Jean-Bernard Martens – författare

This is a reference for both academic and professional researchers in the fields of image technology, image processing and coding, image display, and image quality. It bridges the gap between academic research on visual perception and image quality and applications of such research in the design of imaging systems. This book has been written from the point of view of an electrical engineer interested in the display, processing and coding of images, and frequently involved in applying knowledge from visual psychophysics, experimental psychology, statistics, and so on, to the design of imaging systems. It focuses on the exchange of ideas between technical disciplines in image technology design (such as image display or printer design and image processing) and visual psychophysics. This is accomplished by the consistent use of a single mathematical approach (based on linear vector spaces) throughout. Known facts from colour vision, image sampling and quantization are given a new formulation and, in some instances, a new interpretation.The book should also be of interest to those working in signal processing, linear algebra, visual (colour/spatial) perception, psychophysics, psychometrics and statistics.

Image Technology Design: A Perceptual Approach is an essential reference for both academic and professional researchers in the fields of image technology, image processing and coding, image display, and image quality. It bridges the gap between academic research on visual perception and image quality and applications of such research in the design of imaging systems. This book has been written from the point of view of an electrical engineer interested in the display, processing and coding of images, and frequently involved in applying knowledge from visual psychophysics, experimental psychology, statistics, etc., to the design of imaging systems. It focuses on the exchange of ideas between technical disciplines in image technology design (such as image display or printer design and image processing) and visual psychophysics. This is accomplished by the consistent use of a single mathematical approach (based on linear vector spaces) throughout. Known facts from color vision, image sampling and quantization are given a new formulation and, in some instances, a new interpretation.

This book presents a number of new methods, tools, and approaches aimed to assist researchers and designers during the early stages of the design process, focusing on the need to approach the development of new interactive products, systems and related services by closely observing the needs of potential end-users through adopting a design thinking approach.A wide range of design approaches are explored, some emphasizing on the physicality of interaction and the products designed, others exploring interactive design and the emerging user experience (UX) with a focus on the value to the end-user. Contemporary design processes and the role of software tools to support design are also discussed. The researchers draw their expertise from a wide range of fields and it is this interdisciplinary approach which provides a unique perspective resulting in a flexible collection of methods that can be applied to a wide range of design contexts.Interaction and UX designers andproduct design specialists will all find Collaboration in Creative Design an essential read.