James Sullivan – författare

When he emerged from the nightclubs of Greenwich Village, Bob Dylan was often identified as a "protest" singer. As early as 1962, however, Dylan was already protesting the label: "I don't write no protest songs," he told his audience on the night he debuted "Blowin' in the Wind." "Protest" music is largely perceived as an unsubtle art form, a topical brand of songwriting that preaches to the converted. But popular music of all types has long given listeners food for thought. Fifty years before Vietnam, before the United States entered World War I, some of the most popular sheet music in the country featured anti-war tunes. The labor movement of the early decades of the century was fueled by its communal "songbook." The Civil Rights movement was soundtracked not just by the gorgeous melodies of "Strange Fruit" and "A Change Is Gonna Come," but hundreds of other gospel-tinged ballads and blues. In Which Side Are You On, author James Sullivan delivers a lively anecdotal history of the progressive movements that have shaped the growth of the United States, and the songs that have accompanied and defined them. Covering one hundred years of social conflict and progress across the twentieth century and into the early years of the twenty-first, this book reveals how protest songs have given voice to the needs and challenges of a nation and asked its citizens to take a stand -- asking the question "Which side are you on?"

When he emerged from the nightclubs of Greenwich Village, Bob Dylan was often identified as a "protest" singer. As early as 1962, however, Dylan was already protesting the label: "I don''t write no protest songs," he told his audience on the night he debuted "Blowin'' in the Wind." "Protest" music is largely perceived as an unsubtle art form, a topical brand of songwriting that preaches to the converted. But popular music of all types has long given listeners food for thought. Fifty years before Vietnam, before the United States entered World War I, some of the most popular sheet music in the country featured anti-war tunes. The labor movement of the early decades of the century was fueled by its communal "songbook." The Civil Rights movement was soundtracked not just by the gorgeous melodies of "Strange Fruit" and "A Change Is Gonna Come," but hundreds of other gospel-tinged ballads and blues. In Which Side Are You On, author James Sullivan delivers a lively anecdotal history of the progressive movements that have shaped the growth of the United States, and the songs that have accompanied and defined them. Covering one hundred years of social conflict and progress across the twentieth century and into the early years of the twenty-first, this book reveals how protest songs have given voice to the needs and challenges of a nation and asked its citizens to take a stand--asking the question "Which side are you on?"

When he emerged from the nightclubs of Greenwich Village, Bob Dylan was often identified as a "protest" singer. As early as 1962, however, Dylan was already protesting the label: "I don''t write no protest songs," he told his audience on the night he debuted "Blowin'' in the Wind." "Protest" music is largely perceived as an unsubtle art form, a topical brand of songwriting that preaches to the converted. But popular music of all types has long given listeners food for thought. Fifty years before Vietnam, before the United States entered World War I, some of the most popular sheet music in the country featured anti-war tunes. The labor movement of the early decades of the century was fueled by its communal "songbook." The Civil Rights movement was soundtracked not just by the gorgeous melodies of "Strange Fruit" and "A Change Is Gonna Come," but hundreds of other gospel-tinged ballads and blues. In Which Side Are You On, author James Sullivan delivers a lively anecdotal history of the progressive movements that have shaped the growth of the United States, and the songs that have accompanied and defined them. Covering one hundred years of social conflict and progress across the twentieth century and into the early years of the twenty-first, this book reveals how protest songs have given voice to the needs and challenges of a nation and asked its citizens to take a stand--asking the question "Which side are you on?"

When he emerged from the nightclubs of Greenwich Village, Bob Dylan was often identified as a "protest" singer. As early as 1962, however, Dylan was already protesting the label: "I don't write no protest songs," he told his audience on the night he debuted "Blowin' in the Wind." "Protest" music is largely perceived as an unsubtle art form, a topical brand of songwriting that preaches to the converted. But popular music of all types has long given listeners food for thought. Fifty years before Vietnam, before the United States entered World War I, some of the most popular sheet music in the country featured anti-war tunes. The labor movement of the early decades of the century was fueled by its communal "songbook." The Civil Rights movement was soundtracked not just by the gorgeous melodies of "Strange Fruit" and "A Change Is Gonna Come," but hundreds of other gospel-tinged ballads and blues. In Which Side Are You On?, author James Sullivan delivers a lively anecdotal history of the progressive movements that have shaped the growth of the United States, and the songs that have accompanied and defined them. Covering one hundred years of social conflict and progress across the twentieth century and into the early years of the twenty-first, this book reveals how protest songs have given voice to the needs and challenges of a nation and asked its citizens to take a stand--asking the question "Which side are you on?"

The untold story of the night a divide nation turned to James Brown—and he delivered hope and calm in the form of an immortal concert Since James Brown''s death in December 2006, the Godfather of Soul has received many stirring tributes. Yet few have addressed his contribution in the darkest hour of the Civil Rights movement. Telling for the first time the story of his historic Boston Garden concert the day after Martin Luther King, Jr.''s assassination, The Hardest Working Man captures the magnificent achievements that made Brown an icon of American popular culture. Sullivan details the charged atmosphere in Boston, Brown''s fight against city officials to take the stage, and the electric performance he delivered. Through the prism of this one concert, Sullivan also charts Brown''s incredible rise from poverty to self-made millionaire, his enormous influence on popular music, and his complex relationship with the Civil Rights movement, making The Hardest Working Man both a tribute to an unforgettable concert and a rousing biography of a revolutionary musician.

To most of us "wash-ashores," the islands of Martha''s Vineyard and Nantucket are resort destinations, summer homes for the Kennedys, the Obamas, and--yes--Bill Belichick. But the year-rounders see a different picture.After the tourists and jetsetters leave, the cold weather descends, and the local shop owners, carpenters, and fishermen ready themselves for the main event: high school football. For over fifty years, the local teams been locked in a fierce rivalry. They play for pride, a trophy, and very often, a shot at the league championship. Despite their tiny populations, both islands are dangerous on the football field.In this far-reaching book, James Sullivan tells the story not only of the Whaler-Vineyarder rivalry, but of two places without a country. Filled with empty houses nine months of the year, Nantucket and the Vineyard have long, unique histories that include such oddities as an attempt to secede from the U.S., and the invention of a proprietary sign language. Delving into the rich history of both places, Sullivan paints a picture of a bygone New England, a place that has never stopped fighting for its life--and for the rights to coveted Island Cup.

In the bestselling tradition of Indianapolis and In Harm’s Way comes a “captivating…gripping” (Kirkus Reviews, starred review) account of the USS Plunkett—a US Navy destroyer that sustained the most harrowing attack on any Navy ship by the Germans during World War II, later made famous by John Ford and Herman Wouk.“A reflection on the nature of storytelling itself” (The Wall Street Journal), Unsinkable traces the individual journeys of five men on one ship from Casablanca in North Africa, to Sicily and Salerno in Italy and then on to Plunkett’s defining moment at Anzio, where a dozen-odd German bombers bore down on the ship in an assault so savage, so prolonged, and so deadly that one Navy commander was hard-pressed to think of another destroyer that had endured what Plunkett had. After a three-month overhaul and with a reputation rising as the “fightin’est ship” in the Navy, Plunkett (DD-431) plunged back into the war at Omaha Beach on D-Day, and again into battle during the invasion of Southern France—perhaps the only Navy ship to participate in every Allied invasion in the European theatre. Featuring five incredibly brave men—the indomitable skipper, who will receive the Navy Cross; the gunnery officer, who bucks the captain every step of the way to Anzio; a first lieutenant, who’s desperate to get off the ship and into the Pacific; a seventeen-year-old water tender, who’s trying to hold onto his hometown girl against all odds, and another water tender, who mans a 20mm gun when under aerial assault—the dramatic story of each plays out on the decks of the Plunkett as the ship’s story escalates on the stage of the Mediterranean. Based on Navy logs, war diaries, action reports, letters, journals, memoirs, and dozens of interviews with the men who were on the ship and their families, Unsinkable is a timeless evocation of young men stepping up to the defining experience of their lives. “If you were moved by Norman Maclean’s A River Runs Through It, by William Kent Krueger’s This Tender Land…by the values we hold dear, decency, sacrifice, steadfastness, then Unsinkable will take you to a place long dead in your soul, and flood it with light” (Doug Stanton, #1 New York Times bestselling author of Horse Soldiers).