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A fully revised and updated third edition of the most established and innovative historical analysis of the Continental Army and its role in the formation of the new republic. Written by two experts in the field of early U.S. historyIncludes fully updated coverage of the military, political, social, and cultural history of the RevolutionFeatures maps, illustrations, a Note on Revolutionary War History and Historiography, and a fully revamped Bibliographical EssayFully established as an essential resource for courses ranging from A.P. U.S. history to graduate seminars on the American Revolution
348 kr
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This remarkable memoir is one of the most celebrated documents to emerge from the tumult of America’s Revolutionary War. The ordinary and yet exceptional experiences of a young soldier in Washington’s army are given a new life in this fourth edition, sensitively edited for a modern readership. Classic primary source on the Revolutionary WarEdited by a leading US authority on the periodNow with extra maps and a more extensive bibliographyIncludes a new Afterword by Karen Guenther on film portrayals of the continental soldier
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Drawing on vivid contemporary accounts, this is a fascinating exploration of how and why the Revolutionary War descended into a brutal existential struggle.This engrossing history of the Revolutionary War conclusively shows that those caught up in it believed they had nothing to lose by fighting without regard for the rules of so-called “civilized warfare.” The clarion call to arms “Liberty or Death” was far more than just rhetoric. At its grimmest level, it was a conflict in which military restraint was more the exception than the rule, a struggle in which combatants believed their very existence was in question. This led to an acceptance of violence against persons and property as preferable to a defeat equated with political, cultural, and even physical extinction. It was war with an expectation and acceptance of ferocity and brutality – anything to avoid defeat.A number of historians have previously concluded that United States’ founding struggle reached a level of ferocity few Americans now associate with the movement for independence. However, these studies have described what happened, without looking in detail at why the conflict took such a violent a turn. Written by two esteemed Revolutionary War historians, War Without Mercy does exactly that. Based on years of research and enlivened by little known primary sources, this is an intriguing and fresh look at a period of history we thought we knew.
340 kr
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Understanding the Course of the War for American independence through Geographical RegionsIdentifying discrete geographical areas in order to better understand a conflict that moves across hundreds of thousands of square miles of land and water, such as the American Civil War and World War II, has been a valuable historical method. During this time of greater study of the war that made America, the authors of Theaters of the American Revolution take this approach for the first time. The result is a stimulating volume that will allow readers to see how the war flowed from region to region from 1775 to 1781, beginning in the Northern colonies and Canada, through the dark months in the Middle colonies, to a shift to the South and culmination at Yorktown. Simultaneously, the war raged up and down the western frontier, with the Patriots working to keep the British and their Indian allies from disrupting the main battle armies to the east. Equally important was the war at sea, where American privateers and a fledgling navy attempted to harass the British; but with the entrance of France to the conflict, the control of the sea took a much more balanced—and important— aspect. With specially commissioned maps and colorful descriptions of eighteenth century American terrain, settlements, and cities, as well as key battles, Theaters of the American Revolution provides an ideal introduction to understanding one of the most important wars in world history in its totality.ContentsIntroduction • James Kirby Martin and David L. PrestonThe Northern Theater • James Kirby MartinThe Middle Theater • Edward G. Lengel and Mark Edward LenderThe Southern Theater • Jim PiecuchThe Western Theater • Mark Edward LenderThe Naval Theater • Charles Neimeyer