Jennalee Donian – författare

This book explores stand-up comedy as a relevant sociological phenomenon from a contemporary perspective, as both a symptom of neoliberal capitalism and the locus specificus of socio-political critique in the era of Empire. It draws a feasible connection between the conspicuous rise in the art form’s popularity over the past number of years and the dehumanizing and fracturing processes of the current dispensation that are increasingly becoming the defining experience of life in the contemporary era, and to which, understood in terms of the traditional humor theory of relief (of which Sigmund Freud is key), comedy serves as an obvious palliative. More than this, Taking Comedy Seriously: Stand-Up’s Dissident Potential in Mass Culture, in the Context of the Neoliberal Domain of 'Empire' questions the possibility of a contemporary aesthetics of humor, given that much of the art form is disseminated and controlled by the mass media, and as such complicit in its work. In particular, it argues that the ideological situation of global capitalism poses an obvious predicament for the possibility of a socio-politically efficacious stand-up comedy in that ironic and skeptical distance is already characteristic of postmodern cynicism, incorporated into the social fabric itself, effectively rendering the comedic technique of satire (synonymous with so-called ‘political comedy’) altogether appropriated, or at least compromised, and subsequently impotent. From where then does a site of resistance emerge? Through an analysis of a range of contemporary televisual, digital and literary examples from the comedic routines of American comedian and talk-show host Ellen DeGeneres, South African satirist Pieter-Dirk Uys, and South African born (and now American comedic talk-show sensation) Trevor Noah, this book argues that a contemporary ‘political comedy’ is reliant on a structuring aesthetic logic built around dissent, disruption and difference.

This interdisciplinary collection by Jennalee Donian and Andrea Hurst brings together insights from various humanities disciplines to examine humor’s role in navigating complex political, cultural, and personal landscapes.Humor as Social Critique: Widening the African Perspective explores how humor functions as a powerful tool for social critique in the African context. Part I delves into humor's relationship with political critique, analyzing how comedians, writers, and artists use humor to resist oppressive power structures and foster dialogue. Part II examines humor’s potential for socio-cultural critique, exploring how it reflects and shapes cultural norms, identities, and power dynamics. Part III investigates the role of humor in self-critique, highlighting its therapeutic potential and ability to promote humility and self-awareness. By centering African perspectives while engaging with global voices, Humor as Social Critique challenges the notion that humor is a uniquely localized phenomenon. Instead, it celebrates humor’s ability to transcend geographical and cultural boundaries, enriching the tapestry of human experience. This book offers valuable insights for scholars and readers interested in the intersections of humor, culture, and social justice.

This interdisciplinary collection by Jennalee Donian and Andrea Hurst brings together insights from various humanities disciplines to examine humor’s role in navigating complex political, cultural, and personal landscapes.Humor as Social Critique: Widening the African Perspective explores how humor functions as a powerful tool for social critique in the African context. Part I delves into humor's relationship with political critique, analyzing how comedians, writers, and artists use humor to resist oppressive power structures and foster dialogue. Part II examines humor’s potential for socio-cultural critique, exploring how it reflects and shapes cultural norms, identities, and power dynamics. Part III investigates the role of humor in self-critique, highlighting its therapeutic potential and ability to promote humility and self-awareness. By centering African perspectives while engaging with global voices, Humor as Social Critique challenges the notion that humor is a uniquely localized phenomenon. Instead, it celebrates humor’s ability to transcend geographical and cultural boundaries, enriching the tapestry of human experience. This book offers valuable insights for scholars and readers interested in the intersections of humor, culture, and social justice.

This book puts forward a revolutionary and comprehensive theoretical approach to understanding laughter and the humor we use to inspire it. This new perspective applies an evolutionary and biological lens through which we can fully appreciate these complex, universal human behaviors. It distinguishes itself from all classical and contemporary theories by revealing laughter’s singular message, rather than simply its causes and effects, and makes clear why perceptions of vulnerability and status are ever-present in our conscious and subconscious thoughts. The theory underscores our innate desire to cooperate, our respect for those who compete fairly, and our disdain for those who do not. And it sheds light on the social dynamics governing human interactions, both positive and negative, by recognizing laughter not as a reflexive reaction to a certain class of stimuli, but as a vital form of nonverbal communication—not only for us, but for our great ape cousins as well.