Thornton Wilder - Böcker

An ancient bridge collapses over a gorge in Peru, hurling five people into the abyss. It seems a meaningless human tragedy. But one witness, a Franciscan monk, believes the deaths might not be as random as they appear. Convinced that the disaster is a punishment sent from Heaven, the monk sets out to discover all he can about the travellers. The five strangers were connected in some way, he thinks. There must be a purpose behind their deaths. But are their lost lives the result of sin? ... Or of love?

Finding the theatre of the 1920s lacking in bite and conviction, Thornton Wilder set out to bring back realism and to celebrate the innocent, simple and religious. Yet he also tried to endow individual experience with cosmic significance and Our Town is both an affectionate portrait of American life and 'an attempt to find a value above all price for the smallest events in our daily life'. The Skin of our Teeth deals with human survival in a 'comic strip' way, and The Matchmaker is a hilarious farce which urges rebellion against all the constraints that deny a rich, full life.

In eighteenth-century Peru, a historic bridge connecting the cities of Cuzco and Lima collapses, plunging five people to their deaths. A Franciscan monk, Brother Juniper, witnesses the tragedy and embarks on a spiritual quest to reconcile free will versus fate and the existence of God in the victims' lives: "Why did this happen to those five people?" This thought-provoking, Pulitzer Prize-winning second novel by American writer Thornton Wilder was called "a masterpiece" by The New York Times when it was published in 1927. Critically acclaimed, it remains a compelling literary classic exploring destiny, love, religion, and the meaning of life.

This collection of Wilder's most famous one act plays includes, The Long Christmas Dinner, The Happy Journey to Trenton and Camden, Pullman Car Hiawatha, Queens of France, Such Things Only Happen in Books, and Love and How to Cure It. In these mini-masterpieces, Wilder experiments with techniques and dramatic forms he would later develop in his celebrated full-length works, Our Town, The Matchmaker, The Skin of Our Teeth, and The Alcestiad. Among these plays we encounter a first glimpse of Wilder's Stage Manager; his use of pantomime, minimal scenery, and farce; as well as his signature connection between the commonplace and the cosmic dimensions of the human experience.

Farce / Casting: 9m, 7f / Interior Scenery A certain old merchant of Yonkers is so rich in 1800 that he decides to take a wife. He employs a matchmaker a woman who subsequently becomes involved with two of his menial clerks, assorted young and lovely ladies, and the headwaiter at an expensive restaurant where this swift farce runs headlong into a hilarious complications. After everyone gets straightened out romantically and has his heart's desire, the merchant finds himself affianced to the astute matchmaker herself. He who was so shrewd in business is putty in the hands of Dolly Levi. He is fooled by apprentices in a series of hilarious hide and seek scenes, and finally has all his bluster explode in his face. "Loud, slap dash and uproarious ...extraordinarily original and funny." - The New York Times "Rolls along merrily and madly and the customers are convulsed." - N.Y. Journal American. "The lines of Wilder are so often brilliant, sage, and witty." - N.Y. Daily News

Characters: 4 or 5 male, 4 or 5 female, plus many small parts w/doubling Scenery: Interiors and Exteriors Winner of the Pulitzer Prize, this is the groundbreaking satiric fantasy follows the extraordinary Antrobus family down through the ages from the time of "The War" surviving flood, fire, pestilence, locusts, the ice age, the pox and the double feature, a dozen subsequent wars and as many depressions. Ultimately, they are the stuff of which heroes and buffoons are made. Their survival is a vividly theatrical testament of faith in humanity. "Wonderfully wise...A tremendously exciting and profound stage fable."-Herald Tribune

Thornton Wilder Comedy Characters: 2 male, 3 female In this provocative, sometimes chilling comedy, Wilder renders a child's-eye view of the grown-up world, as a father, a mother and their three children play a revealing game of make-believe in which the children pretend to be orphans. Startling truths emerge on both sides, as pretense challenges the family to discard the traditional roles of parent, spouse, child, and sibling--blurring the lines between perception and reality, artifice and innocence. "Wilder has a great fit for comic fantasy. Childhood is Wilder at his best." - New York Daily News