James Burns – författare

Ewe dance-drumming has been extensively studied throughout the history of ethnomusicology, but up to now there has not been a single study that addresses Ewe female musicians. James Burns redresses this deficiency through a detailed ethnography of a group of female musicians from the Dzigbordi community dance-drumming club from the rural town of Dzodze, located in South-Eastern Ghana. Dzigbordi was specifically chosen because of the author's long association with the group members, and because it is part of a genre known as adekede, or female songs of redress, where women musicians critique gender relations in society. Burns uses audio and video interviews, recordings of rehearsals and performances and detailed collaborative analyses of song texts, dance routines and performance practice to address important methodological shifts in ethnomusicology that outline a more humanistic perspective of music cultures. This perspective encompasses the inter-linkages between history, social processes and individual creative artists. The voices of Dzigbordi women provide us not only with a more complete picture of Ewe music-making, they further allow us to better understand the relationship between culture, social life and individual creativity. The book will therefore appeal to those interested in African Studies, Gender Studies and Oral Literature, as well as ethnomusicology. Includes documentary on the downloadable resources.

By 1940 going to the movies was the most popular form of public leisure in Britain's empire. This book explores the social and cultural impact of the movies in colonial societies in the early cinema age.

By 1940 going to the movies was the most popular form of public leisure in Britain''s empire. This book explores the social and cultural impact of the movies in colonial societies in the early cinema age.

Ewe dance-drumming has been extensively studied throughout the history of ethnomusicology, but up to now there has not been a single study that addresses Ewe female musicians. James Burns redresses this deficiency through a detailed ethnography of a group of female musicians from the Dzigbordi community dance-drumming club from the rural town of Dzodze, located in South-Eastern Ghana. Dzigbordi was specifically chosen because of the author's long association with the group members, and because it is part of a genre known as adekede, or female songs of redress, where women musicians critique gender relations in society. Burns uses audio and video interviews, recordings of rehearsals and performances and detailed collaborative analyses of song texts, dance routines and performance practice to address important methodological shifts in ethnomusicology that outline a more humanistic perspective of music cultures. This perspective encompasses the inter-linkages between history, social processes and individual creative artists. The voices of Dzigbordi women provide us not only with a more complete picture of Ewe music-making, they further allow us to better understand the relationship between culture, social life and individual creativity. The book will therefore appeal to those interested in African Studies, Gender Studies and Oral Literature, as well as ethnomusicology. Includes documentary on the downloadable resources.

By 1940 going to the movies was the most popular form of public leisure in Britain's empire. This book explores the social and cultural impact of the movies in colonial societies in the early cinema age.

Ewe dance-drumming has been extensively studied throughout the history of ethnomusicology, but up to now there has not been a single study that addresses Ewe female musicians. James Burns redresses this deficiency through a detailed ethnography of a group of female musicians from the Dzigbordi community dance-drumming club from the rural town of Dzodze, located in South-Eastern Ghana. Dzigbordi was specifically chosen because of the author''s long association with the group members, and because it is part of a genre known as adekede, or female songs of redress, where women musicians critique gender relations in society. Burns uses audio and video interviews, recordings of rehearsals and performances and detailed collaborative analyses of song texts, dance routines and performance practice to address important methodological shifts in ethnomusicology that outline a more humanistic perspective of music cultures. This perspective encompasses the inter-linkages between history, social processes and individual creative artists. The voices of Dzigbordi women provide us not only with a more complete picture of Ewe music-making, they further allow us to better understand the relationship between culture, social life and individual creativity. The book will therefore appeal to those interested in African Studies, Gender Studies and Oral Literature, as well as ethnomusicology. Includes documentary on the downloadable resources.

Ewe dance-drumming has been extensively studied throughout the history of ethnomusicology, but up to now there has not been a single study that addresses Ewe female musicians. James Burns redresses this deficiency through a detailed ethnography of a group of female musicians from the Dzigbordi community dance-drumming club from the rural town of Dzodze, located in South-Eastern Ghana. Dzigbordi was specifically chosen because of the author''s long association with the group members, and because it is part of a genre known as adekede, or female songs of redress, where women musicians critique gender relations in society. Burns uses audio and video interviews, recordings of rehearsals and performances and detailed collaborative analyses of song texts, dance routines and performance practice to address important methodological shifts in ethnomusicology that outline a more humanistic perspective of music cultures. This perspective encompasses the inter-linkages between history, social processes and individual creative artists. The voices of Dzigbordi women provide us not only with a more complete picture of Ewe music-making, they further allow us to better understand the relationship between culture, social life and individual creativity. The book will therefore appeal to those interested in African Studies, Gender Studies and Oral Literature, as well as ethnomusicology. Includes documentary on the downloadable resources.

In Christian history, no phenomenon is clearer than the recurrence of revivals. A passion for repentance sweeps across a city, and those who had been unaware of the supernatural are now keenly aware of God''s presence. Gripped by conviction of wrongdoing, they throw everything aside and desperately search for a way of salvation.Our spiritual instincts are often clouded by worthless pursuits, but God is working through His laws for the salvation of His people and for the world''s good. In Revival Now, learn about God''s laws of revival, including the laws of progress, spiritual growth, ebbing tide, fullness of time, awakening, variety, and more.Edited for today''s reader by Tom Phillips, Revival Now, originally written by James Burns in 1909 (Revivals, Their Laws and Leaders), traces common characteristics of past revivals, and shows how our world today is ripe for a new, profound move of God''s Spirit. Also included are inspirational prompts and prayers to help you experience Scripture and encounter Jesus.A Jesus awakening is here!DR. TOM PHILLIPS is a farm boy from Mississippi whose grandfather was a circuit-riding preacher. His family''s spiritual heritage originated in the great awakenings throughout the Southeast, beginning in Kentucky, in the early 1800s. Today Tom is vice president of the Billy Graham Evangelistic Association (BGEA). Tom and his wife, Ouida, have three grown children and make their home in Charlotte, North Carolina.

Discover the dynamic and transformative world of religious revivals with James Burns'' comprehensive study, Revivals: Their Laws and Leaders. This illuminating book delves into the principles and personalities that have driven some of the most significant spiritual awakenings in history, offering readers a detailed exploration of the forces behind these powerful movements.James Burns, a respected historian and theologian, provides an in-depth analysis of the key elements that characterize successful revivals. Through meticulous research and insightful commentary, Burns uncovers the "laws" or underlying principles that contribute to the rise and impact of revivalist movements. These include the importance of fervent prayer, charismatic leadership, societal conditions, and the role of divine intervention.Revivals: Their Laws and Leaders also brings to life the stories of the influential figures who have led these spiritual movements. From the passionate preaching of Jonathan Edwards and George Whitefield during the Great Awakening to the compelling leadership of Charles Finney and Dwight L. Moody, Burns presents vivid portraits of the men and women whose zeal and dedication ignited widespread religious fervor.The book spans various historical periods and geographical regions, providing a broad perspective on the phenomenon of religious revivals. Burns examines the social, cultural, and theological contexts in which these revivals occurred, highlighting their profound impact on communities and societies. He also addresses the lasting legacies of these movements, including their influence on contemporary religious practice and thought.Join James Burns on a journey through the history of religious revivals and gain a deeper appreciation for the powerful forces that have shaped the spiritual landscape. Revivals: Their Laws and Leaders is a timeless exploration of faith, fervor, and the enduring quest for spiritual renewal.

James Burns’s The Christ Face in Art is a profound exploration of one of the most iconic and enduring images in human history: the face of Christ. Through an eloquent combination of art history, theology, and cultural commentary, Burns traces the evolution of Christ’s depiction across centuries, examining how artists from diverse eras and traditions have sought to convey the divine, the human, and the transcendent in their portrayals of Jesus.From the earliest Christian mosaics and icons to the masterpieces of the Renaissance and the modern interpretations of the Christ figure, Burns delves into the cultural, spiritual, and historical contexts that shaped each artistic vision. He explores how these depictions not only reflect the theological beliefs of their time but also serve as mirrors to the societies and emotions of those who created them.Richly descriptive and deeply insightful, The Christ Face in Art is more than a study of artistic representation; it is a meditation on the power of imagery to inspire faith, evoke contemplation, and unite communities. Burns considers questions of identity, universality, and the role of art in shaping religious experience, making the book both a scholarly resource and a spiritual reflection.With its thoughtful analysis and attention to detail, this book is an invaluable guide for art lovers, theologians, and anyone interested in the intersection of faith and visual culture. The Christ Face in Art invites readers to see beyond the surface, discovering in these works of art not only the face of Christ but also the enduring human search for meaning and connection.