Jeffrey Kallberg – författare
Absolute Music and the Construction of Meaning
341 kr
Skickas inom 7-10 vardagar
The Free Fantasia and the Musical Picturesque
756 kr
Skickas inom 7-10 vardagar
Music and the Origins of Language
Theories from the French Enlightenment
635 kr
Skickas inom 7-10 vardagar
Absolute Music and the Construction of Meaning
1 611 kr
Skickas inom 7-10 vardagar
Rap Music and the Poetics of Identity
1 611 kr
Skickas inom 7-10 vardagar
Rap Music and the Poetics of Identity
327 kr
Skickas inom 7-10 vardagar
Medieval Music-Making and the Roman de Fauvel
1 397 kr
Skickas inom 7-10 vardagar
Hugo Riemann and the Birth of Modern Musical Thought
1 344 kr
Skickas inom 7-10 vardagar
Medieval Music-Making and the Roman de Fauvel
595 kr
Skickas inom 7-10 vardagar
Chopin at the Boundaries
Sex, History, and Musical Genre
516 kr
Skickas inom 10-15 vardagar
1 352 kr
Skickas inom 10-15 vardagar
1 544 kr
Skickas inom 7-10 vardagar
542 kr
Skickas inom 7-10 vardagar
769 kr
Läs direkt efter köp
Volume 8 of the PIANO MUSIC of the PARI S IAN VIRTUOSOS 1810-1860 series. François [Franz] Hünten (1793-1878) owed his position as a Parisian virtuoso to his friend Henri Herz. Two interesting curiosities stand out in Hünten''s oeuvre. The thematic subject matter of the Virelay et rondeau martial sur l''opéra de G. Onslow Guise u Les États de Blois casts intriguing light on the historicizing tendencies of 1830s French romanticism (the "virelay" in question was written by Onslow, not Hünten). And the Fantaisie arabe sur l''air Kradoudja testifies to the Parisians'' burgeoning fascination with musical orientalism, a fascination that received its decisive impulse from the premiere of Félicien David''s Le désert in 1844.
776 kr
Läs direkt efter köp
Volume 8 of the PIANO MUSIC of the PARI S IAN VIRTUOSOS 1810-1860 series. François [Franz] Hünten (1793-1878) owed his position as a Parisian virtuoso to his friend Henri Herz. Two interesting curiosities stand out in Hünten''s oeuvre. The thematic subject matter of the Virelay et rondeau martial sur l''opéra de G. Onslow Guise u Les États de Blois casts intriguing light on the historicizing tendencies of 1830s French romanticism (the "virelay" in question was written by Onslow, not Hünten). And the Fantaisie arabe sur l''air Kradoudja testifies to the Parisians'' burgeoning fascination with musical orientalism, a fascination that received its decisive impulse from the premiere of Félicien David''s Le désert in 1844.