James Thurber – författare

Walter Mitty is an ordinary man living an ordinary life. But he has dreams - vivid, extraordinary day dreams - in which the life he leads is one of excitement and even adventure, in which he - a weary, put upon middle-aged man - is the hero of his own story. A man can dream, can't he?The Secret Life of Walter Mitty is just one of the brilliant humorous and witty stories written by James Thurber and collected here.

Collected fables and short stories from literary legend andiconic American humorist James Thurber, performed by Keith Olbermann

""James Thurber was a comedic genius. His fables are not simply parodies of Aesop. They are wry, accurate, and powerful reflections of ourselves, our foibles, our follies, and, above all, our self-importance. And they are very, very funny."" — Neil Gaiman

Stories in the collection include:

There’s No Place Like HomeThe Bear Who Let It AloneThe Greatest Man in the WorldThe Night the Ghost Got InI Went to SullivantThe Unicorn in the GardenHow to Relax While BroadcastingThe Tortoise and the HareA Box to Hide InThe Owl Who Was GodThe Secret Life of Walter MittyIf Grant Had Been Drinking at AppomattoxThe Moth and the StarThe Dog That Bit PeopleThe Topaz Cufflinks MysteryThe Little Girl and the WolfThe Macbeth Murder MysteryThe Rabbits Who Caused All the TroubleThe Night the Bed FellSex Ex MachinaThe Scotty Who Knew Too MuchThe Car We Had to PushThe Peacelike Mongoose

>"These tiny stories, in which a wide variety of animals show us how human we really are, are completely uproarious." —Saturday Review of Literature"These fables are as cogent and necessary today as they were before and after the Great War when Thurber''s plainspoken, satiric fables provided a way to speak out in an era of political suspiciousness, false hopes, and mistrust. These fables are, indeed, for our time." —Michael J. Rosen, from the IntroductionJames Thurber has been called "one of the world''s greatest humorists" by Alistair Cooke (The Atlantic), and "one of our great American institutions" (Stanley Walker)—and few works reveal Thurber''s genius as powerfully as his fables. Perennially entertaining and astutely satirical, Thurber pinpricks the idiosyncrasies of life with verbal frivolity, hilarious insights, political shrewdness, and, of course, quirky, quotable morals.Now, readers can savor 85 fables by the twentieth century''s preeminent humorist collected for the first time in a single anthology. Here, Fables for Our Time, Further Fables for Our Time, and ten previously uncollected fables—illustrated by such renowned artists as Seymour Chwast, Mark Ulriksen, Laurie Rosenwald, and R. O. Blechman—are presented in Collected Fables, a must-have for readers of all ages.

"An authentic American genius . . . Mr. Thurber belongs in the great lines of American humorists that includes Mark Twain and Ring Lardner." —The Philadelphia InquirerJames Thurber''s unique ability to convey the vagaries of life in a funny, witty, and often satirical way earned him accolades as one of the finest humorists of the twentieth century. A bestseller upon its initial publication in 1945, The Thurber Carnival captures the depth of his talent and the breadth of his wit. The stories compiled here, almost all of which first appeared in The New Yorker, are from his uproarious and candid collection My World and Welcome to It—including the American classic "The Secret Life of Walter Mitty''—as well as from The Owl in the Attic, The Seal in the Bathroom, and Men, Women and Dogs. Thurber''s take on life, society, and human nature is timeless and will continue to delight readers even as they recognize a bit of themselves in his brilliant sketches."One of the absolutely essential books of our time." —Saturday Review of Literature

From iconic American humorist James Thurber, a celebrated and poignant memoir about his years at The New Yorker with the magazine''s unforgettable founder and longtime editor, Harold Ross"Extremely entertaining. . . . life at The New Yorker emerges as a lovely sort of pageant of lunacy, of practical jokes, of feuds and foibles. It is an affectionate picture of scamps playing their games around a man who, for all his brusqueness, loved them, took care of them, pampered and scolded them like an irascible mother hen." —New York TimesWith a foreword by Adam Gopnik and illustrations by James ThurberAt the helm of America''s most influential literary magazine from 1925 to 1951, Harold Ross introduced the country to a host of exciting talent, including Robert Benchley, Alexander Woollcott, Ogden Nash, Peter Arno, Charles Addams, and Dorothy Parker. But no one could have written about this irascible, eccentric genius more affectionately or more critically than James Thurber, whose portrait of Ross captures not only a complex literary giant but a historic friendship and a glorious era as well. "If you get Ross down on paper," warned Wolcott Gibbs to Thurber," nobody will ever believe it." But readers of this unforgettable memoir will find that they do.Offering a peek into the lives of two American literary giants and the New York literary scene at its heyday, The Years with Ross is a true classic, and a testament to the enduring influence of their genius.

Walter Mitty is an ordinary man living an ordinary life. But he has dreams - vivid, extraordinary day dreams - in which the life he leads is one of excitement and even adventure, in which he - a weary, put upon middle-aged man - is the hero of his own story. A man can dream, can't he?The Secret Life of Walter Mitty is just one of the brilliant humorous and witty stories written by James Thurber and collected here.

The hilarious writing of James Thurber, author of 'The Secret Life of Walter Mitty', collected in this classic anthology.This collection brings together the best of James Thurber's brilliantly funny, eccentric and anarchic writings. It includes his most famous work, The Secret Life of Walter Mitty, in which an ordinary man's fantasies have a more powerful hold on him than reality, as well as essays, poetry and cartoons gathered from all of Thurber's collections. Making fun of his own weaknesses and those of other people (and dogs) - the English teacher who looked only at figures of speech, the Airedale who refused to include him in the family, the botany lecturer who despaired of him totally - James Thurber is a true original, whose off-beat imagination shows us everyday life from a different angle.James Thurber was born in 1894 at Columbus, Ohio, where, as he once said, so many awful things happened to him. After university (Ohio State) he worked at the American Embassy in Paris from 1918 to 1920, and then turned to journalism. From 1927 onwards he was on the staff of the New Yorker, and first published much of his work in it. He died in New York in 1961, and is today recognised as one of America's greatest twentieth-century humourists.'One of the absolutely essential books of our time' Saturday Review of Literature'One of the great humorists' Sunday Times

The hilarious writing of James Thurber, author of 'The Secret Life of Walter Mitty', collected in this classic anthology.This collection brings together the best of James Thurber's brilliantly funny, eccentric and anarchic writings. It includes his most famous work, The Secret Life of Walter Mitty, in which an ordinary man's fantasies have a more powerful hold on him than reality, as well as essays, poetry and cartoons gathered from all of Thurber's collections. Making fun of his own weaknesses and those of other people (and dogs) - the English teacher who looked only at figures of speech, the Airedale who refused to include him in the family, the botany lecturer who despaired of him totally - James Thurber is a true original, whose off-beat imagination shows us everyday life from a different angle.James Thurber was born in 1894 at Columbus, Ohio, where, as he once said, so many awful things happened to him. After university (Ohio State) he worked at the American Embassy in Paris from 1918 to 1920, and then turned to journalism. From 1927 onwards he was on the staff of the New Yorker, and first published much of his work in it. He died in New York in 1961, and is today recognised as one of America's greatest twentieth-century humourists.'One of the absolutely essential books of our time' Saturday Review of Literature'One of the great humorists' Sunday Times

Great American humorist James Thurber’s beloved, madcap, and eerily timely fairy tale about an island society robbed of the wonders of the letter O—in a stunning Deluxe Edition featuring flaps, deckle-edged paper, and the original, full-color illustrations   Littlejack has a map that indicates the existence of a treasure on a far and lonely island, and Black has a ship to get there. So the two bad men team up and sail off on Black’s vessel, the Aeiu. The name, Black explains, is all the vowels except for O—which he hates since his mother got wedged in a porthole: They couldn’t pull her in, so they had to push her out. Black and Littlejack arrive at the port and demand the treasure. No one knows anything about it, so they have their henchmen ransack the place—to no avail. But Black has a better idea: He will take over the island and purge it of O. (“I'll issue an edict!”)   The harsh limits of a life sans O (where shoe is she and woe is we) and how finally with a little luck and lots of pluck the islanders shake off their overbearing interlopers and discover the true treasure for themselves (Oh yes—and get back their O’s)—these are only some of the surprises that await readers of James Thurber’s timelessly zany fairy tale about two louts who try to lock up the language—and lose. It is a tour de force of wordplay that will delight fans of Lewis Carroll, Dr. Seuss, Edward Lear, and Roald Dahl, and a timely reminder of how people can band together in the name of freedom to overthrow a tyrant.   For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

A wise tale of a little princess who wanted the moon and got it. “Grown-ups themselves will find the book hilariously funny. . . . The lovely, squiggly illustrations in color are exactly right.”--The New Yorker

William Shawn once called The Talk of the Town the soul of the magazine. The section began in the first issue, in 1925. But it wasn''t until a couple of years later, when E. B. White and James Thurber arrived, that the Talk of the Town story became what it is today: a precise piece of journalism that always gets the story and has a little fun along the way.The Fun of It is the first anthology of Talk pieces that spans the magazine''s life. Edited by Lillian Ross, the longtime Talk reporter and New Yorker staff writer, the book brings together pieces by the section''s most original writers. Only in a collection of Talk stories will you find E. B. White visiting a potter''s field; James Thurber following Gertrude Stein at Brentano''s; Geoffrey Hellman with Cole Porter at the Waldorf Towers; A. J. Liebling on a book tour with Albert Camus; Maeve Brennan ventriloquizing the long-winded lady; John Updike navigating the passageways of midtown; Calvin Trillin marching on Washington in 1963; Jacqueline Onassis chatting with Cornell Capa; Ian Frazier at the Monster Truck and Mud Bog Fall Nationals; John McPhee in virgin forest; Mark Singer with sixth-graders adopting Hudson River striped bass; Adam Gopnik in Flatbush visiting the ìgrandest theatre devoted exclusively to the movies; Hendrik Hertzberg pinning down a Sulzberger on how the Times got colorized; George Plimpton on the tennis court with Boris Yeltsin; and Lillian Ross reporting good little stories for more than forty-five years. They and dozens of other Talk contributors provide an entertaining tour of the most famous section of the most famous magazine in the world.From the Trade Paperback edition.

Musical comedy Based on the story by James Thurber Characters: 5 male, 6 female, and as many extras as desired. Scenery: Various simple sets (or one basic set). On his fortieth birthday Walter Mitty reflects on his drab, ordinary life. Defeated in his quest for wealth and glory by family responsibilities, a mortgage, and a routine job, he creates elaborate fantasies in which he is the hero. His secret world is so enticing that he often loses sight of the boundary between dream and reality and comically slips into his imagination. An attractive would be chanteuse aptly named Willa de Wisp encourages Walter to leave his wife, shed the burdens of suburban living and really live the secret life. Unfortunately it is as unattainable as it is appealing. At the end of the play Walter discovers that he is happily committed to the real world. "A thoroughly pleasant musical evening."-- Time.

In Conversations with James Thurber this remarkable man who has been called America's twentieth-century Mark Twain and who was one of the great talkers of his time expresses his opinions on just about everything and recounts stories and anecdotes about his life which provided the basis for much of his humor writing.These entertaining interviews, conducted by Arthur Miller, Harvey Breit, George Plimpton, Arthur Gelb, and others, span twenty-two years, from 1939--1961. In them Thurber recalls his youth in Columbus, Ohio, his struggles as a student at Ohio State University, and his days of literary and journalistic apprenticeship in Europe as a code clerk and newspaperman who had to recreate entire stories from a few words of coded copy provided by the wire service. He tells too of his early days in New York City when he joined the staff of The New Yorker, of the origins of his drawings, of the pleasures that word games and mental puzzles gave him, and of his increasing blindness and its effect on his work and his perception of the world.As a man who like to express his opinions and to have an audience, Thurber enjoyed interviews and rarely refused to grant them. With the interview format he became so skilled that he perfected the interview-monologue into a Thurberesque art form, the oral equivalent of the autobiographical essay that he refined in his prose.