Jarmila Mildorf – författare

Narratives surrounding mental health are intertextually and culturally embedded in a constantly evolving web of narratives, whether it is in research and treatment practices in psychology and psychiatry, the professional categorization and definition of mental health issues, people's own definitions of mental health, or medial as well as artistic representations of different mental health states. Narrative and Mental Health: Reimagining Theory and Practice investigates the nexus between narratives and mental health from an interdisciplinary perspective, offering a dialogue between psychology and psychiatry and other fields such as social work, linguistics, philosophy, literary studies, and cultural studies. Contributors from various disciplines and countries across the globe address questions surrounding mental health and illness in individual as well as cultural stories while also attending to their mutual influence. Narrative interviews, narrative psychology, narrative therapy, diary writing, and psychodynamic processes are explored alongside oral history, news media, graphic novels, film, fiction, and literary autobiographies. At the same time, the volume acknowledges the potential limitations of these narrative paradigms, especially when coupled with normative expectations of truthfulness, coherence, and comprehensiveness. From here, mental health emerges as a dynamic concept that is subject to change over time and which deserves close attention both in research and practice.

Globally, at least one in four women experiences domestic violence at some point in her life, according to World Bank figures, which are confirmed by local surveys throughout the world. Since domestic violence can cause both acute physical injuries and long-term chronic illness, an abused woman is likely to appeal to a family doctor or general practitioner as one of her first resources for help. General practitioners, however, rarely report domestic violence in their practices. Jarmila Mildorf's interdisciplinary study makes a unique contribution to the fields of domestic abuse and narrative studies with her analysis of the narrative practices of doctors who treat abused women. Mildorf, a sociolinguist and literary scholar, analyzes the narrative trajectories, space-time parameters, agency, modalities, metaphors, and stereotypes in thirty-six narratives deriving from in-depth interviews with twenty general practitioners in Aberdeen, Scotland. Mildorf shows what these narrative strategies reveal about the perceptions and attitudes of practitioners toward domestic violence and the ways in which the narratives linguistically reconstruct knowledge and realities of domestic violence. Unique in its emphasis on the discourse of doctors, Storying Domestic Violence suggests the possibility of narrative approaches in medical modules that might preclude further stigmatization and victimization of abused women. A cross section of scholars will recognize this study as significant for its potential to change how people think about domestic abuse, physician-patient relations, and public health policy.

Globally, at least one in four women experiences domestic violence at some point in her life, according to World Bank figures, which are confirmed by local surveys throughout the world. Since domestic violence can cause both acute physical injuries and long-term chronic illness, an abused woman is likely to appeal to a family doctor or general practitioner as one of her first resources for help. General practitioners, however, rarely report domestic violence in their practices. Jarmila Mildorf's interdisciplinary study makes a unique contribution to the fields of domestic abuse and narrative studies with her analysis of the narrative practices of doctors who treat abused women. Mildorf, a sociolinguist and literary scholar, analyzes the narrative trajectories, space-time parameters, agency, modalities, metaphors, and stereotypes in thirty-six narratives deriving from in-depth interviews with twenty general practitioners in Aberdeen, Scotland. Mildorf shows what these narrative strategies reveal about the perceptions and attitudes of practitioners toward domestic violence and the ways in which the narratives linguistically reconstruct knowledge and realities of domestic violence. Unique in its emphasis on the discourse of doctors, Storying Domestic Violence suggests the possibility of narrative approaches in medical modules that might preclude further stigmatization and victimization of abused women. A cross section of scholars will recognize this study as significant for its potential to change how people think about domestic abuse, physician-patient relations, and public health policy.

Explores how radio dramas construct narrative through sound, music, language, and voice.

This book explores the cultural, aesthetic, and political relevance of music in radio art from its beginnings to present day. Contributors include musicologists, literary studies, and cultural studies scholars and cover radio plays, radio shows, and other programs in North American, English, Spanish, Greek, Italian, and German radio.

This book explores the cultural, aesthetic, and political relevance of music in radio art from its beginnings to present day. Contributors include musicologists, literary studies, and cultural studies scholars and cover radio plays, radio shows, and other programs in North American, English, Spanish, Greek, Italian, and German radio.

Audionarratology is a new 'postclassical' narratology that explores interfaces of sound, voice, music and narrative in different media and across disciplinary boundaries. Drawing on sound studies and transmedial narratology, audionarratology combines concepts from both while also offering fresh insights. Sound studies investigate sound in its various manifestations from disciplinary angles as varied as anthropology, history, sociology, acoustics, articulatory phonetics, musicology or sound psychology. Still, a specifically narrative focus is often missing. Narratology has broadened its scope to look at narratives from transdisciplinary and transmedial perspectives. However, there is a bias towards visual or audio-visual media such as comics and graphic novels, film, TV, hyperfiction and pictorial art. The aim of this book is to foreground the oral and aural sides of storytelling, asking how sound, voice and music support narrative structure or even assume narrative functions in their own right. It brings together cutting-edge research on forms of sound narration hitherto neglected in narratology: radio plays, audiobooks, audio guides, mobile phone theatre, performance poetry, concept albums, digital stories, computer games, songs.