationalism and the complementary international interest in his writing.

While glosses on Heaney's verse forms figure more or less in critical accounts of his poetry, this is the first book to take the craft of his art as its focus. Setting out a historically informed approach to poetic form, the book places Heaney's developing versification in the context of mid-century Anglo-American theories of metre and rhythm.

Decadent Poetics explores the complex and vexed topic of decadent literature's formal characteristics and interrogates previously held assumptions around the nature of decadent form. Writers studied include Oscar Wilde, Charles Baudelaire and Algernon Charles Swinburne, as well as A.E. Housman, Arthur Machen and Hubert Crackanthorpe.

Decadent Poetics explores the complex and vexed topic of decadent literature''s formal characteristics and interrogates previously held assumptions around the nature of decadent form. Writers studied include Oscar Wilde, Charles Baudelaire and Algernon Charles Swinburne, as well as A.E. Housman, Arthur Machen and Hubert Crackanthorpe.

This volume of twelve essays aims to comprehensively represent the abundance and variety of both Heaney's writing and scholarship on Heaney's writing. Attention is given not only to his poetry but also to his translations and his prose. The essays foreground his internationalism and the complementary international interest in his writing.

Decadent Poetics explores the complex and vexed topic of decadent literature's formal characteristics and interrogates previously held assumptions around the nature of decadent form. Writers studied include Oscar Wilde, Charles Baudelaire and Algernon Charles Swinburne, as well as A.E. Housman, Arthur Machen and Hubert Crackanthorpe.

This book provides a thoroughly edited text of Antonio Machado's Campos de Castilla, one of twentieth-century Spain's best-loved volumes of poetry. An extensive Introduction offers an in-depth commentary on his themes, techniques and metaphysical manner. In addition to examining the various influences on his work - Krausism, Bergsonism and the '98 Generation's concern for "el problema de Espana" - the Introduction looks closely at Machado's life, especially the years of compisition, 1907-1917, and it traces the critical phases in his poetic development: the discovery of the Castilian landscape in Soria, his growing political consciousness, his personal tragedy as a bereaved husband, his existential meditations in Baeza. Annotations in the form of Endnotes provide additional factual information and clarify points of difficulty in the text.