James Von Geldern – författare

This anthology offers a rich array of documents, short fiction, poems, songs, plays, movie scripts, comic routines, and folklore to offer a close look at the mass culture that was consumed by millions in Soviet Russia between 1917 and 1953. Both state-sponsored cultural forms and the unofficial culture that flourished beneath the surface are represented. The focus is on the entertainment genres that both shaped and reflected the social, political, and personal values of the regime and the masses. The period covered encompasses the Russian Revolution and Civil War, the mixed economy and culture of the 1920s, the tightly controlled Stalinist 1930s, the looser atmosphere of the Great Patriotic War, and the postwar era ending with the death of Stalin. Much of the material appears here in English for the first time.A companion 45-minute audio tape (ISBN 0-253-32911-6) features contemporaneous performances of fifteen popular songs of the time, with such favorites as "Bublichki," "The Blue Kerchief," and "Katyusha." Russian texts of the songs are included in the book.

This anthology introduces readers to Tsarist Russia's emerging popular and commercial urban culture and the individuals and groups that produced and consumed it. The selections translated here illustrate in colorful detail how the experiences and the composition of Russian society and culture evolved from the late eighteenth century through the 1917 revolution, in response to economic, technological, and political changes. Fortunetelling and etiquette manuals, thieves' tales, children's literature, popular songs, war stories, women's novels, satires of life in America, and vaudeville skits are just a few of the genres represented.

В первые годы существования СССР большевики активно организовывали социалистические фестивали — мероприятия, сопряженные с огромными затратами и участием тысяч людей. Почему же в условиях разрухи новый режим выделял средства на подобные зрелища? Джеймс фон Гельдерн рассматривает массовые мероприятия как отражение исторического видения большевиков: они трансформировали идеологию революции в мифологизированную цепь событий — нарратив, который заложил основы для легитимации большевистской власти.