Jeffrey F. Keuss – författare

Hermeneutics continues to be an area of interest to many, yet recent discussions in hermeneutic theory have turned toward fringe areas - whether found in realms of post-structuralism or radical orthodoxy - that have resulted in a 'forgetfulness' of one of hermeneutics' key thinkers, Immanuel Kant. This book seeks to reaffirm Kant's place as a central thinker for hermeneutics and to challenge and support prevailing criticisms. It has been argued that Kant merely offers a theory of the subjective universality of a rational aesthetic judgement where only reason connects us to the transcendent and sensation is only a subjective and confusing factor that distracts and distorts reason. This position is challenged as well as supported by the contributors to this book, scholars who bring key issues in hermeneutics to light from American, British, and continental perspectives, grounded in questions and concerns germane to today's culture. The discussion of hermeneutics is framed as being deliberately an interdisciplinary, cross-cultural affair. The Sacred and the Profane provides a welcome addition to contemporary discussions on hermeneutic theory through its assertion that there is still a need to support a critical approach to hermeneutics after Kant.

Hermeneutics continues to be an area of interest to many, yet recent discussions in hermeneutic theory have turned toward fringe areas - whether found in realms of post-structuralism or radical orthodoxy - that have resulted in a 'forgetfulness' of one of hermeneutics' key thinkers, Immanuel Kant. This book seeks to reaffirm Kant's place as a central thinker for hermeneutics and to challenge and support prevailing criticisms. It has been argued that Kant merely offers a theory of the subjective universality of a rational aesthetic judgement where only reason connects us to the transcendent and sensation is only a subjective and confusing factor that distracts and distorts reason. This position is challenged as well as supported by the contributors to this book, scholars who bring key issues in hermeneutics to light from American, British, and continental perspectives, grounded in questions and concerns germane to today's culture. The discussion of hermeneutics is framed as being deliberately an interdisciplinary, cross-cultural affair. The Sacred and the Profane provides a welcome addition to contemporary discussions on hermeneutic theory through its assertion that there is still a need to support a critical approach to hermeneutics after Kant.

This title was first published in 2002: A Poetics of Jesus explores the act of writing within and between the boundaries of 19th century biblical criticism and fiction. Reflecting on the work of Christian poetics after Augustine to Baur, Feuerbach, Friedrich Strauss and Victorian novelists of the eighteenth and nineteenth century, this book breaks new ground in juxtaposing the evoked image of Christ arising from Victorian biblical criticism against the image of Christ within fiction, letting both these images and the words that figured them interact. This book offers a highly accessible introduction to 19th century literature and theology through comparisons made to contemporary post-modern theorists. Demonstrating how literature can inform theology without itself becoming 'theology', this book constitutes an important contribution to the literature/theology debate and a much needed contribution to contemporary Christology through its introduction to the literature and the writers central to the beginnings of the historical quest for Jesus.

This title was first published in 2002: A Poetics of Jesus explores the act of writing within and between the boundaries of 19th century biblical criticism and fiction. Reflecting on the work of Christian poetics after Augustine to Baur, Feuerbach, Friedrich Strauss and Victorian novelists of the eighteenth and nineteenth century, this book breaks new ground in juxtaposing the evoked image of Christ arising from Victorian biblical criticism against the image of Christ within fiction, letting both these images and the words that figured them interact. This book offers a highly accessible introduction to 19th century literature and theology through comparisons made to contemporary post-modern theorists. Demonstrating how literature can inform theology without itself becoming 'theology', this book constitutes an important contribution to the literature/theology debate and a much needed contribution to contemporary Christology through its introduction to the literature and the writers central to the beginnings of the historical quest for Jesus.

Exploring how Shusaku Endo, Ta-Nehisi Coates, Thomas Merton, Marilynne Robinson, Cormac McCarthy, and Octavia E. Butler engage with social justice and activism, this book explores the significant role that literature plays in the formation of justice. Jeff Keuss foregrounds literature and the role of poetics as both a method and a frame by which justice can not only be understood but uniquely positioned to transform and redeem the moral call on individuals in ways that some recent philosophical and ethical projects do not. He examines how these authors are representative of a theme in literature which is the “turn to justice” as a literary form and discusses how these authors’ engagement with activism challenges isolated and anxious models of contemporary selfhood. Demonstrating how these writers utilize fiction, across different contexts of race, gender, culture, and theological denominations, to present themes of justice in communion with others, Keuss provides new insights into “communal selfhood” and shows how we can use this idea to shape our ideas of ethics, morality, activism, and justice.

Exploring how Shusaku Endo, Ta-Nehisi Coates, Thomas Merton, Marilynne Robinson, Cormac McCarthy, and Octavia E. Butler engage with social justice and activism, this book explores the significant role that literature plays in the formation of justice. Jeff Keuss foregrounds literature and the role of poetics as both a method and a frame by which justice can not only be understood but uniquely positioned to transform and redeem the moral call on individuals in ways that some recent philosophical and ethical projects do not. He examines how these authors are representative of a theme in literature which is the “turn to justice” as a literary form and discusses how these authors’ engagement with activism challenges isolated and anxious models of contemporary selfhood. Demonstrating how these writers utilize fiction, across different contexts of race, gender, culture, and theological denominations, to present themes of justice in communion with others, Keuss provides new insights into “communal selfhood” and shows how we can use this idea to shape our ideas of ethics, morality, activism, and justice.