Jeffrey F. Keuss – författare

Hermeneutics continues to be an area of interest to many, yet recent discussions in hermeneutic theory have turned toward fringe areas - whether found in realms of post-structuralism or radical orthodoxy - that have resulted in a 'forgetfulness' of one of hermeneutics' key thinkers, Immanuel Kant. This book seeks to reaffirm Kant's place as a central thinker for hermeneutics and to challenge and support prevailing criticisms. It has been argued that Kant merely offers a theory of the subjective universality of a rational aesthetic judgement where only reason connects us to the transcendent and sensation is only a subjective and confusing factor that distracts and distorts reason. This position is challenged as well as supported by the contributors to this book, scholars who bring key issues in hermeneutics to light from American, British, and continental perspectives, grounded in questions and concerns germane to today's culture. The discussion of hermeneutics is framed as being deliberately an interdisciplinary, cross-cultural affair. The Sacred and the Profane provides a welcome addition to contemporary discussions on hermeneutic theory through its assertion that there is still a need to support a critical approach to hermeneutics after Kant.

Hermeneutics continues to be an area of interest to many, yet recent discussions in hermeneutic theory have turned toward fringe areas - whether found in realms of post-structuralism or radical orthodoxy - that have resulted in a 'forgetfulness' of one of hermeneutics' key thinkers, Immanuel Kant. This book seeks to reaffirm Kant's place as a central thinker for hermeneutics and to challenge and support prevailing criticisms. It has been argued that Kant merely offers a theory of the subjective universality of a rational aesthetic judgement where only reason connects us to the transcendent and sensation is only a subjective and confusing factor that distracts and distorts reason. This position is challenged as well as supported by the contributors to this book, scholars who bring key issues in hermeneutics to light from American, British, and continental perspectives, grounded in questions and concerns germane to today's culture. The discussion of hermeneutics is framed as being deliberately an interdisciplinary, cross-cultural affair. The Sacred and the Profane provides a welcome addition to contemporary discussions on hermeneutic theory through its assertion that there is still a need to support a critical approach to hermeneutics after Kant.

This title was first published in 2002: A Poetics of Jesus explores the act of writing within and between the boundaries of 19th century biblical criticism and fiction. Reflecting on the work of Christian poetics after Augustine to Baur, Feuerbach, Friedrich Strauss and Victorian novelists of the eighteenth and nineteenth century, this book breaks new ground in juxtaposing the evoked image of Christ arising from Victorian biblical criticism against the image of Christ within fiction, letting both these images and the words that figured them interact. This book offers a highly accessible introduction to 19th century literature and theology through comparisons made to contemporary post-modern theorists. Demonstrating how literature can inform theology without itself becoming 'theology', this book constitutes an important contribution to the literature/theology debate and a much needed contribution to contemporary Christology through its introduction to the literature and the writers central to the beginnings of the historical quest for Jesus.

This title was first published in 2002: A Poetics of Jesus explores the act of writing within and between the boundaries of 19th century biblical criticism and fiction. Reflecting on the work of Christian poetics after Augustine to Baur, Feuerbach, Friedrich Strauss and Victorian novelists of the eighteenth and nineteenth century, this book breaks new ground in juxtaposing the evoked image of Christ arising from Victorian biblical criticism against the image of Christ within fiction, letting both these images and the words that figured them interact. This book offers a highly accessible introduction to 19th century literature and theology through comparisons made to contemporary post-modern theorists. Demonstrating how literature can inform theology without itself becoming 'theology', this book constitutes an important contribution to the literature/theology debate and a much needed contribution to contemporary Christology through its introduction to the literature and the writers central to the beginnings of the historical quest for Jesus.

Exploring how Shusaku Endo, Ta-Nehisi Coates, Thomas Merton, Marilynne Robinson, Cormac McCarthy, and Octavia E. Butler engage with social justice and activism, this book explores the significant role that literature plays in the formation of justice. Jeff Keuss foregrounds literature and the role of poetics as both a method and a frame by which justice can not only be understood but uniquely positioned to transform and redeem the moral call on individuals in ways that some recent philosophical and ethical projects do not. He examines how these authors are representative of a theme in literature which is the “turn to justice” as a literary form and discusses how these authors’ engagement with activism challenges isolated and anxious models of contemporary selfhood. Demonstrating how these writers utilize fiction, across different contexts of race, gender, culture, and theological denominations, to present themes of justice in communion with others, Keuss provides new insights into “communal selfhood” and shows how we can use this idea to shape our ideas of ethics, morality, activism, and justice.

Exploring how Shusaku Endo, Ta-Nehisi Coates, Thomas Merton, Marilynne Robinson, Cormac McCarthy, and Octavia E. Butler engage with social justice and activism, this book explores the significant role that literature plays in the formation of justice. Jeff Keuss foregrounds literature and the role of poetics as both a method and a frame by which justice can not only be understood but uniquely positioned to transform and redeem the moral call on individuals in ways that some recent philosophical and ethical projects do not. He examines how these authors are representative of a theme in literature which is the “turn to justice” as a literary form and discusses how these authors'' engagement with activism challenges isolated and anxious models of contemporary selfhood. Demonstrating how these writers utilize fiction, across different contexts of race, gender, culture, and theological denominations, to present themes of justice in communion with others, Keuss provides new insights into “communal selfhood” and shows how we can use this idea to shape our ideas of ethics, morality, activism, and justice.

Exploring how Shusaku Endo, Ta-Nehisi Coates, Thomas Merton, Marilynne Robinson, Cormac McCarthy, and Octavia E. Butler engage with social justice and activism, this book explores the significant role that literature plays in the formation of justice. Jeff Keuss foregrounds literature and the role of poetics as both a method and a frame by which justice can not only be understood but uniquely positioned to transform and redeem the moral call on individuals in ways that some recent philosophical and ethical projects do not. He examines how these authors are representative of a theme in literature which is the “turn to justice” as a literary form and discusses how these authors'' engagement with activism challenges isolated and anxious models of contemporary selfhood. Demonstrating how these writers utilize fiction, across different contexts of race, gender, culture, and theological denominations, to present themes of justice in communion with others, Keuss provides new insights into “communal selfhood” and shows how we can use this idea to shape our ideas of ethics, morality, activism, and justice.

Exploring how Shusaku Endo, Ta-Nehisi Coates, Thomas Merton, Marilynne Robinson, Cormac McCarthy, and Octavia E. Butler engage with social justice and activism, this book explores the significant role that literature plays in the formation of justice. Jeff Keuss foregrounds literature and the role of poetics as both a method and a frame by which justice can not only be understood but uniquely positioned to transform and redeem the moral call on individuals in ways that some recent philosophical and ethical projects do not. He examines how these authors are representative of a theme in literature which is the “turn to justice” as a literary form and discusses how these authors’ engagement with activism challenges isolated and anxious models of contemporary selfhood. Demonstrating how these writers utilize fiction, across different contexts of race, gender, culture, and theological denominations, to present themes of justice in communion with others, Keuss provides new insights into “communal selfhood” and shows how we can use this idea to shape our ideas of ethics, morality, activism, and justice.

This title was first published in 2002: A Poetics of Jesus explores the act of writing within and between the boundaries of 19th century biblical criticism and fiction. Reflecting on the work of Christian poetics after Augustine to Baur, Feuerbach, Friedrich Strauss and Victorian novelists of the eighteenth and nineteenth century, this book breaks new ground in juxtaposing the evoked image of Christ arising from Victorian biblical criticism against the image of Christ within fiction, letting both these images and the words that figured them interact. This book offers a highly accessible introduction to 19th century literature and theology through comparisons made to contemporary post-modern theorists. Demonstrating how literature can inform theology without itself becoming ''theology'', this book constitutes an important contribution to the literature/theology debate and a much needed contribution to contemporary Christology through its introduction to the literature and the writers central to the beginnings of the historical quest for Jesus.

This title was first published in 2002: A Poetics of Jesus explores the act of writing within and between the boundaries of 19th century biblical criticism and fiction. Reflecting on the work of Christian poetics after Augustine to Baur, Feuerbach, Friedrich Strauss and Victorian novelists of the eighteenth and nineteenth century, this book breaks new ground in juxtaposing the evoked image of Christ arising from Victorian biblical criticism against the image of Christ within fiction, letting both these images and the words that figured them interact. This book offers a highly accessible introduction to 19th century literature and theology through comparisons made to contemporary post-modern theorists. Demonstrating how literature can inform theology without itself becoming ''theology'', this book constitutes an important contribution to the literature/theology debate and a much needed contribution to contemporary Christology through its introduction to the literature and the writers central to the beginnings of the historical quest for Jesus.

Hermeneutics continues to be an area of interest to many, yet recent discussions in hermeneutic theory have turned toward fringe areas - whether found in realms of post-structuralism or radical orthodoxy - that have resulted in a ''forgetfulness'' of one of hermeneutics'' key thinkers, Immanuel Kant. This book seeks to reaffirm Kant''s place as a central thinker for hermeneutics and to challenge and support prevailing criticisms. It has been argued that Kant merely offers a theory of the subjective universality of a rational aesthetic judgement where only reason connects us to the transcendent and sensation is only a subjective and confusing factor that distracts and distorts reason. This position is challenged as well as supported by the contributors to this book, scholars who bring key issues in hermeneutics to light from American, British, and continental perspectives, grounded in questions and concerns germane to today''s culture. The discussion of hermeneutics is framed as being deliberately an interdisciplinary, cross-cultural affair. The Sacred and the Profane provides a welcome addition to contemporary discussions on hermeneutic theory through its assertion that there is still a need to support a critical approach to hermeneutics after Kant.

Hermeneutics continues to be an area of interest to many, yet recent discussions in hermeneutic theory have turned toward fringe areas - whether found in realms of post-structuralism or radical orthodoxy - that have resulted in a ''forgetfulness'' of one of hermeneutics'' key thinkers, Immanuel Kant. This book seeks to reaffirm Kant''s place as a central thinker for hermeneutics and to challenge and support prevailing criticisms. It has been argued that Kant merely offers a theory of the subjective universality of a rational aesthetic judgement where only reason connects us to the transcendent and sensation is only a subjective and confusing factor that distracts and distorts reason. This position is challenged as well as supported by the contributors to this book, scholars who bring key issues in hermeneutics to light from American, British, and continental perspectives, grounded in questions and concerns germane to today''s culture. The discussion of hermeneutics is framed as being deliberately an interdisciplinary, cross-cultural affair. The Sacred and the Profane provides a welcome addition to contemporary discussions on hermeneutic theory through its assertion that there is still a need to support a critical approach to hermeneutics after Kant.

Your Neighbor''s Hymnal provides a winsome and thoughtful exploration of popular music, from rock to hip-hop to metal to soul, as a vital source contemporary culture continues to go to learn about faith, hope, and love. Where some Christians have kept their focus only on a hymnal found in their church or formed by the genre of Contemporary Christian Music, Keuss argues that your neighbor''s hymnal is filled with great music that God is using and deserves a deeper listen. Offering forty songs spanning time and genres, each section includes a number of representative reflections on the history and artist that created the song, reflections on its lyrical content, and theological and biblical connections that will hopefully show some ways in which the song illustrates how your neighbor is hearing, seeking, and finding faith, hope, and love through popular music.This book can be approached in a number of ways. As an introduction to this stream of popular culture, the overviews and short introductions to each song provide a glossary useful in courses needing texts in theology and popular culture. For use with church groups, whether adult bible studies or youth groups, Your Neighbor''s Hymnal provides points of reference for connecting key aspects of the Christian faith with illustrations readily available for discussion. For interested music listeners, the book will provide a means of giving voice to their own musings on faith.As with faith, good music is meant to be shared, and Your Neighbor''s Hymnal offers a wonderful opportunity to do both.

Freedom of the Self revitalizes the question of identity formation in a postmodern era through a deep reading of Christian life in relation to current trends seen in the Emergent and Missional church movements. By relocating deep identity formation as formed and released through a renewed appraisal of kenotic Christology coupled with readings of Continental philosophy (Derrida, Levinas, Marion) and popular culture, Keuss offers a bold vision for what it means to be truly human in contemporary society, as what he calls the kenotic self. In addition to providing a robust reflection of philosophical and theological understanding of identity formation, from Aristotle and Augustine through to contemporary thinkers, Freedom of the Self suggests some tangible steps for the individual and the church in regard to how everyday concerns such as economics, literature, and urbanization can be part of living into the life of the kenotic self.

The essays in Paul Ricoeur and the Hope of Higher Education: The Just University discuss diverse ways that Paul Ricoeur’s work provides hopeful insight and necessary provocation that should inform the task and mission of the modern university in the changing landscape of Higher Education. This volume gathers interdisciplinary scholars seeking to reestablish the place of justice as the central function of higher education in the twenty-first century. The contributors represent diverse backgrounds, including teachers, scholars, and administrators from R1 institutions, seminary and divinity schools as well as undergraduate teaching colleges. This collection, edited by Daniel Boscaljon and Jeffrey F. Keuss, offers critical and practical visions for the renewal of higher education. The first part of the book provides an internal examination of the university system and details how Ricoeur’s thinking assists on pragmatics from syllabus design to final exams to daily teaching. The second portion of the book examines the Just University’s role as a social institution within the broader cultural world and looks at how Ricoeur’s description of values informs how the university works relative to religious belief, prisons, and rural poverty.