Jacqueline M. Labbe – författare

Focusing on the "long" nineteenth century, from the French Revolution to the beginnings of Modernism, this book examines the significance of memory in this era of turbulent social change. Through investigation of science, literature, history and the visual arts, the authors explore theories of memory and the cultural and literary resonances of memorializing.Drawing on the work of many of the most influential literary figures of the period, such as Tennyson, Scott, and Hardy, Memory and Memorials explores key topics such as: gender and memory; Victorian psychological theories of memory; and cultural constructions in literature, science, history and architecture.Memory and Memorials: From the French Revolution to World War One employs a range of new and influential interdisciplinary methodologies. It offers both a fresh theoretical understanding of the period, and a wealth of empirical material of use to the historian, literary critic or social psychologist.

Focusing on the "long" nineteenth century, from the French Revolution to the beginnings of Modernism, this book examines the significance of memory in this era of turbulent social change. Through investigation of science, literature, history and the visual arts, the authors explore theories of memory and the cultural and literary resonances of memorializing.Drawing on the work of many of the most influential literary figures of the period, such as Tennyson, Scott, and Hardy, Memory and Memorials explores key topics such as: gender and memory; Victorian psychological theories of memory; and cultural constructions in literature, science, history and architecture.Memory and Memorials: From the French Revolution to World War One employs a range of new and influential interdisciplinary methodologies. It offers both a fresh theoretical understanding of the period, and a wealth of empirical material of use to the historian, literary critic or social psychologist.

Focusing on the "long" nineteenth century, from the French Revolution to the beginnings of Modernism, this book examines the significance of memory in this era of turbulent social change. Through investigation of science, literature, history and the visual arts, the authors explore theories of memory and the cultural and literary resonances of memorializing.Drawing on the work of many of the most influential literary figures of the period, such as Tennyson, Scott, and Hardy, Memory and Memorials explores key topics such as: gender and memory; Victorian psychological theories of memory; and cultural constructions in literature, science, history and architecture.Memory and Memorials: From the French Revolution to World War One employs a range of new and influential interdisciplinary methodologies. It offers both a fresh theoretical understanding of the period, and a wealth of empirical material of use to the historian, literary critic or social psychologist.

Focusing on the "long" nineteenth century, from the French Revolution to the beginnings of Modernism, this book examines the significance of memory in this era of turbulent social change. Through investigation of science, literature, history and the visual arts, the authors explore theories of memory and the cultural and literary resonances of memorializing.Drawing on the work of many of the most influential literary figures of the period, such as Tennyson, Scott, and Hardy, Memory and Memorials explores key topics such as: gender and memory; Victorian psychological theories of memory; and cultural constructions in literature, science, history and architecture.Memory and Memorials: From the French Revolution to World War One employs a range of new and influential interdisciplinary methodologies. It offers both a fresh theoretical understanding of the period, and a wealth of empirical material of use to the historian, literary critic or social psychologist.

A lively and far-ranging interest in place, space, and situation characterizes the work of Romantic-era British author Charlotte Smith (1749-1806). Featuring ten original essays, an introduction and an epilogue, this volume offers new insights into Smith’s life and work by exploring two central issues: Smith’s place as a foundational writer in her period, and her contribution to the creation of “place” as a concept of social and literary importance. The contributors analyze themes such as itineracy, the natural world, and patriotism; they also explore the position of Smith’s work and authorial identity in terms of genre, aesthetics, and market dynamics. With its innovative approach to place as a material location, symbolic principle, and literary device, this volume advances our understanding of Smith’s work. Placing Charlotte Smith reveals Smith as an author who not only energizes our interest in domestic concerns, but who also shapes a global discourse constituted by changing ideas about borders, travel, national, and international identities.

A lively and far-ranging interest in place, space, and situation characterizes the work of Romantic-era British author Charlotte Smith (1749-1806). Featuring ten original essays, an introduction and an epilogue, this volume offers new insights into Smith’s life and work by exploring two central issues: Smith’s place as a foundational writer in her period, and her contribution to the creation of “place” as a concept of social and literary importance. The contributors analyze themes such as itineracy, the natural world, and patriotism; they also explore the position of Smith’s work and authorial identity in terms of genre, aesthetics, and market dynamics. With its innovative approach to place as a material location, symbolic principle, and literary device, this volume advances our understanding of Smith’s work. Placing Charlotte Smith reveals Smith as an author who not only energizes our interest in domestic concerns, but who also shapes a global discourse constituted by changing ideas about borders, travel, national, and international identities.

This book explores what it means to read the six major works of Jane Austen, inlight of the ten major works of fiction by Charlotte Smith. It proposes that Smithhad a deep and lasting impact on Austen, but this is not an influence study. Instead,it argues for the possibility that two authors who never met could between themwrite something into being, both responding to and creating a novelistic zeitgeist.This, the book argues, can be called co-writing. This book will appeal to studentsand scholars of the novel, of women’s writing, and of Smith and Austen specifically.