James Fenimore Cooper – författare

HarperCollins is proud to present our range of timeless literary classics.‘Death and honour are thought to be the same, but today I have learned that sometimes they are not.’Set in frontier America in the midst of the French-Indian war, as the French are attempting to overthrow an English fort, Cooper’s story follows Alice and Cora Munro, pioneer sisters who are trying to find their way back to their father, an English commander. Guided by an army major and Magua, an Indian from the Huron tribe, they soon meet Hawk-eye, a frontier scout and his Mohican Indian companions Chingachgook and Uncas.Magua is not all that he seems and the sisters are kidnapped. In The Last of the Mohicans, Cooper sets Indian tribe against Indian tribe and lays bare the brutality of the white man against the Mohicans.

Angered by the values of his materialistic society, Hawk-eye lives apart from the other white men, sharing the solitude and sublimity of the wilderness with his Mohican Indian friend, Chingachgook. As the savageries of war test these exiled men, they agree to guide two sisters in search of their father through hostile Indian country – even if it means risking everything. An enduring American classic, The Last of the Mohicans is a fast-paced portrait of fierce individualism and courage, set against massacres, raids, battles and a doomed love affair. It is also the unforgettable story of the friendship between two men.

As part of the series of "Leatherstocking" tales, this story chronicles the career of Natty Bumppo - hunter, scout, pathfinder and trapper, and aims to reflect the aspirations and disappointments of America's expansionist movement. Cooper (1879-1851) is also author of "The Last of the Mohicans".

This novel centres around Harry Birch, a man wrongly suspected of being a spy for the British. His character is misread time and time again - a parable for the American experience, as well as a reminder that the nations's survival depends on judging people by their actions, and not by their roots.

The year is 1757. The English and the French are at war in North America. Two sisters - Cora and Alice - want to visit their father, General Munro. They begin their dangerous journey with the handsome English officer, Duncan Heyward, and the Indian guide, Magua. On the way they meet friends and enemies, and many adventures. Some people will be heroes and some people will die. And what will happen to their friend Uncas, the last of the Mohican Indians?

The English and the French are at war in North America. Two sisters,Cora and Alice, want to visit their father. They begin their journey with the English officer, Duncan Heyward and Indian guide, Magua.On their journey, some will be heroes and some will die. And what will happen to their friend Uncas, the last of the Mohican Indians?

The second of Cooper's five Leatherstocking Tales, this is the one which has consistently captured the imagination of generations since it was first published in 1826. Its success lies partly in the historical role Cooper gives to his Indian characters, against the grain of accumulated racial hostility, and partly in his evocation of the wild beautiful landscapes of North America which the French and the British fought to control throughout the eighteenth century.At the centre of the novel is the celebrated `Massacre' of British troops and their families by Indian allies of the French at Fort William Henry in 1757. Around this historical event, Cooper built a romantic fiction of captivity, sexuality, and heroism, in which the destiny of the Mohicans Chingachgook and his son Uncas is inseparable from the lives of Alice and Cora Munro and of Hawkeye the frontier scout. The controlled, elaborate writing gives natural pace to the violence of the novel's action: like the nature whose plundering Copper laments, the books placid surfaces conceal inexplicable and deathly forces. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

James Fenimore Cooper's magnificent vision of American civilization was probably doomed from the outset. Yet the dream died hard, as the years (1845-1851) recorded in volumes V and VI of his Letters and Journals show. Vigorous and perceptive as ever at 55, he continued to combat forces in the national life that he feared were destroying its civility and constitutional structures. When, finally, he realized that his efforts were barren, he found some solace in religion. Cooper mellowed perceptibly in his later years, and his genius for friendship is perhaps better revealed here than in earlier volumes. And his range of observation remained kaleidoscopic: the Mexican War, the Navy, the French Revolution of 1848, the theatre, and the latest New York scandal. Nor did his productivity slacken. Between 1845 and 1850, he averaged two books a year, undertook a revised edition of his works in fine format, composed a play, and, at the time of his death, had in press The Towns of Manhattan, which was to have been the first history of Greater New York City.

James Fenimore Cooper's magnificent vision of American civilization was probably doomed from the outset. Yet the dream died hard, as the years (1845-1851) recorded in volumes V and VI of his Letters and Journals show. Vigorous and perceptive as ever at 55, he continued to combat forces in the national life that he feared were destroying its civility and constitutional structures. When, finally, he realized that his efforts were barren, he found some solace in religion. Cooper mellowed perceptibly in his later years, and his genius for friendship is perhaps better revealed here than in earlier volumes. And his range of observation remained kaleidoscopic: the Mexican War, the Navy, the French Revolution of 1848, the theatre, and the latest New York scandal. Nor did his productivity slacken. Between 1845 and 1850, he averaged two books a year, undertook a revised edition of his works in fine format, composed a play, and, at the time of his death, had in press The Towns of Manhattan, which was to have been the first history of Greater New York City. Volume VI provides a cumulative index to the entire edition and contains an important section of additional letters (1825-1844) discovered since the earlier volumes were published.

Turning to his own extensive maritime experience, Cooper's novel, written in Paris in 1827, reflects his immersion in the romantic movement that was sweeping the Continent. European readers enjoyed his poetic and imaginative portrayal of the sea, while American readers were interested in how he depicted the early stirrings of nationalism in the New World decades prior to the Revolution.Cooper's striking association of the sublime power of nature with the rebellious spirit of his pirate-hero established and defined the sea novel as a literary genre. By far the most influential of his maritime tales, The Red Rover was read and admired by Goethe and Berlioz, Melville and Conrad.This edition, the first to be based on Cooper's original manuscript, offers the modern reader a major document of romanticism and a compelling narrative of adventure at sea.

Turning to his own extensive maritime experience, Cooper's novel, written in Paris in 1827, reflects his immersion in the romantic movement that was sweeping the Continent. European readers enjoyed his poetic and imaginative portrayal of the sea, while American readers were interested in how he depicted the early stirrings of nationalism in the New World decades prior to the Revolution.Cooper's striking association of the sublime power of nature with the rebellious spirit of his pirate-hero established and defined the sea novel as a literary genre. By far the most influential of his maritime tales, The Red Rover was read and admired by Goethe and Berlioz, Melville and Conrad.This edition, the first to be based on Cooper's original manuscript, offers the modern reader a major document of romanticism and a compelling narrative of adventure at sea.

Notions of the Americans in considered Cooper's first work of non-fiction despite a thin overlay of character and plot. Written in the form of a travel narrative, it addresses the widespread ignorance he encountered in Europe about the people and institutions of the United States. It is an exuberant chant of praise for American representative democracy, encapsulating the utopian vision that compelled Cooper's writing career over three decades.The introduction draws on materials never before published. this edition, distinguished by the seal of the Center for Scholarly Editions, is the first resetting of the text since the initial American edition in 1828.

Notions of the Americans in considered Cooper's first work of non-fiction despite a thin overlay of character and plot. Written in the form of a travel narrative, it addresses the widespread ignorance he encountered in Europe about the people and institutions of the United States. It is an exuberant chant of praise for American representative democracy, encapsulating the utopian vision that compelled Cooper's writing career over three decades.The introduction draws on materials never before published. this edition, distinguished by the seal of the Center for Scholarly Editions, is the first resetting of the text since the initial American edition in 1828.

Gleanings in Europe: The Rhine is an account of James Fenimore Cooper's travels in Europe at the time of the 1832 revolt in Paris, when he hoped General Lafayette would be declared President of France and when all of Europe was the stage for the morality play of French politics.Published in 1836 after General Lafayette's death, the book is, in part, an apologia for Lafayette, Cooper's ideal political man. Thus it is essential reading for understanding the development of Cooper's political ideas and his ideas about the nature of American culture.In The Rhine, Cooper deepens his skill at picturesque description of landscape and extends the range of the picturesque to include cityscapes. The complex relations between visual objectives and ideas reverberates throughout the book, whether Cooper is commenting on the public gardens of Heidelburg, a private Alpine landscape, or, especially, the garden at Lafayette's home.With American landscapes and politics always in the background for comparison, Cooper surveys the order of life in Europe and asks for a more liberal and humane political order in Europe and a more human and cultivated social order in America.