Jean de la Fontaine – författare

Jean de la Fontaine (1621-95) freely plundered the works of Aesop, Phaedrus, Bidpai and others to transform the world's great fables into charming poems of astonishing originality, wit and verve. Here he depicts lions, frogs, donkeys, rats, insects, birds and wily foxes in situations that reveal the quirks, follies and frailties he observed in humankind. Sins of pride, greed and vanity come under humorous attack - a cunning fox tricks a crow out of his dinner, an arrogant hare loses a race to a steady tortoise, a merry cicada who sings all summer finds herself hungry in winter, and the goddess Juno scolds a peacock who covets a nightingale's song. But faith in human nature can also be found in poems such as those in which a wolf is saved from choking by a helpful stork, demonstrating an engaging belief in the possibilities of redemption.

La Fontaine''s verse fables turned the traditional folktales derived from Aesop and a range of Oriental sources into some of the greatest, and best-loved, poetic work in French. His versions of stories such as ''The Hare and the Tortoise'' and ''The Wolf and the Lamb'' are witty and sophisticated, satirizing human nature in miniature dramas in which the outcome is always unpredictable. The behaviour of both animals and humans is usually centred on deception and cooperation (or the lack of it), as they cheat and fight each other, arguing about life and death, property and food, in an astonishing variety of narrative styles. The fables have long been popular with all ages, though their ironic take on contemporary society in French aristocratic circles is best appreciated by adults. This new translation by Christopher Betts matches the original in inventiveness and subtlety. It includes half of the fables first published in twelve books between 1668 and 1693, across the full range of subjects and themes. The fables are illustrated with a selection of Gustave Doré''s majestic engravings, and an introduction offers insights into La Fontaine''s life and literary artistry.

La Fontaine''s verse fables turned the traditional folktales derived from Aesop and a range of Oriental sources into some of the greatest, and best-loved, poetic work in French. His versions of stories such as ''The Hare and the Tortoise'' and ''The Wolf and the Lamb'' are witty and sophisticated, satirizing human nature in miniature dramas in which the outcome is always unpredictable. The behaviour of both animals and humans is usually centred on deception and cooperation (or the lack of it), as they cheat and fight each other, arguing about life and death, property and food, in an astonishing variety of narrative styles. The fables have long been popular with all ages, though their ironic take on contemporary society in French aristocratic circles is best appreciated by adults. This new translation by Christopher Betts matches the original in inventiveness and subtlety. It includes half of the fables first published in twelve books between 1668 and 1693, across the full range of subjects and themes. The fables are illustrated with a selection of Gustave Doré''s majestic engravings, and an introduction offers insights into La Fontaine''s life and literary artistry.

La Fontaine's verse fables turned the traditional folktales derived from Aesop and a range of Oriental sources into some of the greatest, and best-loved, poetic work in French. His versions of stories such as 'The Hare and the Tortoise' and 'The Wolf and the Lamb' are witty and sophisticated, satirizing human nature in miniature dramas in which the outcome is always unpredictable. The behaviour of both animals and humans is usually centred on deception and cooperation (or the lack of it), as they cheat and fight each other, arguing about life and death, property and food, in an astonishing variety of narrative styles. The fables have long been popular with all ages, though their ironic take on contemporary society in French aristocratic circles is best appreciated by adults. This new translation by Christopher Betts matches the original in inventiveness and subtlety. It includes half of the fables first published in twelve books between 1668 and 1693, across the full range of subjects and themes. The fables are illustrated with a selection of Gustave Doré's majestic engravings, and an introduction offers insights into La Fontaine's life and literary artistry.

'The pleasure is twice as sweetWhen you cheat a cheat.'An illustrated collection of fables from one of France's most vital writers.One of 46 new books in the bestselling Little Black Classics series, to celebrate the first ever Penguin Classic in 1946. Each book gives readers a taste of the Classics' huge range and diversity, with works from around the world and across the centuries - including fables, decadence, heartbreak, tall tales, satire, ghosts, battles and elephants.

Second only to Aesop, Jean de la Fontaine was the author of comic and delightful fables that are as alive today as when they first appeared in the 18th century. Based on tales both famous and obscure by an array of classical writers, La Fontaine’s fables offer vivid perspectives on such elemental subjects as greed and flattery, envy and avarice, love and friendship, old age and death. The 60 collected here–from “The Crow and the Fox” and “The Cock and the Pearl” to “The Grasshopper and the Ant” and “The Town Mouse and the Country Mouse”–are illustrated with more than 100 charming drawings that capture La Fontaine’s unforgettable cast of animal personalities.

Witchcraft continues to play a role in the modern European imagination and in its cultures. This book brings together studies of its most important modern manifestations, including a new history of English Wicca, and satanic abuse mythology.

Though they were first written over 300 years ago, this is the first complete English translation of Jean de La Fontaine's comedic classic Contes et nouvelles en vers. Both sexually charged and wickedly funny, La Fontaine's Tales will surprise readers who know him only from his work on fables for children. Though the writing is more suggestive than vulgar, it still has the power to shock readers unprepared for the darkness that inhabits these poems. Included are nearly seventy illustrations dating from the 18th and 19th centuries, many of them rare, as well as extensive commentary by the editor.