Jean-Paul Sartre – författare

Jean-Paul Sartre's first published novel, Nausea is both an extended essay on existentialist ideals, and a profound fictional exploration of a man struggling to restore a sense of meaning to his life. This Penguin Modern Classics edition is translated from the French by Robert Baldick with an introduction by James Wood.Nausea is both the story of the troubled life of an introspective historian, Antoine Roquentin, and an exposition of one of the most influential and significant philosophical attitudes of modern times - existentialism. The book chronicles his struggle with the realisation that he is an entirely free agent in a world devoid of meaning; a world in which he must find his own purpose and then take total responsibility for his choices. A seminal work of contemporary literary philosophy, Nausea evokes and examines the dizzying angst that can come from simply trying to live.Jean-Paul Sartre (1905-1980) was an iconoclastic French philosopher, novelist, playwright and, widely regarded as the central figure in post-war European culture and political thinking. Sartre famously refused the Nobel Prize for literature in 1964 on the grounds that 'a writer should not allow himself to be turned into an institution'. His most well-known works, all of which are published by Penguin, include The Age of Reason, Nausea and Iron in the Soul.If you enjoyed Nausea, you might like Albert Camus' The Outsider, also available in Penguin Modern Classics.'One of the very few successful members of the genre "Philosophical Novel" ... a young man's tour de force'Iris Murdoch

Over the past sixty years the writings of Jean-Paul Sartre have probably been more influential in the West than those of any other philosopher and literary figure. In his theoretical writings, Sartre laid the foundation for an original doctrine of Existentialism. His concern, however, was to relate his theory to human response and the practical demands of living. To achieve this, he carried his philosophical concepts into his novels and plays, and there subjected them to the test of imagined experience. His uniqueness lies in the success with which he demonstrated the utility of Existentialist doctrine while creating, at the same time, works of the highest literary merit. Thus Sartre became the populariser of his own literary thought. Originally delivered as a lecture in Paris in 1945, "Existentialism and Humanism" is Jean-Paul Sartre's seminal defence of Existentialism as a doctrine true to Humanism, as opposed to a purely nihilistic creed, and a plan for its practical application to everyday human life.This exploration of one of the central tenets of his philosophical thought has become the essential introduction to his work, and a fundamental text for all students of philosophy.

MODERN TIMES brings together an extraordinary collection of Sartrean gems, many of which have never been translated into English before. From writings on food and sex to a mini portrait of his great friend and rival, Albert Camus, the volume contains an amazing sweep of thematically organised writing. Amidst the grander set pieces on communism and the art of biography, are shorter and more revealing pieces on maternal love and masturbation.

After his father's early death Jean-Paul Sartre was brought up at his grandfather's home in a world even then eighty years out of date. In Words Sartre recalls growing up within the confines of French provincialism in the period before the First World War, an illusion-ridden childhood made bearable by his lively imagination and passion for reading and writing. A brilliant work of self-analysis, Words provides an essential background to the philosophy of one of the profoundest thinkers of the twentieth century.

These three plays, diverse in subject but thematically coherent, illuminate one of Sartre's major philosophical concerns: the struggle to live and act freely in a complex and constricting world. Lucifer and the Lord, Sartre's favourite among his plays, explores this theme in depth, dealing in the process with fundamental questions of faith and disillusionment; in Huis Clos - arguably Sartre's most important play - he contends that 'Hell is other people', and details the afterlife of three souls trapped together in locked room and the torments that they inflict on each other; while The Respectable Prostitute, set in the Deep South of America, is concerned with racism, subjugation and the demands of conscience.

The first volume in his Roads to Freedom trilogy, Jean-Paul Sartre's The Age of Reason is a philosophical novel exploring existentialist notions of freedom, translated by Eric Sutton with an introduction by David Caute in Penguin Modern Classics.Set in the volatile Paris summer of 1938, The Age of Reason follows two days in the life of Mathieu Delarue, a philosophy teacher, and his circle in the cafés and bars of Montparnasse. Mathieu has so far managed to contain sex and personal freedom in conveniently separate compartments. But now he is in trouble, urgently trying to raise 4,000 francs to procure a safe abortion for his mistress, Marcelle. Beyond all this, filtering an uneasy light on his predicament, rises the distant threat of the coming of the Second World War.Jean-Paul Sartre (1905-1980) was an iconoclastic French philosopher, novelist, playwright and, widely regarded as the central figure in post-war European culture and political thinking. Sartre famously refused the Nobel Prize for literature in 1964 on the grounds that 'a writer should not allow himself to be turned into an institution'. His most well-known works, all of which are published by Penguin, include The Age of Reason, Nausea and Iron in the Soul.If you enjoyed The Age of Reason, you might like Sartre's Nausea, also available in Penguin Modern Classics.'For my money ... the greatest novel of the post-war period'Philip Kerr, author of the Berlin Noir trilogy

It is September 1938 and during a heatwave Europe tensely awaits the outcome of the Munich conference, where they will learn if there is to be a war. In Paris people are waiting too, among them Mathieu, Jacques and Philippe, each wrestling with their own love affairs, doubts and angsts – and none of them ready to fight. The second volume in Sartre’s wartime Roads to Freedom trilogy, The Reprieve cuts between locations and characters to build an impressionistic collage of the hopes, fears and self-deception of an entire continent as it blinkers itself against the imminent threat of war.

June 1940 was the summer of defeat for the French soldiers, deserted by their officers, utterly demoralized, awaiting the Armistice. Day by day, hour by hour, Iron in the Soul unfolds what men thought and felt and did as France fell. Men who shrugged, men who ran, men who fought and tragic men like Mathieu, who had dedicated his life to finding personal freedom, now overwhelmed by remorse and bitterness, who must learn to kill. Iron in the Soul, the third volume of Sartre's Roads to Freedom Trilogy, is a harrowing depiction of war and what it means to lose.

In March of 1980, Le Nouvel Observateur published the final interviews between the philosopher Jean-Paul Sartre, then blind and debilitated, and his young assistant, Benny Levy. Readers immediately denounced the interviews as distorted and fraudulent for portraying a Sartre who had abandoned his leftist convictions, rejected his most intimate friends, and cast aside his fundamental beliefs in favor of a messianic Judaism. Sartre's supporters argued that it was his orthodox interlocutor, Levy, who had twisted the words of the ailing philosopher. Yet, shortly before his death, Sartre confirmed the authenticity of the interviews and their puzzling content. Here, presented in translation, the interviews are framed by two provocative essays by Benny Levy, accompanied by a comprehensive introduction from noted Sartre authority Ronald Aronson, which places the interviews in biographical and philosophical perspective to demonstrate how they confirm and contribute to Sartre's overall philosophy. This absorbing volume at last contextualizes and elucidates the final thoughts of a brilliant and influential mind.

Truth and Existence, written in response to Martin Heidegger's Essence of Truth, is a product of the years when Sartre was reaching full stature as a philosopher, novelist, playwright, essayist, and political activist. This concise and engaging text not only presents Sartre's ontology of truth but also addresses the key moral questions of freedom, action, and bad faith. Truth and Existence is introduced by an extended biographical, historical, and analytical essay by Ronald Aronson. "Truth and Existence is another important element in the recently published links between Sartre's existentialist ontology and his later ethical, political, and literary concerns...The excellent introduction by Aronson will help readers not experienced in reading Sartre."--Choice "Accompanied by an excellent introduction, this dense, lucidly translated treatise reveals Sartre as a characteristically 20th-century figure."--Publishers Weekly

An approachable abridgment of Sartre’s important analysis of Flaubert.  From 1981 to 1994, the University of Chicago Press published a five-volume translation of Jean-Paul Sartre’s The Family Idiot: Gustave Flaubert, 1821-1857, a sprawling masterwork by one of the greatest intellects of the twentieth century. This new volume delivers a compact abridgment of the original by renowned Sartre scholar, Joseph Catalano.  Sartre claimed that his existential approach to psychoanalysis required a new Freud, and in his study of Gustave Flaubert, Sartre becomes that Freud. The work summarizes Sartre’s overarching aim to reveal that human life is a meaningful adventure of freedom. In discussing Flaubert’s work, particularly his classic novel Madame Bovary, Sartre unleashes a fierce critique of modernity as nihilistic and demeaning of human dignity.

An approachable abridgment of Sartre’s important analysis of Flaubert.  From 1981 to 1994, the University of Chicago Press published a five-volume translation of Jean-Paul Sartre’s The Family Idiot: Gustave Flaubert, 1821-1857, a sprawling masterwork by one of the greatest intellects of the twentieth century. This new volume delivers a compact abridgment of the original by renowned Sartre scholar, Joseph Catalano.  Sartre claimed that his existential approach to psychoanalysis required a new Freud, and in his study of Gustave Flaubert, Sartre becomes that Freud. The work summarizes Sartre’s overarching aim to reveal that human life is a meaningful adventure of freedom. In discussing Flaubert’s work, particularly his classic novel Madame Bovary, Sartre unleashes a fierce critique of modernity as nihilistic and demeaning of human dignity.

First published in French in 1943, Jean-Paul Sartre’s L’Être et le Néant is one of the greatest philosophical works of the twentieth century. In it, Sartre offers nothing less than a brilliant and radical account of the human condition. The English philosopher and novelist Iris Murdoch wrote to a friend of "the excitement – I remember nothing like it since the days of discovering Keats and Shelley and Coleridge". This new translation, the first for over sixty years, makes this classic work of philosophy available to a new generation of readers.What gives our lives significance, Sartre argues in Being and Nothingness, is not pre-established for us by God or nature but is something for which we ourselves are responsible. At the heart of this view are Sartre’s radical conceptions of consciousness and freedom. Far from being an internal, passive container for our thoughts and experiences, human consciousness is constantly projecting itself into the outside world and imbuing it with meaning. Combining this with the unsettling view that human existence is characterized by radical freedom and the inescapability of choice, Sartre introduces us to a cast of ideas and characters that are part of philosophical legend: anguish; the "bad faith" of the memorable waiter in the café; sexual desire; and the "look" of the Other, brought to life by Sartre’s famous description of someone looking through a keyhole. Above all, by arguing that we alone create our values and that human relationships are characterized by hopeless conflict, Sartre paints a stark and controversial picture of our moral universe and one that resonates strongly today.This new translation includes a helpful Translator’s Introduction, a comprehensive Index and a Foreword by Richard Moran, Brian D. Young Professor of Philosophy, Harvard University, USA.Translated by Sarah Richmond, University College London, UK.

The early 1970s were a crucial period in the political and intellectual climate of France. The newspaper Libération was founded in the wake of the protest movements of 1968, and the country was gripped by industrial, political and civil unrest on a huge scale. Behind all this were deep debates about the nature and justification of revolt, class conflict and consciousness, and the nature of what it meant to be free.It is Right to Rebel, available in English for the first time with a new Preface by Philippe Gavi, is a fascinating discussion between three thinkers about this extraordinary period. The book comprises extensive conversations between the philosopher and writer Jean-Paul Sartre, journalist and co-founder of Libération Philippe Gavi, and political radical and Maoist Pierre Victor, all conducted between 1972 and 1974. In these conversations Sartre works out his relation between socialism and freedom, providing fascinating background to his tortured relationship with the French Communist Party. Together with his interlocutors they explore and debate what should be the basis of ethics, the nature of oppression and racism, including immigration, the Arab-Israeli conflict, the Chilean military coup in 1973 and more. A recurring theme is their exploration of two major questions: what should ethics be based on, and what makes for a revolutionary?It is Right to Rebel is a fascinating insight into the philosophical and political background to Sartre's thought as well as the two lesser-known figures of Gavi and Victor, who play political foil to Sartre's measured philosophical stance. It is a fascinating, rich new resource for anyone studying Sartre, political theory, and French politics and political history.

The Condemned of Altona is an act of judgment on the twentieth century, which might have been an admirable era (the closing lines tell us) if man had not been threatened by ‘the cruel enemy who had sworn to destroy him, that hairless, evil, flesh-eating beast—man himself. ‘All the characters in the play are defendants, trapped inside the frame of the proscenium as securely as Eichmann within his glass cage in Jerusalem; their judge is the past, and its verdict is without mercy. Two death penalties are imposed, and one sentence of solitary confinement for life. The stage, as so often in M. Sartre’s hands, becomes a place of moral inquisition, at once a courtroom and a prison.

"A highly entertaining political political thriller...the play shows where that peculiarly Gallic combinations of sex, politics and suspense has its origins" (Michael Billington, Guardian) Crime Passionnel reflects Sartre's fascination with the mentality and morality of Communism in its story of a young Party member assigned to shoot a "deviationist". It was first staged in 1948.

The full French text of Sartre's first full-length play is accompanied by French-English vocabulary. Notes and a detailed introduction in English put the work in its social and historical context.

The full French text of Sartre's novel is accompanied by French-English vocabulary. Notes and a detailed introduction in English put the work in its social and historical context.

The Psychology of the Imagination was originally published in France in 1940 under the title of L'Imaginaire. It was specifically designed as an essay in phenomenology and it constitutes the first attempts to introduce Husserl's work into French culture,and from there to the English speaking world. Published three years before Being and Nothingness , it reveals Sartre's first extended examination of such concepts as nothingness and freedom, both here derived from the consciousness's ability to imagine objects not only as they are but as they are not, and to imagine objects not in existence. According to Sartre, an object can be given to us in three ways: by perceiving it, by having an idea of it, and by imagining it (having an image of it). Although we may try to respond to the image in the same way as we would to the object itself, the fact remains that an image, however vivid, presents its object as not being. It was in The Psychology of Imagination that Sartre first brought together his new enthusiasm for phenomenology with the analysis of the preconditions for human freedom which was to figure so prominently in his later philosophical works.