Jackson R. Bryer – författare
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39 produkter
39 produkter
Häftad, Engelska, 2017
309 kr
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E-bok
Engelska, 2010122 kr
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Spanning his entire life, The Selected Letters of Thornton Wilder is a comprehensive and fascinating collection of the great American writer’s correspondence.
The author of such classics as Our Town and The Bridge of San Luis Rey, Thornton Wilder was a born storyteller and dramatist—rare talents on glorious display in this volume of more than three hundred letters he penned to a vast array of famous friends and beloved relatives. Through Wilder''s correspondence, readers can eavesdrop on his conversations with Ernest Hemingway, F. Scott Fitzgerald, Gertrude Stein, Noël Coward, Gene Tunney, Laurence Olivier, Aaron Copland, Paul Hindemith, Leonard Bernstein, Edward Albee, and Mia Farrow. Equally absorbing are Wilder''s intimate letters to his family.
Wilder tells of roller-skating with Walt Disney, remembers an inaugural reception for FDR at the White House, describes his life as a soldier in two World Wars, and recalls dining out with Montgomery Clift and Elizabeth Taylor. In these pages, Thornton Wilder speaks for himself in his own unique, enduring voice—informing, encouraging, instructing, and entertaining with his characteristic wit, heart, and exuberance.
E-bok
Engelska, 2009103 kr
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''to write it took three months; to conceive it - three minutes; to collect the data in it - all my life'' F. Scott Fitzgerald''s first novel, This Side of Paradise tells the story of Amory Blaine as he grows from pampered childhood to young adulthood, and learns to know himself better. At Princeton he becomes a literary aesthete and makes friends with other aspiring writers. As he moves out into the world and tries to find his true direction he falls in love with a succession of beautiful young women. Youthful exuberance and immaturity give way to disillusion and disappointment as Amory confronts the realities of life. A thinly disguised account of Fitzgerald''s own Princeton years, the novel''s frank description of Amory''s love affairs shocked and delighted its first readers, and the book was an immediate success. Brilliant and original in style and structure, it was a spectacular launching for Fitzgerald''s career, and instantly stamped him as the bard of the Jazz Age. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
E-bok
PDF, Engelska, 200999 kr
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''to write it took three months; to conceive it - three minutes; to collect the data in it - all my life'' F. Scott Fitzgerald''s first novel, This Side of Paradise tells the story of Amory Blaine as he grows from pampered childhood to young adulthood, and learns to know himself better. At Princeton he becomes a literary aesthete and makes friends with other aspiring writers. As he moves out into the world and tries to find his true direction he falls in love with a succession of beautiful young women. Youthful exuberance and immaturity give way to disillusion and disappointment as Amory confronts the realities of life. A thinly disguised account of Fitzgerald''s own Princeton years, the novel''s frank description of Amory''s love affairs shocked and delighted its first readers, and the book was an immediate success. Brilliant and original in style and structure, it was a spectacular launching for Fitzgerald''s career, and instantly stamped him as the bard of the Jazz Age. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Inbunden, Engelska, 1983
966 kr
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Product information not available.
Häftad, Engelska, 1973
495 kr
Skickas inom 5-8 vardagar
Häftad, Engelska, 2003
171 kr
Skickas
____________________‘A superbly edited and evocatively illustrated collection that brings together everything that Scott wrote to his wife' - Sunday Telegraph'Heartbreaking ... Love has seldom seemed more poignant' - Sunday Times'Excellent ... the correspondence speaks for itself and the editors allow readers to draw their own conclusions' - Daily Telegraph____________________Through his alcoholism and her mental illness, his career highs (and lows) and her institutional confinement, Scott and Zelda Fitzgerald's devotion to each other endured for more than twenty-two years. Now, for the first time, the story of the love of these two glamorous and hugely talented writers can be given in their own letters. Introduced by an extensive narrative of the Fitzgeralds' marriage, the 333 letters - three-quarters of them previously unpublished or out of print - have been edited by the noted Fitzgerald scholars, Jackson R. Bryer and Cathy W. Barks. They are illustrated throughout with a generous selection of familiar and unpublished photographs.
Häftad, Engelska, 2014
526 kr
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William Inge's popular plays of the 1950s received Tony nominations (Bus Stop, 1956, and Dark at the Top of the Stairs, 1958) and won a Pulitzer Prize (Picnic, 1953). As a screenwriter, he won an Academy Award (Splendor in the Grass, 1961). Yet Inge's career ended in perceived failure, depression and finally suicide. These previously unpublished essays take a fresh look at some of his most popular work, as well as his less well-known later plays. Inge's work was often ahead of its time, and foreshadowed the influence of popular media and advertising, the sexual revolution and the women's movement. The essays give context for Inge's work within 20th-century American drama, and attest to his exceptional talent. Included are reminiscences which reveal the playwright's charm and generosity, and shed light on how a brilliant, troubled man eventually took his own life.
Inbunden, Engelska, 2013
1 142 kr
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The essays in Thornton Wilder: New Perspectives constitute a comprehensive critical reassessment at a time of renewed interest in the writer. Wilder is best known for Our Town and The Bridge of San Luis Rey, both winners of a Pulitzer Prize, making Wilder still the only writer to be so honored for both drama and fiction. His other fiction, in particular, is far less familiar to a wider readership. The authors of these essays aim to contextualize Wilder’s work historically and to show that Wilder’s handling of questions of religion, American identity, gender, and ethics should vault him into the ranks of major American novelists. Specifically, this anthology includes groundbreaking work on the application of queer theory to Our Town; on Wilder’s screenplay for the Alfred Hitchcock film Shadow of a Doubt; and on Wilder’s adaptations of Ibsen’s A Doll’s House, Farquhar’s The Beaux’ Stratagem, and his own The Long Christmas Dinner.
Häftad, Engelska, 2005
571 kr
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Musical theater has captivated American audiences from its early roots in burlesque stage productions and minstrel shows to the million-dollar industry it has become on Broadway today. What is it about this truly indigenous American art form that has made it so enduringly popular? How has it survived, even thrived, alongside the technology of film and the glitz and glamour of Hollywood? Will it continue to evolve and leave its mark on the twenty-first century?Bringing together exclusive and previously unpublished interviews with nineteen leading composers, lyricists, librettists, directors, choreographers, and producers from the mid-1900s to the present, this book details the careers of the individuals who shaped this popular performance art during its most prolific period. The interviewees discuss their roles in productions ranging from On the Town (1944) and Finian's Rainbow (1947) to The Producers (2001) and Bounce (2003).Readers are taken onto the stage, into the rehearsals, and behind the scenes. The nuts and bolts, the alchemy, and the occasional agonies of the collaborative process are all explored. In their discussions, the artists detail their engagements with other creative forces, including such major talents as Leonard Bernstein, Jerome Robbins, Bob Fosse, Liza Minnelli, Judy Garland, Barbra Streisand, Jule Styne, Richard Rodgers and Oscar Hammerstein, Alan Jay Lerner, Zero Mostel, and Gwen Verdon. They speak candidly about their own work and that of their peers, their successes and failures, the creative process, and how a show progresses from its conception through rehearsals and tryouts to opening night.Taken together, these interviews give fresh insight into what Oscar Hammerstein called "a nightly miracle"-the creation of the American musical.
Inbunden, Engelska, 2010
1 079 kr
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Häftad, Engelska, 2012
496 kr
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This thought-provoking collection explores significant new facets of an American author of lasting international stature. As the author of some of the most compelling short stories ever written, two of the central novels in American literature, and some of the most beautiful prose ever penned, F. Scott Fitzgerald is read and studied all over the world. Sixty-two years after his death, his works - protean, provocative, multilayered, and rich - continue to elicit spirited responses. This collection grew out of the F. Scott Fitzgerald Conference that convened in Princeton at the centennial of this author's birth. Bringing together dozens of the world's leading scholars and commentators, the conference and the book celebrate the ever-growing legacy of Fitzgerald's art. The subjects of these 19 essays reflect the contributors' wish to shine new light on less-frequently discussed aspects of Fitzgerald's work. Topics include Fitzgerald's Princeton influences and his expression of Catholic romanticism; his treatments of youth culture, the devil, and waste; parallels in the work of Mencken, Cather, and Murakami; and the ways gender, pastoral mode, humor, and the Civil War are variously presented in his work. One illustrated summary examines Fitzgerald's effect on popular culture through his appearance in the comics. Two broad overviews - one on Fitzgerald's career and another on the final developments in the author's style - round out the collection. The international scope of the contributors to this volume reflects Fitzgerald's worldwide reputation and appeal. With extensive treatments of This Side of Paradise, The Beautiful and Damned, The Last Tycoon, and the Pat Hobby stories, this collection makes an unusual and significant contribution to the field of Fitzgerald studies.
E-bok
Engelska, 2013845 kr
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This thought-provoking collection explores significant new facets of an American author of lasting international stature. “Edited by three eminent Fitzgerald scholars, this fine book comprises nineteen incisive and provocative essays (most written for this collection) by . . . well-known Fitzgerald critics. The content is as varied as the international origins of its authors.” —Choice
As the author of some of the most compelling short stories ever written, two of the central novels in American literature, and some of the most beautiful prose ever penned, F. Scott Fitzgerald is read and studied all over the world. Sixty-two years after his death, his works—protean, provocative, multilayered, and rich—continue to elicit spirited responses. This collection grew out of the F. Scott Fitzgerald Conference that convened in Princeton at the centennial of this author''s birth. Bringing together dozens of the world''s leading scholars and commentators, the conference and the book celebrate the ever-growing legacy of Fitzgerald''s art.
The subjects of these 19 essays reflect the contributors'' wish to shine new light on less-frequently discussed aspects of Fitzgerald''s work. Topics include Fitzgerald''s Princeton influences and his expression of Catholic romanticism; his treatments of youth culture, the devil, and waste; parallels in the work of Mencken, Cather, and Murakami; and the ways gender, pastoral mode, humor, and the Civil War are variously presented in his work. One illustrated summary examines Fitzgerald''s effect on popular culture through his appearance in the comics. Two broad overviews—one on Fitzgerald''s career and another on the final developments in the author''s style—round out the collection.
The international scope of the contributors to this volume reflects Fitzgerald''s worldwide reputation and appeal. With extensive treatments of This Side of Paradise, The Beautiful and Damned, The Last Tycoon, and the Pat Hobby stories, this collection makes an unusual and significant contribution to the field of Fitzgerald studies.
Häftad, Engelska, 2004
572 kr
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Years after his death, F. Scott Fitzgerald continues to captivate both the popular and the critical imagination. This collection of essays presents fresh insights into his writing, discussing neglected texts and approaching familiar works from new perspectives.Seventeen scholarly articles deal not only with Fitzgerald's novels but with his stories and essays as well, considering such topics as the Roman Catholic background of The Beautiful and Damned and the influence of Mark Twain on Fitzgerald's work and self-conception. The volume also features four personal essays by Fitzgerald's friends Budd Schulberg, Frances Kroll Ring, publisher Charles Scribner III, and writer George Garrett that shed new light on his personal and professional lives. Together these contributions demonstrate the continued vitality of Fitzgerald's work and establish new directions for ongoing discussions of his life and writing.
Häftad, Engelska, 1986
375 kr
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This volume includes twenty-six conversations with Lillian Hellman, ranging from early newspaper interviews on the occasions of the Broadway openings of her plays through extended talks with her which appears in the Paris Review, Esquire, and Rolling Stone, down to her last interviews in the early 1980s.In all these interviews, Miss Hellman gives her own account of her eventful and exciting life, her evaluations and analyses of her plays and accounts of how and why they came to be written. Throughout, her views are expressed with the pungency, directness, honesty, and wit which made Lillian Hellman such a universally admired and respected figure.Hellman was seldom far from where the action was. The controversies in which she was involved are equaled only by the honors she received. This volume supplements her own memories by providing her own account of her life as she lived it--rather than from the vantage of the late 1960s and 1970s when she composed the memoirs.
Häftad, Engelska, 1992
375 kr
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Known today primarily as the author of Our Town, probably America's most beloved and widely produced play, Thornton Wilder is the only writer ever to be honored with Pulitzer Prizes in both fiction and drama. This collection of interviews with Wilder covers the full range of his sixty-year career as one of America's leading men of letters. In addition to American interviews, this book includes translations of interviews published originally in French and German that have never appeared in English previously. It includes a transcription of a rare radio interview conducted by Rex Stout and an extensive Paris Review conversation between Wilder and Richard H. Goldston, his first biographer. Throughout this book is a sense of Wilder's boundless curiosity, his wit, his unflagging energy, his friendships with a range of celebrities such as Gertrude Stein, Ernest Hemingway, and Gene Tunney, and above all, the multitude of subjects on which he conversed easily and brilliantly. Conversations with Thornton Wilder provides a close-up encounter with Wilder as novelist, playwright, actor, director, teacher, scholar, world traveler, musician, raconteur, and friend of the famous. The earliest interview included was given in 1928, when his most acclaimed and commercially successful novel, The Bridge at San Luis Rey, won him his first Pulitzer Prize. From the 1930s and 1940s come Wilder's comments on his two celebrated plays, Our Town and The Skin of Our Teeth, both Pulitzer winners. In the last three decades of his life, Wilder returned to the novel form (The Eighth Day won the National Book Award) while continuing to write plays and to give his opinions on theater-in-the-round, the hippie movement, movies and television, and Communism.
Inbunden, Engelska, 2019
1 414 kr
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Neil Simon (1927–2018) began as a writer for some of the leading comedians of the day—including Jackie Gleason, Red Buttons, Phil Silvers, and Jerry Lewis—and he wrote for fabled television programs alongside a group of writers that included Mel Brooks, Woody Allen, Larry Gelbart, Michael Stewart, and Sid Caesar. After television, Simon embarked on a playwriting career. In the next four decades he saw twenty-eight of his plays and five musicals produced on Broadway. Thirteen of those plays and three of the musicals ran for more than five hundred performances. He was even more widely known for his screenplays—some twenty-five in all. Yet, despite this success, it was not until his BB Trilogy—Brighton Beach Memoirs, Biloxi Blues, and Broadway Bound—that critics and scholars began to take Simon seriously as a literary figure. This change in perspective culminated in 1991 when his play Lost in Yonkers won the Pulitzer Prize for Drama.In the twenty-two interviews included in Conversations with Neil Simon, Simon talks candidly about what it was like to write commercially successful plays that were dismissed by critics and scholars. He also speaks at length about the differences between writing for television, for the stage, and for film. He speaks openly and often revealingly about his relationships with, among many others, Mike Nichols, Walter Matthau, Sid Caesar, and Jack Lemmon. Above all, these interviews reveal Neil Simon as a writer who thought long and intelligently about creating for stage, film, and television, and about dealing with serious Subjects in a comic mode. In so doing, Conversations with Neil Simon compels us to recognize Neil Simon’s genius.
Häftad, Engelska, 2019
375 kr
Skickas inom 10-15 vardagar
Neil Simon (1927–2018) began as a writer for some of the leading comedians of the day—including Jackie Gleason, Red Buttons, Phil Silvers, and Jerry Lewis—and he wrote for fabled television programs alongside a group of writers that included Mel Brooks, Woody Allen, Larry Gelbart, Michael Stewart, and Sid Caesar. After television, Simon embarked on a playwriting career. In the next four decades he saw twenty-eight of his plays and five musicals produced on Broadway. Thirteen of those plays and three of the musicals ran for more than five hundred performances. He was even more widely known for his screenplays—some twenty-five in all. Yet, despite this success, it was not until his BB Trilogy—Brighton Beach Memoirs, Biloxi Blues, and Broadway Bound—that critics and scholars began to take Simon seriously as a literary figure. This change in perspective culminated in 1991 when his play Lost in Yonkers won the Pulitzer Prize for Drama.In the twenty-two interviews included in Conversations with Neil Simon, Simon talks candidly about what it was like to write commercially successful plays that were dismissed by critics and scholars. He also speaks at length about the differences between writing for television, for the stage, and for film. He speaks openly and often revealingly about his relationships with, among many others, Mike Nichols, Walter Matthau, Sid Caesar, and Jack Lemmon. Above all, these interviews reveal Neil Simon as a writer who thought long and intelligently about creating for stage, film, and television, and about dealing with serious Subjects in a comic mode. In so doing, Conversations with Neil Simon compels us to recognize Neil Simon’s genius.
E-bok
Engelska, 2019370 kr
Läs direkt efter köp
Neil Simon (1927–2018) began as a writer for some of the leading comedians of the day—including Jackie Gleason, Red Buttons, Phil Silvers, and Jerry Lewis—and he wrote for fabled television programs alongside a group of writers that included Mel Brooks, Woody Allen, Larry Gelbart, Michael Stewart, and Sid Caesar. After television, Simon embarked on a playwriting career. In the next four decades he saw twenty-eight of his plays and five musicals produced on Broadway. Thirteen of those plays and three of the musicals ran for more than five hundred performances. He was even more widely known for his screenplays—some twenty-five in all. Yet, despite this success, it was not until his BB Trilogy—Brighton Beach Memoirs, Biloxi Blues, and Broadway Bound—that critics and scholars began to take Simon seriously as a literary figure. This change in perspective culminated in 1991 when his play Lost in Yonkers won the Pulitzer Prize for Drama. In the twenty-two interviews included in Conversations with Neil Simon, Simon talks candidly about what it was like to write commercially successful plays that were dismissed by critics and scholars. He also speaks at length about the differences between writing for television, for the stage, and for film. He speaks openly and often revealingly about his relationships with, among many others, Mike Nichols, Walter Matthau, Sid Caesar, and Jack Lemmon. Above all, these interviews reveal Neil Simon as a writer who thought long and intelligently about creating for stage, film, and television, and about dealing with serious subjects in a comic mode. In so doing, Conversations with Neil Simon compels us to recognize Neil Simon’s genius.
E-bok
PDF, Engelska, 2019370 kr
Läs direkt efter köp
Neil Simon (1927–2018) began as a writer for some of the leading comedians of the day—including Jackie Gleason, Red Buttons, Phil Silvers, and Jerry Lewis—and he wrote for fabled television programs alongside a group of writers that included Mel Brooks, Woody Allen, Larry Gelbart, Michael Stewart, and Sid Caesar. After television, Simon embarked on a playwriting career. In the next four decades he saw twenty-eight of his plays and five musicals produced on Broadway. Thirteen of those plays and three of the musicals ran for more than five hundred performances. He was even more widely known for his screenplays—some twenty-five in all. Yet, despite this success, it was not until his BB Trilogy—Brighton Beach Memoirs, Biloxi Blues, and Broadway Bound—that critics and scholars began to take Simon seriously as a literary figure. This change in perspective culminated in 1991 when his play Lost in Yonkers won the Pulitzer Prize for Drama. In the twenty-two interviews included in Conversations with Neil Simon, Simon talks candidly about what it was like to write commercially successful plays that were dismissed by critics and scholars. He also speaks at length about the differences between writing for television, for the stage, and for film. He speaks openly and often revealingly about his relationships with, among many others, Mike Nichols, Walter Matthau, Sid Caesar, and Jack Lemmon. Above all, these interviews reveal Neil Simon as a writer who thought long and intelligently about creating for stage, film, and television, and about dealing with serious subjects in a comic mode. In so doing, Conversations with Neil Simon compels us to recognize Neil Simon’s genius.
Inbunden, Engelska, 2021
1 414 kr
Skickas inom 10-15 vardagar
A prolific playwright, Sam Shepard (1943–2017) wrote fifty-six produced plays, for which he won many awards, including a Pulitzer Prize. He was also a compelling, Oscar-nominated film actor, appearing in scores of films. Shepard also published eight books of prose and poetry and was a director (directing the premiere productions of ten of his plays as well as two films); a musician (a drummer in three rock bands); a horseman; and a plain-spoken intellectual. The famously private Shepard gave a significant number of interviews over the course of his public life, and the interviewers who respected his boundaries found him to be generous with his time and forthcoming on a wide range of topics.The selected interviews in Conversations with Sam Shepard begin in 1969 when Shepard, already a multiple Obie winner, was twenty-six and end in 2016, eighteen months before his death from complications of ALS at age seventy-three. In the interim, the voice, the writer, and the man evolved, but there are themes that echo throughout these conversations: the indelibility of family; his respect for stage acting versus what he saw as far easier film acting; and the importance of music to his work. He also speaks candidly of his youth in California, his early days as a playwright in New York City, his professionally formative time in London, his interests and influences, the mythology of the American Dream, his own plays, and more. In Conversations with Sam Shepard, the playwright reveals himself in his own words.
Häftad, Engelska, 2021
370 kr
Skickas inom 5-8 vardagar
A prolific playwright, Sam Shepard (1943–2017) wrote fifty-six produced plays, for which he won many awards, including a Pulitzer Prize. He was also a compelling, Oscar-nominated film actor, appearing in scores of films. Shepard also published eight books of prose and poetry and was a director (directing the premiere productions of ten of his plays as well as two films); a musician (a drummer in three rock bands); a horseman; and a plain-spoken intellectual. The famously private Shepard gave a significant number of interviews over the course of his public life, and the interviewers who respected his boundaries found him to be generous with his time and forthcoming on a wide range of topics.The selected interviews in Conversations with Sam Shepard begin in 1969 when Shepard, already a multiple Obie winner, was twenty-six and end in 2016, eighteen months before his death from complications of ALS at age seventy-three. In the interim, the voice, the writer, and the man evolved, but there are themes that echo throughout these conversations: the indelibility of family; his respect for stage acting versus what he saw as far easier film acting; and the importance of music to his work. He also speaks candidly of his youth in California, his early days as a playwright in New York City, his professionally formative time in London, his interests and influences, the mythology of the American Dream, his own plays, and more. In Conversations with Sam Shepard, the playwright reveals himself in his own words.
E-bok
Engelska, 2021370 kr
Läs direkt efter köp
A prolific playwright, Sam Shepard (1943–2017) wrote fifty-six produced plays, for which he won many awards, including a Pulitzer Prize. He was also a compelling, Oscar-nominated film actor, appearing in scores of films. Shepard also published eight books of prose and poetry and was a director (directing the premiere productions of ten of his plays as well as two films); a musician (a drummer in three rock bands); a horseman; and a plain-spoken intellectual. The famously private Shepard gave a significant number of interviews over the course of his public life, and the interviewers who respected his boundaries found him to be generous with his time and forthcoming on a wide range of topics. The selected interviews in Conversations with Sam Shepard begin in 1969 when Shepard, already a multiple Obie winner, was twenty-six and end in 2016, eighteen months before his death from complications of ALS at age seventy-three. In the interim, the voice, the writer, and the man evolved, but there are themes that echo throughout these conversations: the indelibility of family; his respect for stage acting versus what he saw as far easier film acting; and the importance of music to his work. He also speaks candidly of his youth in California, his early days as a playwright in New York City, his professionally formative time in London, his interests and influences, the mythology of the American Dream, his own plays, and more. In Conversations with Sam Shepard, the playwright reveals himself in his own words.
E-bok
PDF, Engelska, 2021370 kr
Läs direkt efter köp
A prolific playwright, Sam Shepard (1943–2017) wrote fifty-six produced plays, for which he won many awards, including a Pulitzer Prize. He was also a compelling, Oscar-nominated film actor, appearing in scores of films. Shepard also published eight books of prose and poetry and was a director (directing the premiere productions of ten of his plays as well as two films); a musician (a drummer in three rock bands); a horseman; and a plain-spoken intellectual. The famously private Shepard gave a significant number of interviews over the course of his public life, and the interviewers who respected his boundaries found him to be generous with his time and forthcoming on a wide range of topics. The selected interviews in Conversations with Sam Shepard begin in 1969 when Shepard, already a multiple Obie winner, was twenty-six and end in 2016, eighteen months before his death from complications of ALS at age seventy-three. In the interim, the voice, the writer, and the man evolved, but there are themes that echo throughout these conversations: the indelibility of family; his respect for stage acting versus what he saw as far easier film acting; and the importance of music to his work. He also speaks candidly of his youth in California, his early days as a playwright in New York City, his professionally formative time in London, his interests and influences, the mythology of the American Dream, his own plays, and more. In Conversations with Sam Shepard, the playwright reveals himself in his own words.
Inbunden, Engelska, 2023
1 414 kr
Skickas inom 10-15 vardagar
With roots in the American South, Beth Henley (b. 1952) has for four decades been a working playwright and screenwriter. Winner of the Pulitzer Prize in 1981 at the age of twenty-eight, Henley so far has written twenty-five produced plays that are always original, usually darkly comic, and often experimental. In these interviews, Henley speaks of the plays, from her early crowd-pleasers, Crimes of the Heart and The Miss Firecracker Contest, to her more experimental plays, including The Debutante Ball and Control Freaks, to her brilliant and time-bending play, The Jacksonian.Henley is a master at writing about the duality of human experience—the beautiful and the grotesque, the cruel and the loving. This duality provokes in Henley both amazement and compassion. She discusses here not only her admiration for Chekhov and other influences, but also her process of bringing a play from notebooks of images and bits of dialogues through rumination, writing, and rewriting to rehearsals and previews. The interviews range from 1981, just before she won the Pulitzer Prize, to 2020 and cover nearly forty years of a creative life, which, as Henley remarks in the most recent interview, is "such a life worth living: to be in tune with the creative process.
Häftad, Engelska, 2023
375 kr
Skickas inom 10-15 vardagar
With roots in the American South, Beth Henley (b. 1952) has for four decades been a working playwright and screenwriter. Winner of the Pulitzer Prize in 1981 at the age of twenty-eight, Henley so far has written twenty-five produced plays that are always original, usually darkly comic, and often experimental. In these interviews, Henley speaks of the plays, from her early crowd-pleasers, Crimes of the Heart and The Miss Firecracker Contest, to her more experimental plays, including The Debutante Ball and Control Freaks, to her brilliant and time-bending play, The Jacksonian.Henley is a master at writing about the duality of human experience—the beautiful and the grotesque, the cruel and the loving. This duality provokes in Henley both amazement and compassion. She discusses here not only her admiration for Chekhov and other influences, but also her process of bringing a play from notebooks of images and bits of dialogues through rumination, writing, and rewriting to rehearsals and previews. The interviews range from 1981, just before she won the Pulitzer Prize, to 2020 and cover nearly forty years of a creative life, which, as Henley remarks in the most recent interview, is "such a life worth living: to be in tune with the creative process.
E-bok
Engelska, 2023370 kr
Läs direkt efter köp
With roots in the American South, Beth Henley (b. 1952) has for four decades been a working playwright and screenwriter. Winner of the Pulitzer Prize in 1981 at the age of twenty-eight, Henley so far has written twenty-five produced plays that are always original, usually darkly comic, and often experimental. In these interviews, Henley speaks of the plays, from her early crowd-pleasers, Crimes of the Heart and The Miss Firecracker Contest, to her more experimental plays, including The Debutante Ball and Control Freaks, to her brilliant and time-bending play, The Jacksonian. Henley is a master at writing about the duality of human experience—the beautiful and the grotesque, the cruel and the loving. This duality provokes in Henley both amazement and compassion. She discusses here not only her admiration for Chekhov and other influences, but also her process of bringing a play from notebooks of images and bits of dialogues through rumination, writing, and rewriting to rehearsals and previews. The interviews range from 1981, just before she won the Pulitzer Prize, to 2020 and cover nearly forty years of a creative life, which, as Henley remarks in the most recent interview, is “such a life worth living: to be in tune with the creative process.”
E-bok
PDF, Engelska, 2023370 kr
Läs direkt efter köp
With roots in the American South, Beth Henley (b. 1952) has for four decades been a working playwright and screenwriter. Winner of the Pulitzer Prize in 1981 at the age of twenty-eight, Henley so far has written twenty-five produced plays that are always original, usually darkly comic, and often experimental. In these interviews, Henley speaks of the plays, from her early crowd-pleasers, Crimes of the Heart and The Miss Firecracker Contest, to her more experimental plays, including The Debutante Ball and Control Freaks, to her brilliant and time-bending play, The Jacksonian. Henley is a master at writing about the duality of human experience—the beautiful and the grotesque, the cruel and the loving. This duality provokes in Henley both amazement and compassion. She discusses here not only her admiration for Chekhov and other influences, but also her process of bringing a play from notebooks of images and bits of dialogues through rumination, writing, and rewriting to rehearsals and previews. The interviews range from 1981, just before she won the Pulitzer Prize, to 2020 and cover nearly forty years of a creative life, which, as Henley remarks in the most recent interview, is “such a life worth living: to be in tune with the creative process.”
Inbunden, Engelska, 2026
1 409 kr
Kommande
Timothy Findley (1930–2002) became one of Canada’s most beloved and honored writers during the last four decades of the twentieth century. Because of their controversial subjects and unconventional style, his first two novels, The Last of the Crazy People (1967) and The Butterfly Plague (1969), were initially published only in Great Britain and the United States. Success in his native country finally arrived in 1977 with the publication of his novel The Wars, which won the Governor General’s Award for Fiction and is considered a Canadian classic and an iconic portrayal of World War I. He went on to publish seven novels, a novella, three collections of short stories, four plays, and three works of nonfiction, as well as numerous screenplays, TV scripts, and essays, reviews, and opinion pieces in periodicals. His play, Elizabeth Rex (2000), won the Governor General’s Award for Drama. In addition, he was appointed an Officer in the Order of Canada, which is the highest honor a Canadian civilian can receive, in 1986; was named to France’s Chevalier de l’Ordre des Arts et des Lettres in 1996; and received seven honorary degrees. During the last two decades of the twentieth century, he was a leading public intellectual who often effectively criticized censorship and the destruction of the environment. The interviews collected here, which span three decades, offer candid, extensive, intimate, often amusing, and sometimes provocative commentary on a wide range of topics, including but not limited to his life and works; his love of nature and of animals, his homosexuality and alcoholism; politics in Canada and the US, and Canadian literature. Timothy Findley began his creative life as an actor, and in many ways, he often seemed to regard interviews as performances which he relished—notably, most were in a Q&A format, which he preferred and are thus true "conversations"—and his enjoyment of them is fully apparent in the pages of this collection.
Häftad, Engelska, 2026
289 kr
Kommande
Timothy Findley (1930–2002) became one of Canada’s most beloved and honored writers during the last four decades of the twentieth century. Because of their controversial subjects and unconventional style, his first two novels, The Last of the Crazy People (1967) and The Butterfly Plague (1969), were initially published only in Great Britain and the United States. Success in his native country finally arrived in 1977 with the publication of his novel The Wars, which won the Governor General’s Award for Fiction and is considered a Canadian classic and an iconic portrayal of World War I. He went on to publish seven novels, a novella, three collections of short stories, four plays, and three works of nonfiction, as well as numerous screenplays, TV scripts, and essays, reviews, and opinion pieces in periodicals. His play, Elizabeth Rex (2000), won the Governor General’s Award for Drama. In addition, he was appointed an Officer in the Order of Canada, which is the highest honor a Canadian civilian can receive, in 1986; was named to France’s Chevalier de l’Ordre des Arts et des Lettres in 1996; and received seven honorary degrees. During the last two decades of the twentieth century, he was a leading public intellectual who often effectively criticized censorship and the destruction of the environment. The interviews collected here, which span three decades, offer candid, extensive, intimate, often amusing, and sometimes provocative commentary on a wide range of topics, including but not limited to his life and works; his love of nature and of animals, his homosexuality and alcoholism; politics in Canada and the US, and Canadian literature. Timothy Findley began his creative life as an actor, and in many ways, he often seemed to regard interviews as performances which he relished—notably, most were in a Q&A format, which he preferred and are thus true "conversations"—and his enjoyment of them is fully apparent in the pages of this collection.