James Thurber – författare

Walter Mitty is an ordinary man living an ordinary life. But he has dreams - vivid, extraordinary day dreams - in which the life he leads is one of excitement and even adventure, in which he - a weary, put upon middle-aged man - is the hero of his own story. A man can dream, can't he?The Secret Life of Walter Mitty is just one of the brilliant humorous and witty stories written by James Thurber and collected here.

The hilarious writing of James Thurber, author of 'The Secret Life of Walter Mitty', collected in this classic anthology.This collection brings together the best of James Thurber's brilliantly funny, eccentric and anarchic writings. It includes his most famous work, The Secret Life of Walter Mitty, in which an ordinary man's fantasies have a more powerful hold on him than reality, as well as essays, poetry and cartoons gathered from all of Thurber's collections. Making fun of his own weaknesses and those of other people (and dogs) - the English teacher who looked only at figures of speech, the Airedale who refused to include him in the family, the botany lecturer who despaired of him totally - James Thurber is a true original, whose off-beat imagination shows us everyday life from a different angle.James Thurber was born in 1894 at Columbus, Ohio, where, as he once said, so many awful things happened to him. After university (Ohio State) he worked at the American Embassy in Paris from 1918 to 1920, and then turned to journalism. From 1927 onwards he was on the staff of the New Yorker, and first published much of his work in it. He died in New York in 1961, and is today recognised as one of America's greatest twentieth-century humourists.'One of the absolutely essential books of our time' Saturday Review of Literature'One of the great humorists' Sunday Times

A giant of American humor makes his Penguin Classics debut with “probably the best book in the world” (Neil Gaiman, from the Introduction), in a stunning Deluxe Edition featuring the original, full-color illustrations  The hands of all thirteen clocks stand still in the gloomy castle on a lonely hill where a wicked Duke lives with his niece, the beautiful Princess Saralinda. The Duke fancies he has frozen time, for he is afraid that one day a Prince may come and win away the hand of the Princess—the only warm hand in the castle. To thwart that fate, he sets impossible tasks for Saralinda’s suitors. But when the bold Prince Zorn of Zorna arrives, disguised as a wandering minstrel, and helped by the enigmatic Golux, the cold Duke may at last have met his match. Since it was first published in 1950, James Thurber’s sublimely whimsical fairy tale of love forestalled but ultimately fulfilled has delighted readers of all ages. It is published here with Marc Simont’s enchanting, full-color illustrations from the first edition.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Great American humorist James Thurber’s beloved, madcap, and eerily timely fairy tale about an island society robbed of the wonders of the letter O—in a stunning Deluxe Edition featuring flaps, deckle-edged paper, and the original, full-color illustrations   Littlejack has a map that indicates the existence of a treasure on a far and lonely island, and Black has a ship to get there. So the two bad men team up and sail off on Black’s vessel, the Aeiu. The name, Black explains, is all the vowels except for O—which he hates since his mother got wedged in a porthole: They couldn’t pull her in, so they had to push her out. Black and Littlejack arrive at the port and demand the treasure. No one knows anything about it, so they have their henchmen ransack the place—to no avail. But Black has a better idea: He will take over the island and purge it of O. (“I'll issue an edict!”)   The harsh limits of a life sans O (where shoe is she and woe is we) and how finally with a little luck and lots of pluck the islanders shake off their overbearing interlopers and discover the true treasure for themselves (Oh yes—and get back their O’s)—these are only some of the surprises that await readers of James Thurber’s timelessly zany fairy tale about two louts who try to lock up the language—and lose. It is a tour de force of wordplay that will delight fans of Lewis Carroll, Dr. Seuss, Edward Lear, and Roald Dahl, and a timely reminder of how people can band together in the name of freedom to overthrow a tyrant.   For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Musical comedy Based on the story by James Thurber Characters: 5 male, 6 female, and as many extras as desired. Scenery: Various simple sets (or one basic set). On his fortieth birthday Walter Mitty reflects on his drab, ordinary life. Defeated in his quest for wealth and glory by family responsibilities, a mortgage, and a routine job, he creates elaborate fantasies in which he is the hero. His secret world is so enticing that he often loses sight of the boundary between dream and reality and comically slips into his imagination. An attractive would be chanteuse aptly named Willa de Wisp encourages Walter to leave his wife, shed the burdens of suburban living and really live the secret life. Unfortunately it is as unattainable as it is appealing. At the end of the play Walter discovers that he is happily committed to the real world. "A thoroughly pleasant musical evening."-- Time.

In Conversations with James Thurber this remarkable man who has been called America's twentieth-century Mark Twain and who was one of the great talkers of his time expresses his opinions on just about everything and recounts stories and anecdotes about his life which provided the basis for much of his humor writing.These entertaining interviews, conducted by Arthur Miller, Harvey Breit, George Plimpton, Arthur Gelb, and others, span twenty-two years, from 1939--1961. In them Thurber recalls his youth in Columbus, Ohio, his struggles as a student at Ohio State University, and his days of literary and journalistic apprenticeship in Europe as a code clerk and newspaperman who had to recreate entire stories from a few words of coded copy provided by the wire service. He tells too of his early days in New York City when he joined the staff of The New Yorker, of the origins of his drawings, of the pleasures that word games and mental puzzles gave him, and of his increasing blindness and its effect on his work and his perception of the world.As a man who like to express his opinions and to have an audience, Thurber enjoyed interviews and rarely refused to grant them. With the interview format he became so skilled that he perfected the interview-monologue into a Thurberesque art form, the oral equivalent of the autobiographical essay that he refined in his prose.

Gorgeously illustrated and including two gatefolds that give us a panoramic jungle at war, The Tiger Who Would Be King is as entertaining as it is wise, as wry as it is passionate. Yoon's humorous images support this beautifully written text with wit and insight. Her final portrait of the tiger in a sea of silence will stay with the reader for a long, long time. JooHee Yoon is an illustrator and printmaker. She strives to create picture books that can be enjoyed by people of all ages. James Thurber joined the staff of the New Yorker in 1927. His contributions to that magazine, both as a writer and an artist, were instrumental in changing the character of American humor.