Janetta Rebold Benton – författare

The visual arts enrich our lives in many ways: bringing innovative ideas and the pleasures of beauty and emotion, but they can also confound. How To Understand Art sets out to enhance the viewer’s experience by breaking down the elements of art and sculpture to provide a firm basis for simple enjoyment as well as further investigation. With 100 visual examples drawn from across the globe, the stress is on how to assess art objectively – a key skill for any art student, museum visitor or cultural enthusiast. Janetta Rebold Benton guides the reader to re-evaluate their experiences of looking at art by learning to move beyond ‘I don’t know much about art, but I know what I like,’ and shift towards an understanding of ‘why I like it’. Materials and techniques are discussed – drawing, painting, printing, photography, sculpture and decorative art – making it possible to assess what can (and cannot) be done in certain media. The book also features a section devoted to six key artists who have had a particularly notable and innovative influence on the history of art: Leonardo da Vinci, Rembrandt van Rijn, Vincent van Gogh, Frida Kahlo, Pablo Picasso and Andy Warhol. Perfectly aimed at students and the general reader, this indispensable guide to the subject is well-placed to encourage questions and discussion, especially in the light of current debates surrounding class, ethnicity, gender and race.With 111 illustrations in colour

A comprehensive and informed analysis explores the startlingly diverse and sophisticated fine arts in the Middle Ages.Materials, Methods, and Masterpieces of Medieval Art provides a comprehensive and detailed analysis of the work done by artists in western Europe during the Middle Ages. Art historian Janetta Rebold Benton uses examples such as the Book of Kells, Bury Saint Edmunds Cross, and the Bayeux Tapestry, and the work of artists such as Jan van Eyck and Giotto to explore the various media available to medieval artists and the ways in which those media were used to create a stunning array of masterworks.Although the visual arts of the Middle Ages were extremely colorful, today much of that color has diminished or disappeared, the pigments and threads faded, the gold abraded, the silver tarnished. Materials, Methods, and Masterpieces of Medieval Art allows these works to sparkle once more.

In spite of all the changes in our values and beliefs, the art of the Middle Ages still speaks to us across the centuries. Not only do the great cathedrals remain, many with their spectacular decorations and stained glass, but also a rich treasure trove of paintings, manuscript illuminations, tapestries, sculpture and jewelry. This study encompasses the whole period from Early Christian to late Gothic, the whole of Europe from Ireland to Byzantium, and the whole range of art and architecture. The connections between art and society are particularly stressed, as are the ways in which artistic techniques – such as those used in metalwork and textiles – determined what was produced. Comprehensive and accessible, as well as lavishly illustrated, this is the ideal introduction to a subject that is both visually exciting and profoundly significant to Western culture.

A concise, reader-friendly illustrated survey of Western art and architecture from prehistory to the present day. Acknowledging how architecture, painting, sculpture and the decorative arts reflect the culture and society of their time, this latest addition to the Art Essentials series invites the reader to experience and appreciate the entirety of Western art from prehistory to today. Focusing on the ‘history’ in art history, each of the twelve chapters opens with a question to ponder, followed by a summary of the major historical developments of the period, touching on social structure, political organization, migration, race, religious beliefs, scientific advances and customs. An exploration of these themes in the visual arts reveals how architecture, sculpture and painting simultaneously shape, reflect, and document the culture of the time and place they were created. A secondary focus explores the constantly evolving aesthetic preferences that swing between naturalism and abstraction, with each era and style either rebelling against the previous or seeking to improve it. Antecedents and outside influences are also discussed.

A richly illustrated guide to understanding what makes art meaningful, powerful, and enduring.For as long as people have made images, they have argued about which ones matter most. Why are some works of art celebrated as timeless masterpieces, while others fade from view? Who decides what counts as “great,” and on what grounds—beauty, skill, emotion, originality, cultural power, or something else entirely? In What Makes Great Art?, art historian Janetta Rebold Benton guides readers through this enduring debate. Throughout the book, one hundred carefully paired illustrations invite readers to compare works side by side. Drawing on examples from Western art while acknowledging parallel ideas in other cultures, Benton examines how artists, critics, collectors, museums, markets, and viewers themselves shape the idea of artistic greatness. Moving from classical philosophy and Renaissance ideals to modern neuroscience and contemporary practice, Benton explores whether greatness transcends time and place, whether technical mastery alone is enough, and how emotion, intellect, and personal response factor into our judgments. Rather than offering a single definition of greatness, Benton assists readers in developing their own criteria for artistic excellence. Published in an attractive, giftable format, with full-colour illustrations throughout, What Makes Great Art? is for anyone who has ever stood in front of a work of art and wondered why it deserves a spot in a major museum such as the Louvre in Paris, British Museum in London, or the Metropolitan Museum of Art in New York.

A comprehensive and informed analysis explores the startlingly diverse and sophisticated fine arts in the Middle Ages.Materials, Methods, and Masterpieces of Medieval Art provides a comprehensive and detailed analysis of the work done by artists in western Europe during the Middle Ages. Art historian Janetta Rebold Benton uses examples such as the Book of Kells, Bury Saint Edmunds Cross, and the Bayeux Tapestry, and the work of artists such as Jan van Eyck and Giotto to explore the various media available to medieval artists and the ways in which those media were used to create a stunning array of masterworks.Although the visual arts of the Middle Ages were extremely colorful, today much of that color has diminished or disappeared, the pigments and threads faded, the gold abraded, the silver tarnished. Materials, Methods, and Masterpieces of Medieval Art allows these works to sparkle once more.