James Gilbert – författare

The 1904 St. Louis World’s Fair was a major event in early-twentieth-century America. Attracting millions of tourists, it exemplified the Victorian predilection for public spectacle. The Fair has long served as a touchstone for historians interested in American culture prior to World War I and has endured in the memories of generations of St. Louis residents and visitors. In Whose Fair? James Gilbert asks: what can we learn about the lived experience of fairgoers when we compare historical accounts, individual and collective memories, and artifacts from the event?

Exploring these differing, at times competing, versions of history and memory prompts Gilbert to dig through a rich trove of archival material. He examines the papers of David Francis, the Fair’s president and subsequent chief archivist; guidebooks and other official publications; the 1944 film Meet Me in St. Louis; diaries, oral histories, and other personal accounts; and a collection of striking photographs. From this dazzling array of sources, Gilbert paints a lively picture of how fairgoers spent their time, while also probing the ways history and memory can complement each other.

Tales of Little Egypt is a fictional account of small town America and the peculiar, ordinary, eccentric, sturdy, cunning, and contented characters who created it. Set in the years between the Civil War and the great Influenza Plague of 1918, this is a pageant of imaginary people-the narratives of a score of men, women, and children whose lives illustrate the immense changes and challenges of that turbulent era. This was a period of great events and outsized personalities: splendid World''s Fairs attended by millions, radical new inventions, devastating wars and violent revolutions; leaders like Theodore Roosevelt. But underneath were the people whose stories are as fascinating, troubled, compelling and triumphant as anything that has occupied the attention of historians. There was the town doctor, the local sheriff, the jeweler, the self-appointed matron of morality, a young black girl and her mother, a boy who ran off to the circus and many others: lovers, criminals, teachers, ministers, and odd characters. As a community, their lives and ambitions, their failures and tragedies-sometimes at their own making-and their small successes intersected and became a part of each other.Marion, Illinois is both a real place and the imaginary location for these stories. Set in the center of Little Egypt, Marion is a county seat in the middle of this unique area, a river delta wedged between the Ohio and Mississippi Rivers. These two great highways of American immigration and trade sent millions of settlers North and South, East and West and back. The few who stopped off to make it their home created something distinctive. Theirs was a society that reflected the crossroads it occupied and the mix of cultures and sections that it represented. It was both nowhere and everywhere. Therefore their struggles to make sense of this world exemplify the tale and the memory of modern America in the making.