Janet Shirley – författare

Guillaume de Machaut, a man famous for both his poetry and his musical compositions, wrote his Prise d’Alexandrie (or Capture of Alexandria) just a few years after the death of his hero, King Peter I of Cyprus (1359-69). It is a verse history of Peter’s reign, and was Machaut’s last major literary work. Peter’s ancestors had ruled the island of Cyprus since the 1190s, and in 1365 Peter gained notoriety throughout western Europe as leader of a crusading expedition which captured the Egyptian port of Alexandria. His forces, however, were unable to retain control, and Peter was left with a war against the Egyptian sultan. It was his increasingly desperate measures to continue the struggle and carry opinion with him that resulted in his murder in 1369. Machaut relied on information relayed by French participants in Peter’s wars, but although he was not an eyewitness of these events, his account is independent of other narratives of the reign which were written in Cyprus apparently under the auspices of the king’s heirs.

The Song of the Cathar Wars is the first translation into English of the Old Provençal Canso recounting the events of the years 1204-1218 in Southern France. In an effort to extirpate the Cathar heresy, Pope Innocent III launched what is now known as the Albigensian Crusade, but it was fiercely resisted by the lords and people of the Languedoc, if in the end in vain. This ’song’ was written in two parts, the first by William of Tudela, a supporter of the crusade; the second by an anonymous continuer, wholeheartedly in sympathy with the southerners, although not with the heretics themselves. It stands as a historical source of great importance, not least because it depicts the side that lost. The poem is also a skilful, dramatic and often impassioned composition, evoking the brilliant world of landed knights and the glories and bloody realities of battle. Janet Shirley is an award-winning translator of works on the French Middle Ages. Other publications by her include the Song of Roland and, in this Crusade Texts in Translation series, Crusader Syria in the 13th Century and, with Peter Edbury, Guillaume de Machaut: The Conquest of Alexandria.

Guillaume de Machaut, a man famous for both his poetry and his musical compositions, wrote his Prise d’Alexandrie (or Capture of Alexandria) just a few years after the death of his hero, King Peter I of Cyprus (1359-69). It is a verse history of Peter’s reign, and was Machaut’s last major literary work. Peter’s ancestors had ruled the island of Cyprus since the 1190s, and in 1365 Peter gained notoriety throughout western Europe as leader of a crusading expedition which captured the Egyptian port of Alexandria. His forces, however, were unable to retain control, and Peter was left with a war against the Egyptian sultan. It was his increasingly desperate measures to continue the struggle and carry opinion with him that resulted in his murder in 1369. Machaut relied on information relayed by French participants in Peter’s wars, but although he was not an eyewitness of these events, his account is independent of other narratives of the reign which were written in Cyprus apparently under the auspices of the king’s heirs.

The Old French ’Rothelin’ Continuation of William of Tyre’s Historia provides one of the best contemporary narratives of the history of the crusades and of the Latin Kingdom of Jerusalem in the mid-thirteenth century. Covering the period 1229-61, it has vivid accounts of the disastrous expeditions led by Count Theobald of Champagne (1239-40) and King Louis IX of France (1248-54) as well as of other events in the East. But the text contains far more than this, with a detailed description of Jerusalem itself, songs of protest written by crusaders, and a variety of marvels and adventures, including stories of Alexander the Great, and the poisonous snakes encountered by the Roman army under Cato. This text is here translated into English for the first time, together with a narrative for the same years taken from another Old French Continuation of William of Tyre’s work, part of L’Estoire de Eracles. Both accounts are translated from the Receuil des historiens des croisades: Historiens occidentaux vol. 2 (Paris, 1859). An introduction and full notes make these thirteenth-century events and ideas accessible to students of medieval history and to anyone interested in the lives and patterns of thought of people of that time.

The Song of the Cathar Wars is the first translation into English of the Old Provençal Canso recounting the events of the years 1204-1218 in Southern France. In an effort to extirpate the Cathar heresy, Pope Innocent III launched what is now known as the Albigensian Crusade, but it was fiercely resisted by the lords and people of the Languedoc, if in the end in vain. This ‘song was written in two parts, the first by William of Tudela, a supporter of the crusade; the second by an anonymous continuer, wholeheartedly in sympathy with the southerners, although not with the heretics themselves. It stands as a historical source of great importance, not least because it depicts the side that lost. The poem is also a skilful, dramatic and often impassioned composition, evoking the brilliant world of landed knights and the glories and bloody realities of battle. Janet Shirley is an award-winning translator of works on the French Middle Ages. Other publications by her include the Song of Roland and, in this Crusade Texts in Translation series, Crusader Syria in the 13th Century and, with Peter Edbury, Guillaume de Machaut: The Conquest of Alexandria.

The Song of the Cathar Wars is the first translation into English of the Old Provençal Canso recounting the events of the years 1204-1218 in Southern France. In an effort to extirpate the Cathar heresy, Pope Innocent III launched what is now known as the Albigensian Crusade, but it was fiercely resisted by the lords and people of the Languedoc, if in the end in vain. This ’song’ was written in two parts, the first by William of Tudela, a supporter of the crusade; the second by an anonymous continuer, wholeheartedly in sympathy with the southerners, although not with the heretics themselves. It stands as a historical source of great importance, not least because it depicts the side that lost. The poem is also a skilful, dramatic and often impassioned composition, evoking the brilliant world of landed knights and the glories and bloody realities of battle. Janet Shirley is an award-winning translator of works on the French Middle Ages. Other publications by her include the Song of Roland and, in this Crusade Texts in Translation series, Crusader Syria in the 13th Century and, with Peter Edbury, Guillaume de Machaut: The Conquest of Alexandria.

The Song of the Cathar Wars is the first translation into English of the Old Provençal Canso recounting the events of the years 1204-1218 in Southern France. In an effort to extirpate the Cathar heresy, Pope Innocent III launched what is now known as the Albigensian Crusade, but it was fiercely resisted by the lords and people of the Languedoc, if in the end in vain. This ’song’ was written in two parts, the first by William of Tudela, a supporter of the crusade; the second by an anonymous continuer, wholeheartedly in sympathy with the southerners, although not with the heretics themselves. It stands as a historical source of great importance, not least because it depicts the side that lost. The poem is also a skilful, dramatic and often impassioned composition, evoking the brilliant world of landed knights and the glories and bloody realities of battle. Janet Shirley is an award-winning translator of works on the French Middle Ages. Other publications by her include the Song of Roland and, in this Crusade Texts in Translation series, Crusader Syria in the 13th Century and, with Peter Edbury, Guillaume de Machaut: The Conquest of Alexandria.

Guillaume de Machaut, a man famous for both his poetry and his musical compositions, wrote his Prise d’Alexandrie (or Capture of Alexandria) just a few years after the death of his hero, King Peter I of Cyprus (1359-69). It is a verse history of Peter’s reign, and was Machaut’s last major literary work. Peter’s ancestors had ruled the island of Cyprus since the 1190s, and in 1365 Peter gained notoriety throughout western Europe as leader of a crusading expedition which captured the Egyptian port of Alexandria. His forces, however, were unable to retain control, and Peter was left with a war against the Egyptian sultan. It was his increasingly desperate measures to continue the struggle and carry opinion with him that resulted in his murder in 1369. Machaut relied on information relayed by French participants in Peter’s wars, but although he was not an eyewitness of these events, his account is independent of other narratives of the reign which were written in Cyprus apparently under the auspices of the king’s heirs.

Guillaume de Machaut, a man famous for both his poetry and his musical compositions, wrote his Prise d’Alexandrie (or Capture of Alexandria) just a few years after the death of his hero, King Peter I of Cyprus (1359-69). It is a verse history of Peter’s reign, and was Machaut’s last major literary work. Peter’s ancestors had ruled the island of Cyprus since the 1190s, and in 1365 Peter gained notoriety throughout western Europe as leader of a crusading expedition which captured the Egyptian port of Alexandria. His forces, however, were unable to retain control, and Peter was left with a war against the Egyptian sultan. It was his increasingly desperate measures to continue the struggle and carry opinion with him that resulted in his murder in 1369. Machaut relied on information relayed by French participants in Peter’s wars, but although he was not an eyewitness of these events, his account is independent of other narratives of the reign which were written in Cyprus apparently under the auspices of the king’s heirs.

The Old French ’Rothelin’ Continuation of William of Tyre’s Historia provides one of the best contemporary narratives of the history of the crusades and of the Latin Kingdom of Jerusalem in the mid-thirteenth century. Covering the period 1229-61, it has vivid accounts of the disastrous expeditions led by Count Theobald of Champagne (1239-40) and King Louis IX of France (1248-54) as well as of other events in the East. But the text contains far more than this, with a detailed description of Jerusalem itself, songs of protest written by crusaders, and a variety of marvels and adventures, including stories of Alexander the Great, and the poisonous snakes encountered by the Roman army under Cato. This text is here translated into English for the first time, together with a narrative for the same years taken from another Old French Continuation of William of Tyre’s work, part of L’Estoire de Eracles. Both accounts are translated from the Receuil des historiens des croisades: Historiens occidentaux vol. 2 (Paris, 1859). An introduction and full notes make these thirteenth-century events and ideas accessible to students of medieval history and to anyone interested in the lives and patterns of thought of people of that time.

The Old French ’Rothelin’ Continuation of William of Tyre’s Historia provides one of the best contemporary narratives of the history of the crusades and of the Latin Kingdom of Jerusalem in the mid-thirteenth century. Covering the period 1229-61, it has vivid accounts of the disastrous expeditions led by Count Theobald of Champagne (1239-40) and King Louis IX of France (1248-54) as well as of other events in the East. But the text contains far more than this, with a detailed description of Jerusalem itself, songs of protest written by crusaders, and a variety of marvels and adventures, including stories of Alexander the Great, and the poisonous snakes encountered by the Roman army under Cato. This text is here translated into English for the first time, together with a narrative for the same years taken from another Old French Continuation of William of Tyre’s work, part of L’Estoire de Eracles. Both accounts are translated from the Receuil des historiens des croisades: Historiens occidentaux vol. 2 (Paris, 1859). An introduction and full notes make these thirteenth-century events and ideas accessible to students of medieval history and to anyone interested in the lives and patterns of thought of people of that time.