Jeffrey L. Sammons - Böcker

Campaign in France 1792 -Siege of Mainz, Goethe's narrative of the unsuccessful campaign and the siege, has become a classic text for the history of Franco-German relations during the revolutionary period. A product of recollection, historical hindsight, and considerable study of other published sources, it is a fascinating document of the military catastrophe exposing the decline of Prussian power since the death of Frederick II, which eventually culminated in Napoleon's devastating 1806 victory at Jena and Auerstedt.

This authoritative English translation of Goethe’s memoirs paints a vibrant picture of his youth and formative yearsCovering the period from his birth in 1749 to his departure for Weimar in 1775, Goethe recalls his childhood and youth as the son of well-to-do, middle-class parents, his education and literary awakening, early loves, and the creation and reception of works from his Sturm und Drang years such as The Sorrows of Young Werther, Goetz von Berlichingen, and Urfaust. Not merely an account of Goethe’s life in his own words, this book also explores the influences on his early years—from friends and mentors to famous personages of his time, intellectual movements, cities, and historical events—to paint a vivid portrait of his life and times.The Collected Works of Goethe presents modern translations of a representative portion of Johann Wolfgang von Goethe’s vast body of work. Selected from more than 140 volumes in German, this twelve-volume series remains the standard collection in English and features poetry, drama, fiction, memoir, criticism, and scientific writing.

An authoritative English translation of Goethe’s classic autobiographical account of war and conquest in the age of revolutionIn August 1792, Goethe accompanied Karl August, Grand Duke of Saxe-Weimar-Eisenach, during the unsuccessful Prusso-Austrian invasion of revolutionary France to restore Louis XVI as king. The French subsequently invaded the Rhineland and captured the city of Mainz, claiming it for the French Republic. When German armies besieged Mainz, Goethe witnessed the capture of the city at the close of 1793. His narrative of these events has become a classic text for the history of Franco-German relations during the revolutionary period. A product of recollection, historical hindsight, and considerable study of other published sources, it is a fascinating document of the military catastrophe exposing the decline of Prussian power since the death of Frederick II, which eventually culminated in Napoleon’s devastating 1806 victory at Jena and Auerstedt.The Collected Works of Goethe presents modern translations of a representative portion of Johann Wolfgang von Goethe’s vast body of work. Selected from more than 140 volumes in German, this twelve-volume series remains the standard collection in English and features poetry, drama, fiction, memoir, criticism, and scientific writing.

An authoritative English translation of Goethe’s correspondence and diary entries from his travels in ItalyContaining the letters and diaries that Goethe wrote during his journey to Italy at age thirty-seven, Italian Journey reveals his tremendous range of interests. His writings cover literature, art history and his own struggle to be a painter, various sciences and political events, personal encounters, and the Italian landscape. “In Rome, I first found myself,” Goethe writes, “for the first time I achieved inner harmony.” For Goethe the writer, this temporal and spiritual journey was at the root of his development from Sturm und Drang to classicism, a decisive point in his life and the history of German literature.The Collected Works of Goethe presents modern translations of a representative portion of Johann Wolfgang von Goethe’s vast body of work. Selected from more than 140 volumes in German, this twelve-volume series remains the standard collection in English and features poetry, drama, fiction, memoir, criticism, and scientific writing.

The book is divided into three parts: an overview of Raabc's career, his problems with the public, and the early reception history that did so much to damage his reputation; thematic analyses that seek to release him from received opinions concerning the nature and quality of his oeuvre by exhibiting his versatility and polyperspectivism; and interpretations of individual works. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The book is divided into three parts: an overview of Raabc's career, his problems with the public, and the early reception history that did so much to damage his reputation; thematic analyses that seek to release him from received opinions concerning the nature and quality of his oeuvre by exhibiting his versatility and polyperspectivism; and interpretations of individual works. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Includes Adalbert Stifer's Preface to Many-Colored Stones, Granite and Limestone; Annette von Droste-Hulshoff's The Jews Beech; Jeremias Gotthelf's The Black Spider; Franz Grillparzer's The Poor Musician; and Eduard Morike's Mozart on the Way to Prague.

Ebner-Eschenbach, Heyse, Raabe, Storm, Meyer, and Hauptmann

The twenty-volume edition of The German Classics: Masterpieces of German Literature Translated into English was edited by Kuno Francke of Harvard (1855-1930), the most prestigious professor of German in America at the time. While it bears the imprint dates 1913 and 1914, it was not completed until mid-1915, just in time for the submarine sinking of the passenger liner Lusitania in May of that year. The edition was publicized with great fanfare and was well received at first, but with the outbreak of the European war in 1914 and the entry of the United States into it in 1917, American sentiment turned against all things German. The reviews became hostile; the edition was nearly pulped; its publisher went bankrupt; and Francke felt obliged to resign his Harvard professorship. Kuno Francke’s Edition of The German Classics (1913-15) describes the origins of the edition; recounts the careers of the editors and some fifty professional contributors; seeks to identify approximately 115 translators; and comments on the nearly 500 illustrations, mostly German art of the nineteenth century. This book also introduces the selections from the 114 featured authors, almost a third of whom were still alive at the time of publication, and evaluates the critical commentary. The edition emerges from the study as a laboratory of the high prestige of German literature and culture in the United States before it fell into permanent decline at the time of World War I.

This study of German fiction about America in the nineteenth century concentrates in detail on three writers: Charles Sealsfield (Carl Postl, 1793-1864), an escaped Moravian monk who came to New Orleans in 1823 and wrote the first major German novels about the United States; Friedrich Gerstacker (1816-1872), who, among his many experiences in America as a young man, lived as a backwoodsman in Arkansas and who later produced a large body of fiction, travel reportage, and emigration advice; and Karl May (1842-1912), who, though he knew nothing about America beyond what he could read in books, wrote famous adventure stories set in an imaginary West and became the best-selling writer in the German language.Sammons provides biographies of the authors and discusses how each differs in their mimetic and ideological approach. He pays particular attention to how the authors address issues of race, gender and politics in the United States. Sammons interweaves his discussion of these three writers with excurses into the emergence of the German Western and anti-Americanism in German fiction.

In this study of the prose fiction of Das Junge Deutschland, the internal stresses and paradoxes of specific texts are examined and special attention is devoted to the unfulfilled strivings toward realism. Following an introduction to the young German problem, with special reference to Wienbarg, there are essays on Gutzkow, Mundt, Kuhne, and, as a contrast, the major novels of Immermann. The essays attempt to enhance the understanding of the post-Romantic crisis in German literature.

Valuable for its insights into Schiller's life and for Carlyle's peculiar relationship to Schiller and German literature in general.Carlyle's biography of Schiller is still valuable, both for its insights into Schiller's life and for Carlyle's peculiar relationship to Schiller and German literature in general. In an age that has, by and large, forgotten the great idealist poet, this earliest biography provides good reason for a reacquaintance with a noble personality and distinguished achievement.

Schon zu Lebzeiten Heines wurde sein Werk entweder euphorisch in den Himmel gehoben oder abgrundtief verdammt - je nach politischem Standpunkt. Sammons legt eine ausgewogene Übersicht über den Stand der Heine-Forschung vor, in der alle wesentlichen Aspekte der Biografie, der Interpretation des Werkes, seiner zeitgeschichtlichen Einbettung sowie der internationalen Wirkung dargestellt sind.

The book series Studies in the History of German Literature covers the whole spectrum of research into German literary history and comprises monographs and collected volumes on individual epochs from the close of the Middle Ages up to the present day. It presents contributions explicating central concepts from literary history and on individual authors and works.