Jack Self – författare

The Politics of Public Space is a quarterly publication of transcripts that speak directly to the city and the way we read it. The second volume addresses the effects of COVID-19, including the sudden changes in the way we interact and view our public spaces. It contains excerpts from Myria Georgiou, Saskia Sassen, Jack Self, Brooke Holmes, Ian Strange and Alfredo Brillembourg. This publication curates a series of global perspectives as we all come to terms with a new way of life due to the virus. Myria Georgiou observes the emergence of digital solidarity groups throughout the UK as inequalities and vulnerabilities are foregrounded. World-renowned sociologist Saskia Sassen reveals the pervasiveness of power as the fragility of our global connectedness is further disclosed. The true publicness of our cities is revealed in Jack Self’s account of protest and opposition to the political structures. Brooke Holmes depicts an interconnectedness between the health of the city and it’s citizens traced back to antiquity. Australian artist Ian Strange unpacks his understanding of the home as he recounts a decade of practice into the subject. And Venezuelan architect Alfredo Brillembourg calls to arms the architecture profession to deal directly with issues of injustice within the built environment.

The term ''big data'' is virtually ubiquitous in both cultural and technical contexts.The fifth volume of Inflection is an open-ended investigation into how designers are interpreting and countering the prevailing narrative that pushes for greater efficiency and automation using sophisticated data analytics. Feedback gathers a wide range of responses, united by their collective advocacy for a sophisticated understanding of processes, frameworks and ethics.Inflection is a student-run design journal based at the Melbourne School of Design, University of Melbourne. Born from a desire to stimulate debate and generate ideas,it advocates the discursive voice of students, academics and practitioners. Founded in 2013, Inflection is a home for provocative writing—a place to share ideas and engage with contemporary discourse.

The term ''big data'' is virtually ubiquitous in both cultural and technical contexts.The fifth volume of Inflection is an open-ended investigation into how designers are interpreting and countering the prevailing narrative that pushes for greater efficiency and automation using sophisticated data analytics. Feedback gathers a wide range of responses, united by their collective advocacy for a sophisticated understanding of processes, frameworks and ethics.Inflection is a student-run design journal based at the Melbourne School of Design, University of Melbourne. Born from a desire to stimulate debate and generate ideas,it advocates the discursive voice of students, academics and practitioners. Founded in 2013, Inflection is a home for provocative writing—a place to share ideas and engage with contemporary discourse.

A book about modernist architect Mies van der Rohe's only design for the UK, a bronze tower and grand plaza in the heart of London. After decades of struggle, Mies' plans for Mansion House Square were scuppered. In Thatcher's Britain, popular opinion turned against modernism, Prince Charles criticised the work, and the government feared new public spaces. Stopped dead by an Inquiry, and mired in controversy, Mies' masterpiece was all but erased. Mies in London is the first book on this remarkable project, with 160 pages of unseen material. “I want you to go all the way,” Palumbo said. “I want the lot, inside and out. I want door handles, ashtrays, lettershoots. ”“Very well,” Mies replied, “I'll do it. ”