James Chapman - Böcker
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43 produkter
43 produkter
379 kr
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Film is the pre-eminent mass medium of the modern age. It is a valuable source of evidence for the study of both the past and the contemporary world, and is a social practice that has affected the lives of millions. How can historians engage with this important and influential medium?Written for both students and teachers, Film and History:- provides a concise, accessible introduction to the use of film in historical enquiry and a summary of the main theoretical debates- Charts the development of film history as a subject area and a discipline in its own right- Considers different approaches to film history, including film as an art form, as ideology, as a historical source, and as a social practice- Includes case studies to ground discussion of theories and approaches in specific examplesWide-ranging and authoritative, Film and History equips students with the methods both to analyse film texts and to understand the place of film in history and culture.
926 kr
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When Dr. No premiered at the London Pavilion on October 5, 1962, no one predicted that it would launch the longest-running series in cinema history. It introduced the James Bond formula that has been a box-office fixture ever since: sensational plots, colorful locations, beautiful women, diabolical villains, thrilling action set pieces, and a tongue-in-cheek tone. An explosive cocktail of action, spectacle, and sex, Dr. No transformed popular cinema.James Chapman provides a lively and comprehensive study of Dr. No, marshaling a wealth of archival research to place the film in its historical moment. He demonstrates that, contrary to many fan myths, the film was the product of a carefully considered transnational production process. Chapman explores the British super-spy’s origins in Ian Fleming’s snobbery-with-violence thrillers, examining the process of adaptation from page to screen. He considers Dr. No in the contexts of the UK and Hollywood film industries as well as the film’s place in relation to the changing social and cultural landscape of the 1960s, particularly Cold War anxieties and the decline of the British Empire. The book also analyzes the film’s problematic politics of gender and race and considers its cultural legacy.This thorough and insightful account of Dr. No will appeal to film historians and Bond fans alike.
241 kr
Skickas inom 7-10 vardagar
When Dr. No premiered at the London Pavilion on October 5, 1962, no one predicted that it would launch the longest-running series in cinema history. It introduced the James Bond formula that has been a box-office fixture ever since: sensational plots, colorful locations, beautiful women, diabolical villains, thrilling action set pieces, and a tongue-in-cheek tone. An explosive cocktail of action, spectacle, and sex, Dr. No transformed popular cinema.James Chapman provides a lively and comprehensive study of Dr. No, marshaling a wealth of archival research to place the film in its historical moment. He demonstrates that, contrary to many fan myths, the film was the product of a carefully considered transnational production process. Chapman explores the British super-spy’s origins in Ian Fleming’s snobbery-with-violence thrillers, examining the process of adaptation from page to screen. He considers Dr. No in the contexts of the UK and Hollywood film industries as well as the film’s place in relation to the changing social and cultural landscape of the 1960s, particularly Cold War anxieties and the decline of the British Empire. The book also analyzes the film’s problematic politics of gender and race and considers its cultural legacy.This thorough and insightful account of Dr. No will appeal to film historians and Bond fans alike.
1 134 kr
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Swashbucklers is the first study of one of the most popular and enduring genres in television history – the costume adventure series. It maps the history of swashbuckling television from its origins in the 1950s to the present. It places the various series in their historical and institutional contexts and also analyses how the form and style of the genre has changed over time. And it includes case studies of major swashbuckling series including The Adventures of Robin Hood, The Buccaneers, Ivanhoe, William Tell, Zorro, Arthur of the Britons, Dick Turpin, Robin of Sherwood, Sharpe, Hornblower, The Count of Monte Cristo and the recent BBC co-production of The Three Musketeers.
Travels In The Interior Of South Africa
Comprising Fifteen Years' Hunting And Trading
Inbunden, Engelska, 2022
447 kr
Skickas inom 5-8 vardagar
Travels In The Interior Of South Africa
Comprising Fifteen Years' Hunting And Trading
Häftad, Engelska, 2022
336 kr
Skickas inom 5-8 vardagar
Travels in the Interior of South Africa, Comprising Fifteen Years' Hunting and Trading; With Journeys Across the Continent From Natal to Walvis Bay, and Visits to Lake Ngami and the Victoria Falls
1
Inbunden, Engelska, 2022
447 kr
Skickas inom 5-8 vardagar
Travels in the Interior of South Africa, Comprising Fifteen Years' Hunting and Trading; With Journeys Across the Continent From Natal to Walvis Bay, and Visits to Lake Ngami and the Victoria Falls
1
Häftad, Engelska, 2022
336 kr
Skickas inom 5-8 vardagar
Music, or Melody and Rhythmus of the English Language; in Which are Explained ... the Five Accidents of Speech ... and a Musical Notation ..
Inbunden, Engelska, 2022
437 kr
Skickas inom 5-8 vardagar
Music, or Melody and Rhythmus of the English Language; in Which are Explained ... the Five Accidents of Speech ... and a Musical Notation ..
Häftad, Engelska, 2022
297 kr
Skickas inom 5-8 vardagar
Travels in the Interior of South Africa, Comprising Fifteen Years' Hunting and Trading; With Journeys Across the Continent From Natal to Walvis Bay, and Visits to Lake Ngami and the Victoria Falls; Volume 2
Inbunden, Engelska, 2023
461 kr
Skickas inom 5-8 vardagar
350 kr
Skickas inom 5-8 vardagar
322 kr
Skickas inom 5-8 vardagar
519 kr
Skickas inom 3-6 vardagar
247 kr
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In this new edition of Licence To Thrill, James Chapman builds upon the success of his classic work, regarded as the definitive scholarly study of the history of the James Bond film series from the first picture, Dr No (1962), to the present. He considers the origins of the films in the spy thrillers of Ian Fleming and examines the production histories of the films in the contexts of the British and international film industries.This edition includes a new introduction and chapters on Quantum of Solace (2008), Skyfall (2012), Spectre (2015) and No Time to Die (2021). Chapman explores how the films have changed over time in response to developments in the wider film culture and society at large. He charts the ever-evolving Bond formula, analysing the films’ representations of nationhood, class, and gender in a constantly shifting cinematic and ideological landscape.
927 kr
Skickas inom 7-10 vardagar
In this new edition of Licence To Thrill, James Chapman builds upon the success of his classic work, regarded as the definitive scholarly study of the history of the James Bond film series from the first picture, Dr No (1962), to the present. He considers the origins of the films in the spy thrillers of Ian Fleming and examines the production histories of the films in the contexts of the British and international film industries.This edition includes a new introduction and chapters on Quantum of Solace (2008), Skyfall (2012), Spectre (2015) and No Time to Die (2021). Chapman explores how the films have changed over time in response to developments in the wider film culture and society at large. He charts the ever-evolving Bond formula, analysing the films’ representations of nationhood, class, and gender in a constantly shifting cinematic and ideological landscape.
1 757 kr
Skickas inom 7-10 vardagar
The Money Behind the Screen maps the changing landscape of film finance in Britain during a transformative period for the film industry. It is the first book to document the sources of finance for film-making, the relations between film producers and financiers, and the wider fiscal and economic landscape of the British film production industry. It covers a period characterised by recurrent crises for the British film industry which also saw profound and far-reaching changes in the provision of film finance, including the establishment of state support mechanisms for British producers (the National Film Finance Corporation and the Eady levy), the shift from producer-finance to distributor-finance, and the growth of American investment in the British production sector. The book explores three interrelated aspects of the history of film finance: the institutional and economic structure of the production sector of the industry; the sources of production finance, including private and public capital and British and foreign investment; and the role of government in providing support for film production. It is an essential reference work for anyone studying the British film industry.
390 kr
Skickas
The Money Behind the Screen maps the changing landscape of film finance in Britain during a transformative period for the film industry. It is the first book to document the sources of finance for film-making, the relations between film producers and financiers, and the wider fiscal and economic landscape of the British film production industry. It covers a period characterised by recurrent crises for the British film industry which also saw profound and far-reaching changes in the provision of film finance, including the establishment of state support mechanisms for British producers (the National Film Finance Corporation and the Eady levy), the shift from producer-finance to distributor-finance, and the growth of American investment in the British production sector. The book explores three interrelated aspects of the history of film finance: the institutional and economic structure of the production sector of the industry; the sources of production finance, including private and public capital and British and foreign investment; and the role of government in providing support for film production. It is an essential reference work for anyone studying the British film industry.
1 179 kr
Skickas
Financing the British Film Industry provides a comprehensive history of the financing of British film production from the origin of the industry until the end of the Second World War. It documents the growth of the film business from a cottage industry to a mature business enterprise. It considers the capitalisation of the industry and analyses the relationships between producers, banks and insurance companies. It charts the fluctuating fortunes of British film-making and the various government-backed initiatives support the production sector. James Chapman argues that the difficulties of the British film industry arose not from the extravagances of individual producers or the collapse of particular companies but from underlying economic and structural weaknesses: that the industry was too reliant on short-term finance and that the domestic market was insufficient to guarantee a profitable return for anything other than a modestly-budgeted film
- Nyhet
316 kr
Kommande
Financing the British Film Industry provides a comprehensive history of the financing of British film production from the origin of the industry until the end of the Second World War. It documents the growth of the film business from a cottage industry to a mature business enterprise. It considers the capitalisation of the industry and analyses the relationships between producers, banks and insurance companies. It charts the fluctuating fortunes of British film-making and the various government-backed initiatives support the production sector. James Chapman argues that the difficulties of the British film industry arose not from the extravagances of individual producers or the collapse of particular companies but from underlying economic and structural weaknesses: that the industry was too reliant on short-term finance and that the domestic market was insufficient to guarantee a profitable return for anything other than a modestly-budgeted film
Travels In The Interior Of South Africa V2
Comprising Fifteen Years' Hunting And Trading (1868)
Häftad, Engelska, 2008
585 kr
Skickas inom 3-6 vardagar
Screening Sherlock
A Cultural History of the Great Detective on Film and Television
Inbunden, Engelska, 2025
1 420 kr
Skickas inom 5-8 vardagar
Screening Sherlock is the first book-length academic study of the film and television career of the most famous detective in fiction. Chapman explores the contexts, adaptation strategies and critical reception of Sherlock Holmes (and Dr Watson) on film and television in Britain and the United States. The book includes case studies of such famous Holmes impersonators as William Gillette, Basil Rathbone, Peter Cushing, Jeremy Brett and Benedict Cumberbatch, as well as charting a path through many lesser-known productions. From early cinema to the Hollywood studio system, and from heritage drama to contemporary postmodern television, Screening Sherlock is an indispensible work for all aficionados of Arthur Conan Doyle’s consulting detective of Baker Street.
368 kr
Skickas inom 10-15 vardagar
Cinema and science fiction were made for each other. Science fiction has been at the cutting edge of film technology and the genre has produced some of the most ambitious, imaginative and visually spectacular films ever made. Yet science fiction cinema is about more than just state-of-the-art special effects. It has also provided a vehicle for film-makers and writers to comment on their own societies and cultures. In this new study of the genre, James Chapman and Nicholas Cull examine a series of landmark science fiction films from the 1930s to the present. They include genre classics, including 'Things to Come', 'Forbidden Planet', 'Planet of the Apes' and '2001: A Space Odyssey', alongside modern blockbusters 'Star Wars' and 'Avatar'. They consider both screen originals and adaptations of the work of major science fiction authors such as H.G. Wells and Arthur C. Clarke. They range widely across the genre from pulp adventure and space opera to political allegory and speculative documentary- there is even a science fiction musical.Chapman and Cull explore the contexts and document the production histories of each film to show how they made their way to the screen- and why they turned out the way they did. Informed throughout by extensive original research in US and British archives, Projecting Tomorrow will be essential reading for all students and fans of science fiction cinema.
1 284 kr
Skickas inom 10-15 vardagar
The early twenty-first century has seen the emergence of a new style of television drama in Britain that adopts the professional practices and production values of high-end American television while remaining emphatically 'British' in content and outlook. This book analyses eight of these dramas - Spooks, Foyle's War, Hustle, Life on Mars, Ashes to Ashes, Downton Abbey, Sherlock and Broadchurch - which have all proved popular with audiences and in their different ways represent the thematic and formal paradigms of post-millennial drama.James Chapman locates new British drama in its institutional and economic contexts, considers their critical and popular reception, and analyses their social politics in relation to their representations of class, gender and nationhood. He demonstrates how contemporary drama has mobilised both new and residual elements in re-configuring genres such as the spy series, cop show and costume drama for the cultural tastes of modern audiences. And it concludes that television drama has played an integral role in both the economic and the cultural export of 'Britishness'.
390 kr
Skickas inom 10-15 vardagar
The early twenty-first century has seen the emergence of a new style of television drama in Britain that adopts the professional practices and production values of high-end American television while remaining emphatically 'British' in content and outlook. This book analyses eight of these dramas - Spooks, Foyle's War, Hustle, Life on Mars, Ashes to Ashes, Downton Abbey, Sherlock and Broadchurch - which have all proved popular with audiences and in their different ways represent the thematic and formal paradigms of post-millennial drama.James Chapman locates new British drama in its institutional and economic contexts, considers their critical and popular reception, and analyses their social politics in relation to their representations of class, gender and nationhood. He demonstrates how contemporary drama has mobilised both new and residual elements in re-configuring genres such as the spy series, cop show and costume drama for the cultural tastes of modern audiences. And it concludes that television drama has played an integral role in both the economic and the cultural export of 'Britishness'.
649 kr
Skickas inom 7-10 vardagar
Film historian James Chapman has mined Hitchcock's own papers to investigate fully for the first time the spy thrillers of the world's most famous filmmaker. Hitchcock made his name as director of the spy movie. He returned repeatedly to the genre from the British classics of the 1930s, including The 39 Steps and The Lady Vanishes, through wartime Hollywood films Foreign Correspondent and Saboteur to the Cold War tracts North by Northwest, Torn Curtain and his unmade film The Short Night. Chapman's close reading of these films demonstrates the development of Hitchcock's own style as well as how the spy genre as a whole responded to changing political and cultural contexts from the threat of Nazism in the 1930s and 40s to the atom spies and double agents of the post-war world.
163 kr
Skickas
Now in paperback, this book examines comic publishing and reading in Britain, from the late-Victorian era to the present. Cultural historian James Chapman explores the origins and evolution of these beloved publications, tracing the rise of characters such as lovable rogue Ally Sloper. From the heyday in the 1950s and ’60s with titles like Eagle to the controversial era of violent comics in the ’70s, including cult favourite 2000 AD, and the adult comics boom in the ’80s, Chapman covers it all. With insights into genres, creators and readers, he argues that British comics have a distinct identity, reflecting and responding to societal shifts. An essential reference for collectors, this book celebrates the lasting impact of British comics on the imaginative lives of readers young and old.
- Nyhet
283 kr
Kommande
Comics at the Movies explores the rich and often overlooked history of comic-book film adaptations, from 1930s serials like Flash Gordon to today’s Marvel and DC blockbusters. It traces how the comic and film industries have intersected over the decades, analysing how adaptations reflect their economic, political and cultural contexts. The book examines neglected works such as Doc Savage, Popeye and Sheena, alongside iconic franchises like Superman, Batman and X-Men. It also investigates how these films represent nationhood, race, gender and class, revealing the social politics beneath their spectacle. Accessible and engaging, Comics at the Movies is essential reading for students, scholars and fans alike interested in adaptation, popular genres and the lasting impact of comic-book cinema.
341 kr
Skickas inom 10-15 vardagar
"Licence to Thrill" follows Bond from the 1962 'Dr No', through all the subsequent Bond films, exploring them within the culture and politics of the times, as well as within film culture itself. When James Chapman's rip-roaring journey through the annals of celluloid Bond first appeared in 2000, the London "Evening Standard" said, 'Chapman demonstrates that there is more to the 007 franchise than just girls, guns and globe trotting', and Stephen O'Brien, writing in "SFX" magazine called the book 'thoughtful, intelligent, ludicrous and a bit snobby. Bit like Bond, really.' "Licence to Thrill" went on to establish itself as one of the best books on Bond, and one that has made readers think in new ways about 007. For this new edition, Chapman has now brought the story right up to the present, with a revised Introduction, a new Chapter One and, most importantly, full coverage of Brosnan as Bond in "The World is Not Enough" and "Die Another Day", as well as, of course, a brand new chapter on "Casino Royale" and Daniel Craig's new-look Bond.