Jean Cocteau – författare

A modern, accessible translation of Cocteau's monologue Le Bel Indifferent which combines black humour and tragedy. The woman awaits the return of her lover, a notorious gigolo. As the hours tick by she becomes increasingly frustrated. When Emile finally arrives he calmly ignores her outburst, preparing to leave again as the woman rushes to the window.-1 woman, 1 man

Written in a French style that long defied successful translation—Cocteau was always a poet no matter what we was writing—the book came into its own for English-language readers in 1955 when this translation was completed by Rosamund Lehmann. It is a masterpiece of the art of translation of which the Times Literary Supplement said: "It has the rare merit of reading as though it were an English original." Lehrmann was able to capture the essence of Cocteau's strange, necromantic imagination and to bring fully to life in English his story of a brother and sister, orphaned in adolescence, who build themselves a private world out of one shared room and their own unbridled fantasies. What started in games and laughter because for Paul and Elisabeth a drug too magical to resist. The crime which finally destroys them has the inevitability of Greek tragedy. Illustrated with twenty of Cocteau's own drawings.

In 1949, Jean Cocteau spent twenty days in New York, and began composing on the plane ride home this essay filled with the vivid impressions of his trip. With his unmistakable prose and graceful wit, he compares and contrasts French and American culture: the different values they place on art, literature, liberty, psychology, and dreams. Cocteau sees the incredibly buoyant hopes in America’s promise, while at the same time warning of the many ills that the nation will have to confront—its hypocrisy, sexism, racism, and hegemonic aspirations—in order to realize this potential. Never before translated into English, Letter to the Americans remains as timely and urgent as when it was first published in France over seventy years ago.

'I'm whispering into your ear - and we couldn't be further apart.'   A woman, a phone call, a final conversation.   In this extraordinary and prophetic monologue a woman fights for the person she loves. Jean Cocteau's iconic play explores our desperate need for human relationships - and the machine that has changed them forever.

‘I’m whispering into your ear - and we couldn’t be further apart.’   A woman, a phone call, a final conversation.   In this extraordinary and prophetic monologue a woman fights for the person she loves. Jean Cocteau’s iconic play explores our desperate need for human relationships - and the machine that has changed them forever.

Original illustrations by Jean Cocteau and Andrzej KlimowskiTwo of the seven monologues by Jean Cocteau (1889-1963) in this edition were written for Édith Piaf. The other five were written for Cocteau’s friend, the celebrated actor Jean Marais, to perform on radio. Although perhaps a minor part of Cocteau’s output of films, plays, poems and ballet scenarios, these exquisite miniatures remain a fascinating form of his dramatic expression.Georges Feydeau (1862-1921) is best known for his enduring farces, such as A Flea In Her Ear, yet he wrote over 20 monologues for actors to perform at charity concerts and in fashionable drawing rooms. The six included in this volume were written over a period of 16 years from 1882.Peter Meyer’s translations of eleven of these monologues were commissioned by the BBC and performed on radio by leading actors including Eileen Atkins, Jill Bennett, Richard Briers, Judi Dench, Alec McCowan and Timothy West. The Liar and I Lost Her have been newly translated for this volume.