James Lasdun – författare

Justice may have been served, but the human element of the story didn't seem to add up. What drove a loving family man with everything to lose to become a killer?‘A masterclass in calm, hard reasoning’ HELEN GARNER''One of our very best true crime documentarians... Riveting' JOYCE CAROL OATES'The Truman Capote version of the Murdaugh story' SLATEIn March of 2023, Alex Murdaugh was found guilty of murdering his wife Maggie and their younger son Paul at their home in South Carolina’s Lowcountry. The story became headline news around the world, with its outlandish revelations of corruption in high places, massive fraud, opioid abuse, fake suicides, suspicious accidents, and the generational recklessness of the wealthy legal dynasty at its centre.James Lasdun explores the psychological puzzle at the heart of the story, which the murder trial failed to answer. Why did Alex Murdaugh murder his wife and son?Featuring a cast of villains ranging from supposedly respectable lawyers to violent street gang members and a gothic setting in a small town in America's deep south, The Family Man is a gripping, immersive, twisting investigation of a double murder that seems to defy explanation.'Meticulous, spotlessly written, and clear-eyed' PAUL TREMBLAY'Not since Midnight in the Garden of Good and Evil have I read such a vividly wrought account of the South' NEW YORK TIMES

James Lasdun's new book of poems, his first since his acclaimed collection Landscape with Chainsaw, applies his characteristic blend of the celebratory and the elegiac to a rich variety of new themes and old obsessions. At once personal and political, Water Sessions brilliantly registers the shock waves of global tumult in the most intimately domestic of settings, while at the same time constantly feeling its way outward through private experience into the larger arenas of social and civic drama. Fathers and sons, men and women, desire and repression, art and silence, form the book's central polarities. Recurrent motifs of water and gardens give its wide-ranging subjects a satisfying coherence while also supplying its sometimes darkly urgent poems with a note of intense lyrical beauty. Much praised for the wit and tensile strength of his line, Lasdun moves in this volume from the tight formality of 'Stones' through the highly original patient/therapist dialogue form of the title poem, to the exuberant free verse of 'Dog Days', with a versatility and intelligence that ensure his standing as one of the most gifted poets writing today.

With this, his second collection of poetry, James Lasdun consolidates his reputation as a writer of rich, emotionally charged poems of utter virtuosity. The poems in this book concern themselves with transformations, dislocations, and metamorphoses. Vividly rendered landscapes from Tuscany to New Jersey evolve into meditations on love, myth, and sexual and social politics. Woman Police Officer in Elevator is a rigorous and compelling mix of the classical and the cosmopolitan.

His work has been described by the New York Times Book Review as an "elegant pathology report on the modern soul," and the Village Voice calls his prose "art that burrows into troubling new territory even as it glides by like a dream." Besieged shows his gift for exploring the undertones of contemporary experience at its most haunting and electrically charged. Against a variety of stunningly evoked backgrounds—from the teeming banks of the Ganges in Varanasi to a homeless shelter in New York—these powerful, intensely focused narratives reverberate, as Michiko Kakutani put it in the New York Times, "insistently in the reader's mind long after he has finished the book." In "Ate/Menos" or "The Miracle," a young man takes unscrupulous advantage of a woman who mistakes him for someone else and finds himself enmeshed in her desperate obsessions and nightmares. In "The Siege," a wealthy recluse falls in love with the immigrant woman who lives in his basement. On discovering she is married and that her husband is a political prisoner, he embarks on a course of action that will lead simultaneously to his destruction and to his salvation. Two of the stories in this collection were made into major independent film. "Ate Menos" was the basis for the film Sunday, which won the Grand Jury Best Feature Award at Sundance. "The Siege" was adapted by Bernardo Bertolucci for his film Besieged.

An exuberant and bold series of poems drawing on the poet's life in the Catskill Mountains. Questions of exile and belonging figure prominently, as does the struggle to find a viable relationship with the natural world. In the chainsaw—the book's central image—all manner of human traits are reflected with an intense, often comical brilliance.

The Horned Man opens with a man losing his place in a book, then deepens into a dark and terrifying tale of a man losing his place in the world. As Lawrence Miller—an English expatriate and professor of gender studies—tells the story of what appears to be an elaborate conspiracy to frame him for a series of brutal killings, we descend into a world of subtly deceptive appearances where persecutor and victim continually shift roles, where paranoia assumes an air of calm rationality, and where enlightenment itself casts a darkness in which the most nightmarish acts occur. As the novel races to its shocking conclusion, we follow Miller as he traverses the streets of Manhattan and the decaying suburbs beyond, in terrified pursuit of his pursuers. Written with sinuous grace and intellectual acuity, The Horned Man is an extraordinary, unforgettable first novel by an acclaimed writer and poet of unusual power.

Part political thriller, part meditation on the nature of desire and betrayal, Seven Lies tells the story of Stefan Vogel, a young East German, whose yearnings for love, glory, and freedom express themselves in a lifelong fantasy of going to America. By a series of increasingly dangerous maneuvers, he makes this fantasy come true, his past seemingly locked behind the Berlin Wall and a new life of unbounded bliss ahead of him. But then his world begins to fall apart.

It is summer, 2012. Charlie, a wealthy banker with an uneasy conscience, invites his troubled cousin Matthew to visit him and his wife in their idyllic mountaintop house. As the days grow hotter, the friendship between the three begins to reveal its fault lines, and with the arrival of a fourth character, the household finds itself suddenly in the grip of uncontrollable passions. As readers of James Lasdun’s acclaimed fiction can expect, The Fall Guy is a complex moral tale as well as a gripping suspense story, probing questions of guilt and betrayal with ruthless incisiveness. Who is the real victim here? Who is the perpetrator? And who, ultimately, is the fall guy? Darkly vivid, with an atmosphere of erotic danger, The Fall Guy is Lasdun’s most entertaining novel yet.

When an old flame accuses him of sexual assault, expat English journalist Marco Rosedale is brought rapidly to the brink of ruin. Marco confides in a close friend, the unnamed narrator, who finds himself caught between the obligations of friendship and an increasingly urgent desire to uncover the truth—until the question of his own complicity becomes impossible to avoid.

In March 2023, Alex Murdaugh was found guilty of murdering his wife and younger son at Moselle, their home in South Carolina’s Lowcountry. In The Family Man, James Lasdun takes a new angle on this story of corruption in high places, massive fraud, opioid abuse, fake suicides, suspicious accidents, and the generational recklessness of the wealthy legal dynasty at its center. The acclaimed novelist brings his long-standing interest in the darker drives of the human psyche to investigate the events leading up to the slaughter at Moselle, examining Murdaugh through original interviews with those involved in the case, transcripts of phone calls Murdaugh made from prison, the literature of criminal psychology, and the murder trial itself. Deeply researched, sharply written, and with the page-turning intensity of a Southern gothic novel, The Family Man constructs a masterful portrait of Murdaugh and the mind-boggling crimes that wreaked havoc on his community in the Lowcountry.

**LONGLISTED FOR THE MAN BOOKER PRIZE**Stefan Vogel, a young man growing up in the former East Germany, longs for love, glory and freedom - yearnings that express themselves in a lifelong fantasy of going to America. The hopeless son of an ambitious mother and a kind but unlucky diplomat, Stefan lurches between his budding, covert interests - girls and Romantic poetry - to find himself embroiled in dissident politics, which oddly seems to offer both.In time, by a series of blackly comic and increasingly dangerous manoeuvres, he contrives to make his fantasy come true, finding himself not only in the country of his dreams, but also married to the woman he idolises. America seems everything he expected and meanwhile his secrets are safely locked away behind the Berlin Wall.A new life of unbounded bliss seems to have been granted to him. And then that life begins to fall apart...

James Lasdun's third book of poems explores the themes and tensions of his last two with a new boldness and exuberance, in a series of poems about life in the Catskill mountains outside Woodstock, where the author moved with his family some years ago. Questions of exile and belonging, cutting ties and forming new bonds, figure prominently, as does the struggle to find a viable relationship with the natural world of the mountain wilderness - at once a stunning companion and a ferocious competitor. Out of this - 'the need to carve out a niche for ourselves;/our singular relation to what we love' - rises the book's central image: the chainsaw. Very much a real machine (given to the alarmed poet by his wife), it also comes to form a complex symbol in which all manner of human traits are reflected with an intense, often comical, brilliance.A brilliantly assured, deftly lyrical sequence, Landscape with Chainsaw melds passion with wit, the classical with the quotidian, in a thrilling meditation on history, love, cultural identity and the anxiety of displacement. As an examination of the complexities of deracination and domesticity, it marks the matured genius of one of England's most important poets.

Lawrence Miller, an English expatriate in New York, tells the story of what appears to be an elaborate conspiracy to frame him for a series of brutal killings. The intricate plot entangles Miller, a teacher of Gender Studies, in the lives of a womanising colleague under investigation for sexual harassment, a lonely attorney who has developed an inexplicable passion for Miller, and a shadowy Bulgarian who adapts Kafka for the stage, is prone to acts of explosive violence, and may or may not be sleeping under Miller's office desk. As the novel spirals to its shocking conclusion, Lawrence Miller traverses, in terror, the streets of Manhattan, tracking the lines of human connection across the city and out to the decaying suburbs beyond, in wild pursuit of his persecutors.

This collection combines stories from his previous books THE SILVER AGE and THREE EVENINGS. In these stories James Lasdun views greed and excess from illuminating angles and the impulse of those who own too much to dispossess themselves. He examines the callousness by which adults lose influence over children and the instinctive tactics devised by children for gaining power over adults. He calls corruption, in its ingenious guises, to account while acknowledging the perverse fascination of human foibles. Each story casts a curious spell, in which objects and the natural world are tinged with an aura of the magical. A sensuous lyricism of prose governed by a witty and subtle intelligence brings these stories their very special flavour.

THIS BOOK, NOW THOROUGHLY REVISED AND UPDATED, IS WRITTEN TO SATISFY READERS WHO WANT TO BUILD THEIR HOLIDAY AROUND WALKING, OR THOSE WHO SIMPLY WANT TO INTEGRATE A BIT OF WALKING INTO THEIR HOLIDAY. IT BEGINS WITH A "PRACTICALITIES" SECTION AND EXTEND INTO THE WALKS THEMSELVES. FROM SIX OR SO "BASE TOWNS," THE AUTHORS OFFER ROUTES OF ONE OR TWO HOURS, HALF DAY, AND ONE, THREE, AND FIVE DAYS. THERE ARE ALSO SOME EXTRAORDINARY WALKS WORTH GOING OUT OF THE WAY FOR. THERE ARE RECOMMENDATIONS FOR RESTAURANTS, TRATTORIAS AND PIZZERIAS, AS WELL AS MARKETS AND OTHER TAKE-AWAY OPTIONS. ADDITIONALLY, THE BOOK INCLUDES SUGGESTIONS FOR LODGING, TRANSPORTATION, FLORA AND MANY OTHER POINTS OF INTEREST.

In sharply evoked settings that range from the wilds of Northern Greece to the beaches of Cape Cod, these intensely dramatic tales chart the metamorphoses of their characters as they fall prey to the gamut of human passions. The lives in them seethe with love, hate, desire, fear, tender corruption and cruel idealism. They rise to unexpected heights of decency, stumble into comic or tragic folly, they throw themselves open to lust, longing, paranoia - but they are always recognisably, illuminatingly, our lives.Winner of the BBC National Short Story Award.

A true story of obsessive love turning to obsessive hate, Give Me Everything You Have chronicles the author’s strange and harrowing ordeal at the hands of a former student, a self-styled ‘verbal terrorist’, who began trying, in her words, to ‘ruin him’. Hate-mail – much of it violently anti-Semitic – online postings and public accusations of theft and sexual misconduct, have been her weapons of choice, and, as with more conventional terrorist weapons, have proved remarkably difficult to combat.James Lasdun’s account, while terrifying, is told with compassion and humour, and brilliantly succeeds in turning a highly personal story into a profound meditation on subjects as varied as madness, race, Middle-Eastern politics, and the meaning of honour and reputation in the internet age.

James Lasdun's new book of poems, his first since his acclaimed collection Landscape with Chainsaw, applies his characteristic blend of the celebratory and the elegiac to a rich variety of new themes and old obsessions. At once personal and political, Water Sessions brilliantly registers the shock waves of global tumult in the most intimately domestic of settings, while at the same time constantly feeling its way outward through private experience into the larger arenas of social and civic drama. Fathers and sons, men and women, desire and repression, art and silence, form the book's central polarities. Recurrent motifs of water and gardens give its wide-ranging subjects a satisfying coherence while also supplying its sometimes darkly urgent poems with a note of intense lyrical beauty. Much praised for the wit and tensile strength of his line, Lasdun moves in this volume from the tight formality of 'Stones' through the highly original patient/therapist dialogue form of the title poem, to the exuberant free verse of 'Dog Days', with a versatility and intelligence that ensure his standing as one of the most gifted poets writing today.

Charlie, a wealthy banker with an uneasy conscience, invites his troubled cousin Matthew to visit him and his wife in their idyllic mountain-top house over the summer. As the days grow hotter, the friendship between the three begins to reveal its fault lines.When a fourth person arrives, the household finds itself suddenly in the grip of uncontrollable passions. Who is the real victim? Who is the perpetrator? And who, ultimately, is the fall guy?

**SHORTLISTED FOR THE RATHBONES FOLIO PRIZE 2020**Two timely novellas exploring male sexual violence, power and corruption‘Victory makes a convincing case for James Lasdun as one of the most incisive investigators of the human heart writing in English today… An instant masterpiece’ Johanna Thomas-Corr, ObserverLove and hate, desire and guilt, friendship and betrayal – these are the coordinates that drive James Lasdun’s two intensely gripping, darkly comic novellas of men and women caught between their irrational passions and the urge for control. In Feathered Glory the seemingly happy marriage of a school principal and his artist wife reveals dangerous fault-lines as an old lover reappears in the husband’s life. The past also haunts the present in Afternoon of a Faun, where an accusation of historic sexual assault plunges Marco Rosedale, an English journalist in New York, into a series of deepening crises. Together these stories offer a sharply observed vision that will resonate with anyone interested in the clash of power and desire in our embattled contemporary lives.

Justice may have been served, but the human element of the story didn't seem to add up. What drove a loving family man with everything to lose to become a killer?‘A masterclass in calm, hard reasoning’ HELEN GARNER''One of our very best true crime documentarians... Riveting' JOYCE CAROL OATES'The Truman Capote version of the Murdaugh story' SLATEIn March of 2023, Alex Murdaugh was found guilty of murdering his wife Maggie and their younger son Paul at their home in South Carolina’s Lowcountry. The story became headline news around the world, with its outlandish revelations of corruption in high places, massive fraud, opioid abuse, fake suicides, suspicious accidents, and the generational recklessness of the wealthy legal dynasty at its centre.James Lasdun explores the psychological puzzle at the heart of the story, which the murder trial failed to answer. Why did Alex Murdaugh murder his wife and son?Featuring a cast of villains ranging from supposedly respectable lawyers to violent street gang members and a gothic setting in a small town in America's deep south, The Family Man is a gripping, immersive, twisting investigation of a double murder that seems to defy explanation.'Meticulous, spotlessly written, and clear-eyed' PAUL TREMBLAY'Not since Midnight in the Garden of Good and Evil have I read such a vividly wrought account of the South' NEW YORK TIMES

Charlie, a wealthy banker with an uneasy conscience, invites his troubled cousin Matthew to visit him and his wife in their idyllic mountain-top house over the summer. As the days grow hotter, the friendship between the three begins to reveal its fault lines.When a fourth person arrives, the household finds itself suddenly in the grip of uncontrollable passions. Who is the real victim? Who is the perpetrator? And who, ultimately, is the fall guy?

**SHORTLISTED FOR THE RATHBONES FOLIO PRIZE 2020**Two timely novellas exploring male sexual violence, power and corruption‘Victory makes a convincing case for James Lasdun as one of the most incisive investigators of the human heart writing in English today… An instant masterpiece’ Johanna Thomas-Corr, ObserverLove and hate, desire and guilt, friendship and betrayal – these are the coordinates that drive James Lasdun’s two intensely gripping, darkly comic novellas of men and women caught between their irrational passions and the urge for control. In Feathered Glory the seemingly happy marriage of a school principal and his artist wife reveals dangerous fault-lines as an old lover reappears in the husband’s life. The past also haunts the present in Afternoon of a Faun, where an accusation of historic sexual assault plunges Marco Rosedale, an English journalist in New York, into a series of deepening crises. Together these stories offer a sharply observed vision that will resonate with anyone interested in the clash of power and desire in our embattled contemporary lives.

Se trata de dos novelas cortas de gran calado psicológico. Lasdun está considerado el Chéjov del siglo XXI. Los temas son de gran actualidad: la explotación sexual y la traición. Escritas con gran inteligencia, tratan del amor y el sexo en nuestra era. Advierte de los peligros del movimiento MeToo. En esta época en la que se vive el final de las prerrogrativas masculinas, representa de manera exquisita la ambigüedad moral y la facinación de algunos hombres por los logros de otros hombres. Lasdun trata temas escabrosos con imágenes muy potentes y delicadas y utiliza el diálogo con gran maestría.