Jackie Stacey – författare

This anthology of new work is the first since Women Take Issue to bring together feminist theory and cultural studies. Continuing the tradition of collective scholarship from the internationally recognised Birmingham school, Off-Centre is a major contribution to recent debates in these areas. The book covers issues of long standing concern, as well as those of new significance - pop culture and the media, science and technology, Thatcherism and the Enterprise Culture. A distinctive interdisciplinary approach holds together the range of topics, and is supplemented by editors' introductions surveying recent developments in feminism and cultural studies. The volume critically addresses the relationship between feminism and cultural studies, arguing for the value of combining these approaches in the analysis of contemporary culture.

Screen Histories: A `Screen' Reader offers a selection of some of the best work on the varied and changing notions of the category `history' in screen studies published in Screen in the last twenty years. The book brings together important work in this area at a time when `history' is an increasingly contested category within academic debate. It includes interventions on the conceptualization of history in studies of screen institutions, technologies, discourses, texts, and audiences. In addition, the varied meanings of the concept of history for film and television studies in both Britain and the USA are represented and fully explored. L The book includes contributions by established scholars in the field and work by new researchers whose work bids fair to shift the entire agenda of screen historiography. It challenges the boundaries conventionally raised between history and other areas of screen study (such as textual analysis and audience ethnography), and indeed between history and theory, and many of the contributions confirm the key role being played by theoretically sophisticated historical work in the development of film and television studies as a whole.

In a historical investigation of the pleasures of cinema, Star Gazing puts female spectators back into theories of spectatorship. Combining film theory with a rich body of ethnographic research, Jackie Stacey investigates how female spectators understood Hollywood stars in the 1940's and 1950's. Her study challenges the universalism of psychoanalytic theories of female spectatorship which have dominated the feminist agenda within film studies for over two decades. Drawing on letters and questionnaires from over three hundred keen cinema-goers, Stacey investigates the significance of certain Hollywood stars in women's memories of wartime and postwar Britain. Three key processes of spectatorship - escapism, identification and consumption - are explored in detail in terms of their multiple and changing meanings for female spectators at this time. Star Gazing demonstrates the importance of cultural and national location for the meanings of female spectatorship, giving a new direction to questions of popular culture and female desire.

Stories of cancer are full of monster and marvels; the monstrousness of the disease and the treatments, the marvels of the cures and the saved lives. Still one of the most dreaded diseases to haunt our imaginations, cancer is more than an illness - it is a cultural phenomenon. People who have cancer are bombarded with competing explanations of their conditions: it is genetically inherited; it is environmentally produced; it is the result of their personality. Teratologies - A Cultural Study of Cancer investigates how this disease is perceived, experienced and theorised in contemporary society. It explores changing beliefs about the causes of, and the cures for, cancer in both biomedicine and its increasingly popular alternative counterparts.Analysing conventional and alternative medical accounts, self-help manuals and patients' personal stories, Jackie Stacey takes a critical look at the place of heroes, metaphors, the self and the body in these competing bids to produce the authoritative definition of the meaning of cancer today. Interspersed with these detailed textual investigations are discussions of broader issues such as the feminist debates about the history of science, the place of consumer culture in health practices and the status of patients and of health professionals in postmodern society.Combining authobiographical narratives with contemporary theoretical debates, the author carves out a specifically feminist analysis of the cultural dimensions of cancer. She brings accounts of her own illness under the critical lens of academic scrutiny and situates these personal stories within a discussion of contemporary cultural change.

Stories of cancer are full of monster and marvels; the monstrousness of the disease and the treatments, the marvels of the cures and the saved lives. Still one of the most dreaded diseases to haunt our imaginations, cancer is more than an illness - it is a cultural phenomenon. People who have cancer are bombarded with competing explanations of their conditions: it is genetically inherited; it is environmentally produced; it is the result of their personality. Teratologies - A Cultural Study of Cancer investigates how this disease is perceived, experienced and theorised in contemporary society. It explores changing beliefs about the causes of, and the cures for, cancer in both biomedicine and its increasingly popular alternative counterparts.Analysing conventional and alternative medical accounts, self-help manuals and patients' personal stories, Jackie Stacey takes a critical look at the place of heroes, metaphors, the self and the body in these competing bids to produce the authoritative definition of the meaning of cancer today. Interspersed with these detailed textual investigations are discussions of broader issues such as the feminist debates about the history of science, the place of consumer culture in health practices and the status of patients and of health professionals in postmodern society.Combining authobiographical narratives with contemporary theoretical debates, the author carves out a specifically feminist analysis of the cultural dimensions of cancer. She brings accounts of her own illness under the critical lens of academic scrutiny and situates these personal stories within a discussion of contemporary cultural change.

This exciting collection of work from leading feminist scholars including Elspeth Probyn, Penelope Deutscher and Chantal Nadeau engages with and extends the growing feminist literature on lived and imagined embodiment and argues for consideration of the skin as a site where bodies take form - already written upon but open to endless re-inscription.Individual chapters consider such issues as the significance of piercing, tattooing and tanning, the assault of self harm upon the skin, the relation between body painting and the land among the indigenous people of Australia and the cultural economy of fur in Canada. Pierced, mutilated and marked, mortified and glorified, scarred by disease and stretched and enveloping the skin of another in pregnancy, skin is seen here as both a boundary and a point of connection - the place where one touches and is touched by others; both the most private of experiences and the most public marker of a raced, sexed and national history.

This exciting collection of work from leading feminist scholars including Elspeth Probyn, Penelope Deutscher and Chantal Nadeau engages with and extends the growing feminist literature on lived and imagined embodiment and argues for consideration of the skin as a site where bodies take form - already written upon but open to endless re-inscription.Individual chapters consider such issues as the significance of piercing, tattooing and tanning, the assault of self harm upon the skin, the relation between body painting and the land among the indigenous people of Australia and the cultural economy of fur in Canada. Pierced, mutilated and marked, mortified and glorified, scarred by disease and stretched and enveloping the skin of another in pregnancy, skin is seen here as both a boundary and a point of connection - the place where one touches and is touched by others; both the most private of experiences and the most public marker of a raced, sexed and national history.

Queer Screen: A Screen Reader brings together a selection of key articles on queer cinema published over the past two decades in the internationally renowned journal, Screen, with new introductory editorial material from Jackie Stacey and Sarah Street.Queer Screen features scholarship which has contributed to the emergence of queer theory in the field of screen studies during the last fifteen years, demonstrating how writers in Screen have contributed to developments in queer theory as it relates to a wide range of popular and experimental films and videos. The book considers a wide range of case studies including popular films such as Boys Don’t Cry, Alien Resurrection, Brief Encounter, Bound, and Rope, as well as experimental films and videos by artists such as Richard Fung, Ulrike Ottinger, Sheila McLaughlin and Derek Jarman.

Queer Screen: A Screen Reader brings together a selection of key articles on queer cinema published over the past two decades in the internationally renowned journal, Screen, with new introductory editorial material from Jackie Stacey and Sarah Street.Queer Screen features scholarship which has contributed to the emergence of queer theory in the field of screen studies during the last fifteen years, demonstrating how writers in Screen have contributed to developments in queer theory as it relates to a wide range of popular and experimental films and videos. The book considers a wide range of case studies including popular films such as Boys Don’t Cry, Alien Resurrection, Brief Encounter, Bound, and Rope, as well as experimental films and videos by artists such as Richard Fung, Ulrike Ottinger, Sheila McLaughlin and Derek Jarman.

Writing otherwise is a collection of essays by established feminist and cultural critics interested in experimenting with new styles of expression. Leading figures in their field, such as Marianne Hirsch, Lynne Pearce, Griselda Pollock, Carol Smart, Jackie Stacey and Janet Wolff, all risk new ways of writing about themselves and their subjects. Aimed at both general and academic readers interested in how scholarly writing might be more innovative and creative, this collection introduces the personal, the poetic and the experimental into the frame of cultural criticism. This collection of essays is highly interdisciplinary and contributes to debates in sociology, history, anthropology, art history, cultural and media studies and gender studies.

Addresses issues of concern in the area of women's studies, aiming to offer fresh perspectives on sexuality, paid work, the development process, equal opportunities legislation, lesbian history and women's writing. The book is also concerned with the politics and practice of women's studies.

Addresses issues of concern in the area of women's studies, aiming to offer fresh perspectives on sexuality, paid work, the development process, equal opportunities legislation, lesbian history and women's writing. The book is also concerned with the politics and practice of women's studies.

`An excellent book. The authors have the rare capacity to handle popular culture and case studies in a theoretically informed manner. Original and well researched' - Mike Featherstone, Nottingham Trent University

Understandings of globalization have been little explored in relation to gender or related concerns such as identity, subjectivity and the body. This book contrasts `the natural' and `the global' as interpretive strategies, using approaches from feminist cultural theory. The book begins by introducing the central themes: ideas of the natural; questions of scale and context posed by globalization and their relation to forms of cultural production; the transformation of genealogy; and the emergence of interest in definitions of life and life forms. The authors explores these questions through a number of case studies including Benneton advertising, Jurassic Park, The Body Shop, British Airways, Monsanto and Dolly the Sheep. In order to respecify the `nature, culture and gender' concerns of two decades of feminist theory, this highly original book reflects, hypothesizes and develops new interpretive possibilities within established feminist analytical frames.

`An excellent book. The authors have the rare capacity to handle popular culture and case studies in a theoretically informed manner. Original and well researched' - Mike Featherstone, Nottingham Trent University

Understandings of globalization have been little explored in relation to gender or related concerns such as identity, subjectivity and the body. This book contrasts `the natural' and `the global' as interpretive strategies, using approaches from feminist cultural theory. The book begins by introducing the central themes: ideas of the natural; questions of scale and context posed by globalization and their relation to forms of cultural production; the transformation of genealogy; and the emergence of interest in definitions of life and life forms. The authors explores these questions through a number of case studies including Benneton advertising, Jurassic Park, The Body Shop, British Airways, Monsanto and Dolly the Sheep. In order to respecify the `nature, culture and gender' concerns of two decades of feminist theory, this highly original book reflects, hypothesizes and develops new interpretive possibilities within established feminist analytical frames.

After decades of feminism and deconstruction, romance remains firmly in place as a central preoccupation in the lives of most women. Divorce rates skyrocket, the traditional family is challenged from all sides, and yet romance seems indestructible. In terms of its cultural representation, the popularity of romance also appears unchallenged. Popular fiction, Hollywood cinema, television soap-operas, and the media in general all display a seemingly bottomless appetite for romantic subjects. The trappings of classic romance--white weddings, love songs, Valentine's Day--are as commercially viable as ever. In this anthology of original essays, romance is revisited from a wide spectrum of perspectives, not just in fiction and film but in a whole range of cultural phenomena. Essays range over such issues as Valentine's Day, interracial relationships, medieval erotic visions and modern romance fiction, the relationship between the lesbian poet H.D. and Bryher, the pervasive whiteness of romantic desire, lesbian erotica in the age of AIDS, and the public romance of Charles and Diana.

After decades of feminism and deconstruction, romance remains firmly in place as a central preoccupation in the lives of most women. Divorce rates skyrocket, the traditional family is challenged from all sides, and yet romance seems indestructible. In terms of its cultural representation, the popularity of romance also appears unchallenged. Popular fiction, Hollywood cinema, television soap-operas, and the media in general all display a seemingly bottomless appetite for romantic subjects. The trappings of classic romance--white weddings, love songs, Valentine's Day--are as commercially viable as ever. In this anthology of original essays, romance is revisited from a wide spectrum of perspectives, not just in fiction and film but in a whole range of cultural phenomena. Essays range over such issues as Valentine's Day, interracial relationships, medieval erotic visions and modern romance fiction, the relationship between the lesbian poet H.D. and Bryher, the pervasive whiteness of romantic desire, lesbian erotica in the age of AIDS, and the public romance of Charles and Diana.

What might the cinema tell us about how and why the prospect of cloning disturbs our most profound ideas about gender, sexuality, difference, and the body? In The Cinematic Life of the Gene, the pioneering feminist film theorist Jackie Stacey argues that as a cultural technology of imitation, cinema is uniquely situated to help us theorize “the genetic imaginary,” the constellation of fantasies that genetic engineering provokes. Since the mid-1990s there has been remarkable innovation in genetic engineering and a proliferation of films structured by anxieties about the changing meanings of biological and cultural reproduction. Bringing analyses of several of these films into dialogue with contemporary cultural theory, Stacey demonstrates how the cinema animates the tropes and enacts the fears at the heart of our genetic imaginary. She engages with film theory; queer theories of desire, embodiment, and kinship; psychoanalytic theories of subject formation; and debates about the reproducibility of the image and the shift from analog to digital technologies.Stacey examines the body-horror movies Alien: Resurrection and Species in light of Jean Baudrillard’s apocalyptic proclamations about cloning and “the hell of the same,” and she considers the art-house thrillers Gattaca and Code 46 in relation to ideas about imitation, including feminist theories of masquerade, postcolonial conceptualizations of mimicry, and queer notions of impersonation. Turning to Teknolust and Genetic Admiration, independent films by feminist directors, she extends Walter Benjamin’s theory of aura to draw an analogy between the replication of biological information and the reproducibility of the art object. Stacey suggests new ways to think about those who are not what they appear to be, the problem of determining identity in a world of artificiality, and the loss of singularity amid unchecked replication.

After decades of feminism and deconstruction, romance remains firmly in place as a central preoccupation in the lives of most women. Romance is still the most compelling discourse by which any one of us is inscribed. This critical collection revisits romance across the disciplines, not just in fiction and film, but in a whole range of cultural phenomena. Essays range over such issues as the royal marriage, Valentine's Day, inter-racial relationships and the romance of the scientific quest. All kinds of relationships are brought under the lens of feminist cultural theory, from sex and the single nun to Yukio Mishima, from snuglet puglet to safer sex. Lynne Pearce is the author of "Feminism and the Politics of Reading". Jackie Stacey is the author of "Star Gazing and Female Spectatorship".

In a historical investigation of the pleasures of cinema, Star Gazing puts female spectators back into theories of spectatorship. Combining film theory with a rich body of ethnographic research, Jackie Stacey investigates how female spectators understood Hollywood stars in the 1940's and 1950's. Her study challenges the universalism of psychoanalytic theories of female spectatorship which have dominated the feminist agenda within film studies for over two decades. Drawing on letters and questionnaires from over three hundred keen cinema-goers, Stacey investigates the significance of certain Hollywood stars in women's memories of wartime and postwar Britain. Three key processes of spectatorship - escapism, identification and consumption - are explored in detail in terms of their multiple and changing meanings for female spectators at this time. Star Gazing demonstrates the importance of cultural and national location for the meanings of female spectatorship, giving a new direction to questions of popular culture and female desire.

This indispensible collection brings together feminist theory and cultural studies, looking at issues such as pop culture and the media, science and technology, and Thatcherism and the Enterprise Culture.