James Schuyler – författare

For the first time, The New York Poets gathers in a single volume the best work of four extraordinary poets: Frank O'Hara, John Ashbery, Kenneth Koch, and James Schuyler. By the early 1950s all four were settled in Manhattan, collaborating, competing and encouraging each other's radical experiments with language and form. Much of their work reflects their participation in the creative energies of the New York art scene, 'the floods of paint', to quote James Schuyler, 'in whose crashing surf we all scramble'. Believing that anything could be material for a poem, they transformed American poetry with their irreverent wit and daring.Mark Ford's anthology is an essential introduction to four poets whose work has influenced poetry around the world. It includes detailed background information and a substantial bibliography.

Schuyler covers all phases of the game and discusses other vital subjects such as harassment, material imbalance, time management, surprise moves, unusual ideas, provocative play, maneuvers and recovering from bad positions.

FIDE Master James Schuyler studies his favourite Black opening, the Dark Knight System. He presents a repertoire for Black and tells you everything you need to know about playing 1...Nc6.

Poet Mark Ford has described the letters of James Schuyler as witty, graceful, sophisticated and gossipy.' Particularly poignant and delightful are these newly released Schuyler letters to fellow poet Frank O'Hara. They are entertaining, offhanded, intimate and transcendently poetic.'

This fully updated edition of James Schuyler’s letters to three dozen intimates, published on the 100th anniversary of the writer’s birth, offers unparalleled insights into the lives, friendships, and sensibilities that sprang from the influential New York School.James Schuyler’s effervescent takes on people, nature, art, writing, and love are on joyous display in his letters to John Ashbery, Ron Padgett, Barbara Guest, Alex Katz, Joe Brainard, Kenneth Koch, and many more. They paint an indelible picture of a charmingly self-deprecating gentleman with an expansive intellect and a deliciously wicked tongue. “Jimmy wrote letters for the most civilized of reasons,” a friend of his once said, “to inform and to entertain.”And that they do, in inimitable style. Peppering his aperçus with the occasional “tout de sweetie” and “pet noire,” the Pulitzer Prize-winning author of The Morning of the Poem holds forth on everything from Dante and Delacroix to travel and gardening to the delicate workings of his own poems and those of others. While his tone ranges from the lightly graceful to the racily profane, each letter is exquisitely tuned to its recipient. Schuyler’s voice changes over the years and through periods of elation and struggle, including stays with friends and in psychiatric wards. Reading these letters, one becomes intimately connected to the man and to his words, which have only grown more savory and valuable with time.

Pearl Without Price, First the worst: your five dollar check bounced. N’importe. I made it good, and you can pay me back when . . . the primroses come back to 49th Street.  Poet Mark Ford has described the letters of James Schuyler as “witty, graceful, sophisticated, and gossipy.” Particularly poignant are these Schuyler letters to fellow poet Frank O’Hara. Entertaining and transcendently poetic, they are the portrait of a friendship between two great New York School poets.