James F. O'Gorman – författare

O'Gorman discusses the individual and collective achievement of the recognized trinity of American architecture: Henry Hobson Richardson (1838-86), Louis Sullivan (1856-1924), and Frank Lloyd Wright (1867-1959). He traces the evolution of forms created during these architects' careers, emphasizing the interrelationships among them and focusing on the designs and executed buildings that demonstrate those interrelationships. O'Gorman also shows how each envisioned the building types demanded by the growth of nineteenth-century cities and suburbs--the downtown skyscraper and the single-family home. [A] brilliant analysis ...a major contribution to our understanding of the beginnings of modern American architecture."--David Hamilton Eddy, Times Higher Education Supplement.

ABC of Architecture is an accessible, nontechnical introduction to architectural structure, history, and criticism. Author James F. O'Gormon moves seamlessly from a discussion of the most basic inspiration for architecture (the need for shelter from the elements), to an exploration of space, system, and material, and, finally, to an examination of the language and history of architecture. He shows the nonspecialist how to read a design in plans, sections, and elevations, and how architects, like other artists, make creative use of space and light.

Since the Renaissance, books and drawings have been a primary means of communication among architects and their colleagues and clients. In this volume, 12 historians explore the use of books by architects in America in the late 18th and early 19th centuries, a period when the profession of architecture was first emerging in the United States. As architects separated themselves from amateur and gentlemen designers on the one hand and masons and carpenters on the other, members of the profession were distinguished by their ability to draw and their possession of a common body of learning gleaned from printed sources. Clients and patrons expected architects to derive their designs from precedents communicated in books. These publications reproduced the work of European masters and, eventually, Anglo-American examples as well. The essays in the volume range from studies of architectural publications available in the colonies, to the appearance of American architectural incunabula, to the revolution in architectural publishing that occurred in the 1830s and 1840s. In addition to the editors, contributors include Sarah Allaback, Bennie Brown, Jeffrey A. Cohen, Abbott Lowell Cummings, Robert F. Dalzell, Jr., Michael J. Lewis, Martha J. McNamara, Damie Stillman, Richard Guy Wilson and Charles B. Wood III.

The first in-depth publication of drawings that reveal the creative genius of H. H. Richardson, the greatest American architect of the nineteenth century The trove of 4,000 drawings, preserved since Richardson’s death, have been largely unpublished, until now. This new book encompasses masterpieces such as Trinity Church in Boston, MA— voted the “most beautiful building in America” in 1885— the Allegheny County Courthouse and Jail in Pittsburgh, PA; the Ames Gate Lodge in Easton, MA; the Glessner House and the Marshall Field Wholesale Store in Chicago, IL; and many more. The book makes a major contribution to Richardson scholarship through its presentation of unpublished sketches, renderings, and plans of more than 50 projects, including city and country houses, churches, libraries, railroad stations, and municipal buildings. Its companion text includes an essay surveying the life and career of Richardson by James F. O’Gorman, the leading scholar of his work, which provides context to the drawings, together with additional essays that discuss the organization of Richardson’s studio in Brookline, MA, and his personal approach to a wide network of clients as well as an overview of the Richardson archive at Harvard.With its curated selection of 450 drawings, meticulously reproduced to reveal the design process and hand of the architect, this book is a revelatory exploration of Richardson’s work, work that set American architecture on a new course and exerted a global influence on the birth of modernism. Henry Hobson Richardson: Drawings from the Collection of Houghton Library was selected for the Classical America Series in Architecture by the Institute of Classical Architecture and Art